215254, ATHENIAN, Naples, Museo Archeologico Nazionale, Naples, Museo Archeologico Nazionale, Naples, Museo Archeologico Nazionale, H2419

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  • Vase Number: 215254
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: STAMNOS
  • Provenance: ITALY, NOCERA DE_PAGANI
  • Date: -450 to -400
  • Inscriptions: Named: AIONE, MAINAS, THALEIA, CHOREIA
  • Attributed To: DINOS P by RIEZLER
  • Decoration: A: CULT (LENAIA, ANTHESTERIA ?), MAENADS, SOME WEARING NEBRIS, SOME NAMED, AIONE, MAINAS, WITH TORCHES, THYRSOS, TYMPANON, SKYPHOS AND LADLE, AT IDOL OF DIONYSOS, TABLE WITH STAMNOI, KANTHAROS AND CAKES (FRUIT ?)
    B: MAENADS, WITH THYRSOI, TORCH, ONE IN NEBRIS WITH TYMPANON, ONE PLAYING PIPES, SOME NAMED, THALEIA, CHOREIA
  • Current Collection: Naples, Museo Archeologico Nazionale: 81674
  • Previous Collections:
    • Naples, Museo Archeologico Nazionale: H2419
    • Naples, Museo Archeologico Nazionale: M1485
  • Publication Record: Adam-Veleni, P., et al. (eds), Il dono di Dioniso, Mitologia del vino nell'Italia centrale (Molise) e nella Grecia del Nord (Macedonia) (Thessaloniki, 2011): 125, FIG.4 (COLOUR OF A)
    Archeo, Attualita di Passato: 136 (JUNE 1996) 96 BOTTOM (COLOUR OF A)
    Archeo, Attualita di Passato: 158, APRIL 1998, 61 (COLOUR OF PART OF A)
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1151.2
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tubingen, 1925): 447.5
    Beazley, J.D., Paralipomena (Oxford, 1971): 457
    Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): 96, NO.1, FIG.177 (DRAWING, PART)
    Bowden, H., Mystery Cults in the Ancient World (London, 2010): 134, FIG.94, FRONTISPIECE (A, PART OF A)
    Brinna, O., and Ehrl, F. (eds.), Echo, Beitrage zur Archaologie des mediterranen und alpinen Raumes, Johannes B. Trentini zum 80. Geburtstag (1990): 260, PL.2.2 (PART OF A)
    Buschor, E., Griechische Vasenmalerei (Munich, 1914): 207 (A)
    Cambiano, G. et al., Lo spazio letterario della Grecia Antica (Salerno, 1992): FIG.12 (A)
    Carpenter, T.H., Dionysian Imagery in Fifth-Century Athens (Oxford, 1997): PL.25B (A)
    Carpenter, T.H., with Mannack, T., and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 336
    Cerchiai, L., I Campani (Milan, 1995): PL.34.2 (A)
    Csapo, E., and Slater, W.J., The Context of Ancient Drama (Ann Arbor, 1995): PL.20B (A)
    Dimitrijevic, D. et al. (eds.), Anticki Teatar na tlu Jugoslavije, Saopstenja sa naucnog skupa 14.-17. april 1980 (Novi Sad, 1981): AT 178, FIG.5 (A)
    Estienne, S., et al. (eds.), Figures de dieux. Construire le divin en images (Rennes, 2014): 333, FIG.3 (DRAWING OF A)
    Evans, N., Civic rites, democracy and religion in ancient Athens (Berkeley, 2010): 206, FIG.12 (A)
    Fellmuth, N., et al., Der Jenaer Maler, Eine Topferwerkstatt im klassischen Athen (Wiesbaden, 1996): 51, FIG.43 (B)
    Frickenhausen, A., Lenaenvasen (Berlin, 1912): 14-15
    Furtwangler, A. und Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PLS.36-37
    Hahland, W., Vasen um Meidias (Berlin, 1930): PL.2 (B)
    Hamdorf, D., Dionysos, Bacchus, Kult und Wandlungen des Weingottes (Munich, 1986): 32, FIG.7 (DRAWING OF A)
    Hesperia: 58 (1989) PL.51B (A)
    Inghirami, F., Pitture di vasi fittili (Fiesole, 1835-37): PLS.317-8
    Isler-Kerenyi, C., Dionysos in Classical Athens. An Understanding through Images (Leiden and Boston, 2014): 185, FIG.98 (DRAWING OF A AND B)
    Jost, M., Aspects de la vie religieuse en Grece, Du debut du Ve siecle a fin du IIIe siecle av. J.-C. (Paris, 1992): 300, FIG.18 (PART OF A)
    Kachler, K.G., Zur Entstehung und Entwicklung der griechischen Theatermaske (Basel, 1991): 59, FIG.44 (A)
