300000, ATHENIAN, Florence, Museo Archeologico Etrusco, 4209

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  • Vase Number: 300000
  • Fabric: ATHENIAN
  • Technique: BLACK-FIGURE
  • Shape Name: KRATER, VOLUTE
  • Provenance: ITALY, CHIUSI
  • Date: -600 to -550
  • Inscriptions: ERGOTIMOS
    KLEITIAS
    Named: HARPYLEAS ARISTANDROS, LABROS, ANTANDROS, THORAX, EUTYMACHOS, MELANION, ATALATE, METHEPON, ORMENOS, ANTAIOS, KORAX, AKASTOS, SIMON, PAUSILEON, TOXAMIS, EBOLOS, EGERTES, MARPSAS, ASMETOS, KYNORTES, KIMERION
    Named: KALLIOPE, URANIA, MELPOMENE, KLEIO [KLEO], EUTERPE, THALEIA, STESICHORE, ERATO, POLYMNIS
    Named: TROON, RHODIA
    Named: TROPHOS, EPIBOIA, PROKRITOS, LYSIDIKE, HERNIPO, ASTERIA, ANTIOCHOS, DAMASISTRATE, HEUXISRATOS, KORONIS, EURYSTHENES, MENESTHO, DAIDOCHOS, HIPODAMEIA, PHAIDIMOS
    Signature: KLITIASMEGRAPHSEN:ERGOTIMOSMEPOIESEN
  • Attributed To: ERGOTIMOS POTTER by SIGNATURE
    KLEITIAS by SIGNATURE
  • Decoration: A2: ACHILLES AND TROILOS, POLYXENE, PRIAM SEATED ON BLOCK (NAMED, THAKOS) WITH SCEPTRE, HEKTOR AND POLITES (WARRIORS, DEVICE, GORGONEION), ATHENA, HERMES IN NEBRIS, THETIS, APOLLO, YOUTH AND WOMAN WITH HYDRIA (NAMED, TROON, RHODIA), FOUNTAINHOUSE (DORIC BUILDING) WITH PANTHER HEAD SPOUTS, WALL WITH GATE, HYDRIAI
    AB1: WEDDING OF PELEUS AND THETIS, ON KLINE IN DORIC BUILDING, KANTHAROS ON ALTAR, GODS AND GODDESSES, SOME IN CHARIOTS, CHIRON WITH TREE WITH HARES, IRIS IN NEBRIS, WOMAN (CHARIKLO), DEMETER, HESTIA, DIONYSOS WITH NECK AMPHORA AND VINE, THREE MOIRAI IN ONE CLOTH, ZEUS AND HERA, POSEIDON AND AMPHITRITE, ARES AND APHRODITE IN CHARIOTS, MUSES, ONE PLAYING PIPES, ALL NAMED (KALLIOPE, URANIA, MELPOMENE, KLEIO [KLIO], EUTERPE, THALEIA, STESICHORE, ERATO, POLYMNIS) ATHENA, NEREUS, DORIS, ARTEMIS AND APOLLO, HERMES AND MAIA, NYMPHS OR GRACES, THEMIS (?) HEPHAISTOS ON MULE
    B2: RETURN OF HEPHAISTOS, ON MULE WITH WHIP, DIONYSOS, APHRODITE, HERA AND ZEUS WITH SCEPTRE SEATED ON CHAIRS, ATHENA (ALL NAMED), ARES SEATED ON BLOCK WITH BOEOTIAN SHIELD, HERMES, POSEIDON, ARTEMIS, SATYRS, ONE WITH WINESKIN, ONE PLAYING PIPES, ONE CARRYING NYMPH OR MAENAD, NYMPHS
    FB: ANIMAL FRIEZE, FLORALS, LOTUS PALMETTE CHAINS BETWEEN SPHINXES AND GRIFFINS, PANTHERS ATTACKING DEER AND BULL, LIONS ATTACKING BOAR AND BULL
    NA: FUNERARY GAMES OF PATROKLOS, CHARIOT RACE, ACHILLES AT TERMA, HIPPOTHOON, DAMASIPPOS, DIOMEDES, AUTOMEDON AND ODYSSEUS IN CHARIOTS, TRIPODS, DINOS
    NB: CENTAUROMACHY, CENTAURS WITH ROCKS AND TREES, SOME FALLEN, THESEUS, KAINEUS, WARRIORS (ALL NAMED, ANTIMACHOS, HYLAIOS, AGRIOS, HASBOLOS, HOPLON, PETRAIOS, PYRRHOS, MELANITES, OROSBIOS)
    OF: FIGHT, PYGMIES, SOME RIDING ON GOATS, SOME WITH CLUBS, SOME WITH SLINGS, AND CRANES
    OH1: WINGED WOMAN (POTNIA THERON) HOLDING PANTHER AND DEER, WINGED WOMAN (POTNIA THERON) HOLDING LIONS
    OH2: AJAX CARRYING THE BODY OF ACHILLES, BOTH NAMED
    OH: GORGONS RUNNING
