206954, ATHENIAN, Paris, Musee du Louvre, G341


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  • Vase Number: 206954
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: KRATER, CALYX
  • Provenance: ITALY, ORVIETO
  • Date: -475 to -425
  • Attributed To: NIOBID P by BEAZLEY
  • Current Collection: Paris, Musee du Louvre: G341
  • Publication Record: 128, PL.12.2 (PART OF A)
    Acton, P., Poiesis. Manufacturing in Classical Athens (Oxford, 2014): 76, FIG.3.1 (A)
    Albersmeier, S. (ed.), Heroes, Mortals and Myths in ancient Greece (Baltimore, 2009): 114, FIG.69 (A)
    Albersmeier, S. (ed.), The Art of Ancient Greece, The Walters Art Museum (Baltimore, 2008): 187, FIG.17 (COLOUR OF PART OF B)
    Andreae, B. et al., Ulisse, il mito e la memoria (Rome, 1996): 84, FIG.7 (DRAWING OF A)
    Barringer, J.M., The Art and Archaeology of Ancient Greece (Cambridge, 2014): 220, FIG.4.27A-B (COLOUR OF A AND B)
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 601.22, 1661
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tubingen, 1925): 338.9
    Beazley, J.D., Paralipomena (Oxford, 1971): 395
    Bintliff, J., The Complete Archaeology of Greece, from Hunter-Gatherers to the 20th Century AD (Malden, 2012): 256, FIG.10.4 (A)
    Boardman, J. (ed.), The Oxford History of Classical Art (Oxford, 1993): 106, FIG.96 (DRAWING OF B)
    Boardman, J. with Charleston, R.J., Cook, R.M., and Hennessy, Die Keramik der Antike, Mesopotamien, Agypten, Griechenland, Italien (Freiburg, Basel, and Wien, 1985): 222 (COLOUR OF A)
    Boardman, J., (ed.), La ceramica antica (Milan, 1984): 222 (A)
    Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.4.1-2 (DRAWING AND PART OF A, B)
    Boardman, J., Greek Art, 4th edition (London, 1996): 200, FIG.197 (COLOUR OF A)
    Boardman, J., The history of Greek vases: potters, painters and pictures (London, 2001): 272, FIG.300 (A)
    Boardman, J., The history of Greek vases: potters, painters and pictures (London, 2001): 93, FIG.125 (DRAWING OF B)
    Bol, P. (ed.), Zum Verhaltnis von Raum und Zeit in der griechischen Kunst (2003): PL.1, FIG.1 (DRAWING OF A)
    Bonacasa, N. (ed.), Lo Stile Severo in Grecia e in Occidente, Aspetti e problemi, Studi e Materiali 9 (Rome, 1995): PLS.4.6, 5.5 (DRAWINGS OF A AND PART OF A)
    Bulletin Antieke Beschaving: 74 (1999) 66, FIGS.1-2 (A, B)
    Burn, L., and Glynn, R., Beazley Addenda (Oxford, 1982): 130
    Buschor, E., Griechische Vasenmalerei (Munich, 1914): 189 (A)
    Cain, H.-U., Gabelmann, H., and Salzmann, D. (eds.), Festschrift fur Nikolaus Himmelmann (Bonn, 1989): PL.31.2 (PART OF A)
    Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIGS.71, 125 (A, B)
    Carpenter, T.H., with Mannack, T., and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 266
    Carratelli, G.P. (ed.), I Greci in Occidente (1996): 95 (COLOUR OF B)
    Corpus Vasorum Antiquorum: PARIS, LOUVRE 2, III.Id.3, PLS.(95-98) 1.1-4, 2.1-4, 3.1-5, 4.1 View Whole CVA Plates
    Denoyelle, M., La cratere des Niobides (Paris, 1997): 5, 11-12, 14, 18-22, 31, 35
    Dreyfus R., and Schraudolph, E., Pergamon, The Telephos Frieze from the Great Altar I (San Francisco, 1996): 41, FIG.1 (DRAWING OF B)
    Ellinghaus, C., Die Parthenonskulpturen, Der Bauschmuck eines offentlichen Monumentes der demokratischen Gesellschaft Athens zur Zeit des Perikles, Techniken in der bildenden Kunst zur Tradierung von Aussagen (Hamburg, 2011): FIG.214 (A)
    Frank, S., Attische Kelchkratere, eine Untersuchung zum Zusammenspiel von Gefassform und Bemalung (Frankfurt, 1990): PL.11 (A, B)
    Fullerton, M.D., Greek Art (Cambridge, 2000): 121, FIG.88 (COLOUR OF A)
    Furtwangler, A. und Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): II, 244, 251, III, 144, FIG.187, PLS.108, 165 (A, B)
    Geroulanos, S. and Bridler, R., Trauma, Wund-Entstehung und Wund-Pflege im antiken Griechenland (Mainz, 1994): FIG.55 (B)
    Girard, T., L'oblique dans le monde grec (Oxford, 2015): 66, FIG.26 (A)
    Hafner, G., Jason, Frauen angenehm, RdA Suppl. 16 (Rome, 1995): PL.4 (DRAWING OF A)
    Hesperia: 60 (1991) PL.124C (PART OF BD)
    Heurgon, J., Scripta varia, Latomus V.191 (1986): PL.16, FIG.8 (PART OF A)