    Lexicon Iconographicum Mythologiae Classicae: VII, PL.614, THALEIA IV 3 (B)
    Matheson, S.B., Polygnotos and Vase Painting in Classical Athens (Madison, 1995): 157, PL.136 (A)
    Minerva, International Review of Ancient Art and Archaeology: 18.5 (SEPTEMBER/OCTOBER 2007) 25, FIG.3 (COLOUR OF A)
    Moraw, S., Die Manade in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v.Chr. (Mainz, 1998): PL.20.51A-B (A, B)
    Pecoraro, A. (ed.), Nuceria, Alfaterna e il suo territorio, Dalla fondazione ai Langobardi (Nocera, 1994): II, 163-165, FIGS.1-3 (A, B, DRAWINGS OF A AND B)
    Pelling, C. (ed.), Greek Tragedy and the Historian (Oxford, 1997): PL.11 (PART OF A)
    Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.582 (A)
    Philipp, M., et al., Dionysos, Rausch und Ekstase (Munich, 2013): 26, FIG.2 (COLOUR OF A)
    Plantzos, D., Greek Art and Archaeology, c. 1100-30 BC (Athens, 2016): 130, FIG.214 (COLOUR OF A)
    Prospettiva Rivista dell' arti antica e moderna (Siena): 75-76 (1994) 79-80 (DRAWINGS OF A AND B)
    Real Museo Borbonico: 12, PLS.21-3
    Reeder, E.D., et al., Pandora, Women in Classical Greece (Baltimore, 1995): 386-387, NO.124 (COLOUR OF A, B)
    Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 243, FIGS.246-247 (A, PART OF B)
    Romito, M., Vecchi scavi, nuovi studi (Salerno, 2005): 95, FIG.105-106 (COLOUR DRAWINGS OF A AND B)
    Scheibler, I., Griechische Topferkunst, Herstellung, Handel und Gebrauch der antiken Tongefasse, 2nd ed. (Munich, 1995): 53, FIG.50 (A)
    Schlesier, R., and Schwarzmaier, A. (eds.), Dionysos, Verwandlung und Ekstase (Berlin, 2008): 36, 89, FIGS.7, 10 (DRAWINGS OF B AND A)
    The Cambridge Ancient History, 2nd ed., V, The Fifth Century (Cambridge, 1992): 253, FIG.32 (DRAWING OF A)
    Thesaurus Cultus et Rituum Antiquorum: II, PL.106.332 (A)
    Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 186-189, FIGS.169-172 (COLOUR OF A AND PARTSs OF A)
    Vasi Antichi, Museo Archeologio Nazionale di Napoli (Naples 2009): 74-76 (COLOUR OF A AND B, COLOUR OF PART)
    Yatromanolakis, D. (ed.), An Archaeology of Representations, Ancient Greek Vase-Painting and contemporary Methodologies (Athens, 2009): 313, FIG.4 (A)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=5638
  • AVI Record Number: 5417
  • LIMC ID: 9652
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-742c554fdf689-1
  • CAVI Collection: Naples 2419.
  • CAVI Lemma: RF stamnos. From Nocera de' Pagani. Dinos Painter. Late fifth.
  • CAVI Subject: Lenaia: A: four maenads at an image of Dionysus. B: three maenads.
  • CAVI Inscriptions: Above the heads: A: Διωνη. Μαινας. B: Θαλεια. Χορεια.
  • CAVI Footnotes: {1} the name Choreia is given to the wrong maenad on A.
  • CAVI Number: 5417
  • AVI Bibliography: FR (1904–32), i, 193-95, pls. 36-37. — C. Fränkel (1912), 50, 100/θ. — ARV[2] (1963), 1151/2. — Para. (1971), 457. — Simon–Hirmer (1981), pls. 212-15{1}. — LIMC iii (1986), Choreia 1; Dione 10. — Add.[2] (1989), 336 (much bibl.). — Boardman (1989), fig. 177. — AttScr (1990), no. 938. — Kossatz-Deissmann (1991), 177 (Choreia 1, bibl.). — Robertson (1992), 242 and 318 n. 52, figs. 246-47 (A, part of B). — Matheson (1995), 381/D2, pl. 136 (inscriptions not mentioned).
  • Image Credits: FURTWANGLER-REICHHOLD DRAWINGS: Please consult with Williams College Special Collections staff and Williams College Visual Resources Center staff, regarding questions about publishing and accessing materials from Williams College Special Collections. Researchers are responsible for handling any copyright issues that may be associated with collections and materials.
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