    RA: CALYDONIAN BOAR HUNT, MEN, ONE FALLEN, AND YOUTHS WITH SPEARS, ALL DRAPED, SOME IN NEBRIDES, SOME IN PANTHER SKINS, ARCHERS, DOGS, ATALANTE, MELEAGER, PELEUS, DIOSKOUROI, ADMETOS (ALL NAMED, HARPYLEAS ARISTANDROS, LABROS, ANTANDROS, THORAX, EUTYMACHOS, MELANION, ATALATE, METHEPON, ORMENOS, ANTAIOS, KASTOR, POLYDEUKES, KORAX, AKASTOS, SIMON, PAUSILEON, TOXAMIS, EBOLOS, EGERTES, MARPSAS, ASMETOS KYNORTES, KIMERION) BETWEEN SPHINXES
    RB: THESEUS ON CRETE WITH LYRE, ARIADNE WITH WOOL, WOMAN, SHIP WITH MEN AND YOUTHS, SOME DRAPED, SOME IN PETASOI, SOME SEATED, ONE IN NEBRIS, ONE SWIMMING, PROCESSION OF WOMEN AND DRAPED YOUTHS (ALL NAMED, TROPHOS, EPIBOIA, PROKRITOS, LYSIDIKE, HERNIPO, ASTERIA, ANTIOCHOS, DAMASISTRATE, HEUXISRATOS, KORONIS, EURYSTHENES, MENESTHO, DAIDOCHOS, HIPODAMEIA, PHAIDIMOS)
  • Current Collection: Florence, Museo Archeologico Etrusco: 4209
  • Publication Record: Agathos Daimon, Mythes et Cultes, Etudes d'iconographie en l'honneur de Lilly Kahil, BCH Supplement 38 (2000): 202, FIG.3A-B (OH1)
    Agones kai Athlimata stin Archaia Thessalia, Ypourgeio Politismoy Archaiologiko Mouseio Volou (Athens, 2004): 43, FIG.18 (COLOUR OF A)
    Ahlberg-Cornell, G., Myth and Epos in Early Greek Art, Representation and Interpretation (Jonsered, 1992): 289, FIGS.47-48 (AH)
    Albersmeier, S. (ed.), Heroes, Mortals and Myths in ancient Greece (Baltimore, 2009): 112, FIG.65A-B (DRAWING OF RB AND A2)
    Aloni, A., and Ornaghi, M. (eds.), Tra panellenismo e tradizioni locali, Nuovi contributi (Messina, 2011): 80, FIG.8 (OH2)
    American Journal of Archaeology: 101 (1997) 643, FIG.2 (PART OF AB1)
    American Journal of Archaeology: 77 (1973) PL.22, FIG.24 (PART)
    American Journal of Archaeology: 84 (1980) PL.3, FIG.3 (HANDLES)
    American Journal of Archaeology: 95 (1991), 642, FIG.16 (PART OF A)
    American Journal of Archaeology: 99 (1995) 625, FIG.7 (PART OF NA)
    Ancient Civilizations from Scythia to Siberia, An International Journal of Comparative Studies in History and Archaeology: 12 (2006) 212, FIG.6 (PARTS)
    Anderson, J., Hunting in the Ancient World (Berkeley, 1985): 3, FIG.1 (DRAWING, PART OF A)
    Angiolillo, S., and Giuman, M. (eds.), Imago, Studi di iconografia antica (Cagliari, 2007): 179, 295, FIGS.5, 6, 13 (DRAWING OF PART OF RB, OH2)
    Annual of the British School at Athens: 108 (2013) 216, FIG.9 (PART OF FB)
    Antike Kunst: 40 (1997) 2, PLS.12.2, 14, 15.1 (DRAWINGS OF PARTS)
    Antike Kunst: 49 (2006) PLS.1, 5.1-2 (A, B, PARTS OF A)
    Antike Kunst: 55 (2012), PL.4, FIGS.3-4 (OH2)
    Antike Welt: 19 (1988) 4, 43, FIG.1 (PART)
    Archaologischer Anzeiger: (1969) 533, FIGS.1-2 (PART)
    Archaologischer Anzeiger: (1999) 558, FIGS.2-4 (AH, DRAWING OF PART)
    Archeo, Attualita di Passato: 159 (MAY 1998) 113, 115 (COLOUR OF PARTS)
    Archeo, Attualita di Passato: 80 (OCTOBER 1991) 69 TOP, 70 (COLOUR OF A AND PART OF OH)
    Archivo Espanol de Arqueologia: 53 (1980) 13-14, FIGS.4, 7 (DRAWINGS OF PART AND OH)
    Athena Nike: The Victory of the Goddess. Greek Marbles of the 5th and 4th century BC of Fondazione Sorgente Group (Rome, 2013): 60, FIG.32 (OH1)