    Hocker, C. and Schneider, L., Phidias (Hamburg, 1993): 42-43 (DRAWING OF A)
    Journal of Hellenic Studies: 109 (1989) PL.3A-C (DRAWINGS OF A AND PART OF A)
    Laing, J&J, Ancient Art, The Challenge to modern Thought (Dublin, 1993): 172, FIG.136 (B)
    Langlotz, E., Griechische Vasenbilder (Heidelberg, 1922): PL.34 (A)
    Lexicon Iconographicum Mythologiae Classicae: III, PL.475, DIOSKOUROI 219 (PART OF A)
    Lexicon Iconographicum Mythologiae Classicae: V, PL.161, HERAKLES 3520 (A)
    Lexicon Iconographicum Mythologiae Classicae: VI, PL.255, MENESTHEUS 4 (PART OF A)
    Martens, D., Une esthetique de la transgression: le vase grec de la fin de l'epoque geometrique au debut de l'epoque classique (Brussels, 1992): 20, FIG.3 (A)
    Monumenti inediti pubblicati dall'Instituto di Corrispondenza Archeologica (Rome, 1829-91): XI, PLS.38-40
    Monuments grecs: 1895-97, 19-23
    Morard, T., Horizontalite et Verticalite, Le bandeau humain et le bandeau divin chez le Peintre de Darius (Mainz, 2009): PL.77.1 (B)
    Moreno, P., La pittura Greca dalle origini ad Apelle, Archeo Dossier 34: 30 (COLOUR OF B)
    Morford, M., et al., Classical Mythology, International Ninth Edition (Oxford, 2011): 218 (A)
    Neils, J. and Oakley, J.H. (eds.), Coming of Age in Ancient Greece, Images of Childhood from the Classical Past (New Haven, 2003): 118, FIG.6 (B)
    Neils, J., The Parthenon Frieze (Cambridge, 2001): 97, FIG.68 (A)
    Osborne, R., Archaic and Classical Greek Art, Oxford History of Art (Oxford, 1998): 165-166, FIGS.90-91 (COLOUR OF A AND B)
    Pallas, Revue d'etudes antiques: 92 (2013) 26, FIG.3 (B)
    Pedley, J.G., Greek Art and Archaeology (New Jersey, 1993): 230, FIGS.7.34-35 (A, B)
    Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.492 (A)
    Plantzos, D., Greek Art and Archaeology, c. 1100-30 BC (Athens, 2016): 185, FIG.341 (COLOUR OF B)
    Pottier, E., Vases antiques du Louvre (Paris, 1897-1922): PL.136
    Prange, M., Der Niobidenmaler und seine Werkstatt, Untersuchungen zu einer Vasenwerkstatt fruhklassischer Zeit (Frankfurt, 1989): PL.7.N25 (DRAWING OF A)
    Revue du Louvre: 3 (1989) 143, FIG.19 (B)
    Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 181, FIGS.191-192 (A, B)
    Scheibler, I., Griechische Malerei der Antike (Munich, 1994): 144, FIG.68 (DRAWING OF A)
    Servadei, C., La figura di Theseus nella ceramica Attica, Iconografia e iconologia del mito nell' Atene arcaica e classica (Bologna, 2005): 172, FIG.74 (PART OF A)
    Siracusano, A., Arte greca, un'interpretazione (Messina, 2009): 112, FIG.10 (A)
    Sonnabend, H. (ed.), Mensch und Landschaft, Lexikon der Historischen Geographie (Stuttgart and Weimar, 1999): 559, FIG.98 (A)
    Spivey, N. and Rasmussen, T. (eds.) Looking at Greek Vases (Cambridge, 1991): 113, FIG.46 (A)
    Stansbury-O'Donnell, M.D., A History of Greek Art (Oxford, 2015): 238, FIG.10.22 (COLOUR OF A)
    Sweet, W.E., Sport and Recreation in Ancient Greece, A Source Book with Translations (Oxford, 1987): 179, PL.60 (B)
    Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 168, FIG.149 (COLOUR OF B)
    VELEIA. Revista de Prehistoria, Historia Antigua, Arqueologia y Filologia Clasicas: 20 (2003) 280, FIG.3. (PART OF B)
    Walter-Karydi, E. (ed.), Myths, Texts, Images, Homeric epics and ancient Greek art, Proceedings of the 11th International Symposium on the Odyssey, Ithaca, September 15-19, 2009 (Ithaca, 2010): 231, FIG.13 (DRAWING OF A)
    Whitley, J., The Archaeology of Ancient Greece (Cambridge, 2001): 288, FIG.11.13 (B)
    Woodford, S., An Introduction to Greek Art. Sculpture and Vase Painting in the Archaic and Classical Periods. 2nd edition (London, 2015): 105, FIG.149 (COLOUR OF A)
  • LIMC ID: 7745
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-74115eb517533-5
  • Image Credits: FURTWANGLER-REICHHOLD DRAWINGS: Please consult with Williams College Special Collections staff and Williams College Visual Resources Center staff, regarding questions about publishing and accessing materials from Williams College Special Collections. Researchers are responsible for handling any copyright issues that may be associated with collections and materials.
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