    Averna, E., Intrattentmenti ludici dalla preistoria al medioevo (Rome, 2009): 276, FIG.129 (DRAWING OF PART OF RB)
    Balme, M., and Lawall, G., Athenaze. An Introduction to Ancient Greek. Third Edition (Oxford, 2016): COLOUR PLATE 19 (COLOUR OF A)
    Barringer, J.M., The Art and Archaeology of Ancient Greece (Cambridge, 2014): 160-161, FIGS.3.30A-C (COLOUR OF A, B AND OH1)
    Bass, G., A History of Seafaring (London, 1972): 54, FIG.2 (PART)
    Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 76.1, 682
    Beazley, J.D., Paralipomena (Oxford, 1971): 29
    Beazley, J.D., The Development of Attic Black- figure, ed.2 (California, 1986): PLS.23-29.4 (A, PARTS OF A AND B)
    Bellia, A. (ed.), Musica, culti e riti nell'occidente greco (Pisa and Rome, 2014): 285, FIG.7 (DRAWING OF PART OF AB1)
    Belozerskaya, M., and Lapatin, K., Ancient Greece, Art, Architecture, History (London, 2004): 49 (COLOUR OF A)
    Berard, C. (ed.), Images et societe en Grece ancienne, L'iconographie comme methode d'analyse, Cahiers d'Archeologie Romande 36 (Lausanne, 1987): 11, FIG.1, 29, 31, FIGS.1-2 (DRAWING OF PART, A, B)
    Bettini, M. and Franco, C., Il mito di Circe, Immagini e racconti dalla Grecia a oggi (Torino, 2010): 135, FIG.3 (OH1)
    Bianchi Bandinelli, R., & Paribeni, E., L'Arte dell' antichita classica, I, Grecia (Turin, 1976): NO.276 (A, PART)
    Bielfeldt, R. (ed.), Ding und Mensch in der Antike. Gegenwart und Vergegenwartigung (Heidelberg, 2014): 330, FIG.14 (PART OF A2)
    Biers, W., The Archaeology of Greece (Cornell, 1980): 175-177, FIGS.7.30-32 (A, PARTS)
    Boardman, J. (ed.), The Oxford History of Classical Art (Oxford, 1993): 71, FIG.66 (A)
    Boardman, J., Athenian Black Figure Vases (London, 1974): FIG.46.1-8 (A, PARTS)
    Boardman, J., Greek Art, 4th edition (London, 1996): 102-103, FIGS.89-90 (A, PART OF NB1)
    Boardman, J., Griffin, J. and Murray, O., Oxford History of the Classical World (Oxford, 1986): 94-95 (PARTS)
    Boardman, J., The Greeks Overseas, 4th edition (London, 1999): 150, 256, FIGS.189, 296 (DRAWING OF F AND PART))
    Boardman, J., The history of Greek vases: potters, painters and pictures (London, 2001): 52-53, 182, FIGS.62-64, 202 (A, PARTS OF A, OH)
    Bol, P. (ed.), Zum Verhaltnis von Raum und Zeit in der griechischen Kunst (2003): PL.4, FIG.8 (PART OF A2)
    Bollettino d'Arte: I SERIE SPECIALE (1981)
    Boreas: 10 (1987), 6, FIG.1 (A, B)
    Bothmer, D.von, The Amasis Painter and his World (Malibu, 1985): 40, FIG.23 (PARTS)
    Braccesi, L., La leggenda di Antenore, dalla Troade al Veneto (Marsilio, 1997): FRONTCOVER (COLOUR OF PART)
    Brinkmann, V., Beobachtungen zum formalen Aufbau und zum Sinngehalt der Friese des Siphnierschatzhauses (Ennepetal, 1994): 97 (DRAWING OF PART OF RA)
    Brommer, F., Hephaistos (Mainz, 1978): 11, FIG.1, PL.1.1-2 (PARTS)
    Browning, R.(ed), The Greek World: Classical, Byzantine and Modern (London, 1985): 120, FIG.10, 136 (A, PART OF A)
    Budin, S. L., The Origin of Aphrodite (Bethesda, MD, 2003): 26, FIG.2D (DRAWINGS OF B2 AND PART OF B2)
    Buitron-Oliver, D. (ed.), New Perspectives in Early Greek Art (Hanover and London, 1991): 125, FIGS.2-3 (PART, DRAWING OF PART)
    Bulletin Antieke Beschaving: 86 (2011), 1-2, 4-5, FIGS.1-2, 5, 7 (COLOUR OF A AND PARTS OF AB1 AND B1)
    Bulletin de Correspondance Hellenique: 109 (1985) 127, FIG.91 (DRAWING OF PART)
    Cahiers de Mariemont, Bulletin du Musee Royal de Mariemont: 12 (1981) 20, FIG.10 (PARTS OF A)
    Cambiano, G. et al., Lo spazio letterario della Grecia Antica (Salerno, 1992): PL.4 (COLOUR OF A)
    Capdeville, G., Volcanus, Recherches comparatistes sur les origines du culte de Vulcain (Rome, 1995): FIGS.24-24A (A, PART OF NA)
    Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIGS.1-2, 20, 75, 86, 248, 284 (PARTS, INCLUDING DRAWING)
    Carpenter, T.H., Dionysian Imagery in Archaic Greek Art (Oxford, 1986): PLS.1B, 4A (PARTS)
    Carpenter, T.H., Dionysian Imagery in Fifth-Century Athens (Oxford, 1997): PLS.5A, 12A-B, 38A (DRAWINGS OF PARTS)
    Carpenter, T.H., with Mannack, T., and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 21
    Carratelli, G.P. (ed.), I Greci in Occidente (1996): 484 (COLOUR OF PART)
    Carratelli, G.P. (ed.), Magna Grecia 3, Vita religiosa e cultura letteraria, filosofica e scientifica (Milan, 1988): 335, FIG.411 (PART OF B)
    Charbonneaux, J., Martin, R., and Villard, F., Archaic Greek Art (London, 1971): 9, FIGS.6, 60-69 (A, PARTS)
    Chiarini, S., L'archeologia dello Scutum Herculis (Rome, 2012): 84, FIG.17A-F (PARTS OF NB)
    Christiansen, J., Melander, T., Proceedings of the 3rd Symposium on Ancient Greek and Related Pottery, Copenhagen 31.8.-4.9.87 (Copenhagen, 1988): 400-401, FIGS.9-11 (PARTS)
    Classical Antiquity: 15 (1996) FIG.3 AT P.77 (NA)
    Classical Antiquity: 21 (2002) 259, FIG.1 (PART OF B)
    Classical Antiquity: 25 (2006) FIG.13 AT 325 (PARTS OF B, B2)
    Classical Antiquity: 9 (1990) FIG.8 AT 148 (A)
    Cohen, B. (ed.), Not the Classical Ideal, Athens and the Construction of the Other in Greek Art (Leiden, Boston and Koln, 2000): 50, FIG.2.2 (PART)
    Cook, R.M., & Charleston, R., Masterpieces of Western and near-Eastern Ceramics (Tokyo, 1979): FIGS.27-28 (A, PARTS)
    Cristofani, M., Citta e Campagna nell'Etruria Settentrionale (Florence, 1976): 119, FIG.160 (A)
    Daltrop, G., Die Kalydonische Jagd in der Antike (Hamburg, 1966): PLS.1-2 (PART OF A)
    Dasen, V., Dwarfs in Ancient Egypt and Greece (Oxford, 1993): PL.58 (OF)
    De la Geniere, J. (ed.), Le cratere a volutes. Destination d?un vase de prestige entre Grecs et non-Grecs (Paris, 2014): 92, PL.2.3 (COLOUR OF A)
    Delavaud-Roux, M-H., Les danses pacifiques en Grece antique (Aix-en-Provence, 1994): 71-73, NO.29 (DRAWING OF PART)
    Dreyfus, R., and Schraudolph, E. (eds.), Pergamon, The Telephos Frieze from the Great Altar, 2 (Austin, 1996): 116, FIGS.3-4 (A, AH)
    Duby, G., Perrot, M. (eds.), Histoire des femmes (Plon, 1991): 167, FIG.2 (DRAWING OF PART)
    Ebertshauser, H., Waltz, M., Vasen - Bronzen - Terrakotten des klassischen Altertums (Munich, 1981): 69, FIG.82 (B)
    Ellinghaus, C., Die Parthenonskulpturen, Der Bauschmuck eines offentlichen Monumentes der demokratischen Gesellschaft Athens zur Zeit des Perikles, Techniken in der bildenden Kunst zur Tradierung von Aussagen (Hamburg, 2011): FIG.231 (A2)
    Enciclopedia dell'Arte Antica: ATLANTE PLS.173-79 (DRAWINGS)
    Enciclopedia dell'Arte Antica: SUPP.II.1, COLOUR PL. AT P.532 (COLOUR OF PART)
    Ephemeris Archaiologike: (1969), PL.50A (PART)
    Esposito, A.M., and Tommaso, G. (eds.), Museo Archeologico Nazionale di Firenze, Vasi Attici (Firenze, 1993): FRONTISPIECE, 19-22, FIGS.9-15 (COLOUR OF A, B AND PARTS)
    Estienne, S. et al. (eds.), Image et religion dans l'antiquite greco-romaine, actes du colloque de Rome, 11-13 decembre 2003 (Naples, 2008): 25-27, FIGS.1-2 (PARTS OF AB1)
    Etudes de Lettres: 4 (1983) 70, FIG.7 (A)
    Eulimine, Mesogeiake Archeologike Etaira Rethymno: 2 (2001) 91, FIG.1 (DRAWING OF PART)
    Expedition, Bulletin of the Museum of the University of Pennsylvania: 27 (1985) 2, 12, FIG.4 (PART)
    Finley, M., and Pleket, H., The Olympic Games; The First Thousand Years (London, 1976): PL.9 AT 58, FIG.A (PART OF A)
    Fiorentini, G., Caltabiano, M., and Calderone, A. (eds.), Archeologia del Mediterraneo, Studi in onore di Ernesto de Miro (Rome, 2003): 479, FIGS.13-14 (ORNAMENT ON HANDLES)
    Frederiksen, R., Greek city walls of the archaic period, 900-480BC (Oxford, 2011): 39, FIG.2 (PART OF A2)
    Frontisi-Ducroux, F., Du Masque au Visage, Aspects de l'identite en Grece ancienne (Paris, 1995): PL.73 (DRAWING OF PART OF A1)
    Fullerton, M.D., Greek Art (Cambridge, 2000): 100, FIGS.70-71 (COLOUR OF A AND B)
    Furtwangler, A. und Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PLS.1-3, 11-13
    Galoin, A., Vases Grecs, Collections des musees de Compiegne et de Laon (Paris, 2001): 52-53, FIG.33 (COLOUR OF A AND PART OF A)
    Gasp! Tampa Museum of Art Magazine: 3 (2011) 18-19, FIG.1A-C (COLOUR OF A AND DRAWING OF PART OF AB1)
    Genovese, G., Nostoi, tradizioni eroiche e modelli mitici nel meridione d'Italia (Rome, 2009): 251, 282, FIGS.94, 113 (PART OF RA, NA AND NB)
    Geroulanos, S. and Bridler, R., Trauma, Wund-Entstehung und Wund-Pflege im antiken Griechenland (Mainz, 1994): FIGS.61, 76 (OH, PART OF NA)
    Gherchanoc, F., and Huet, V. (eds.), Vetements antiques, S'habiller, se deshabiller dans les mondes anciens (Arles, 2012): 151, FIG.2 (COLOUR AND DRAWING OF PARTS OF RB)
    Girard, T., L'oblique dans le monde grec (Oxford, 2015): 142, FIG.134
    Giudice, F., and Panvini, R. (eds.), Il greco, il barbaro e la ceramica attica, Immaginario del diverso, processi di scambio e autorappresentazione degli indegni, Volume Quarto, Atti del Convegno Internazionale di Studi 14-19 maggio 2001 (Rome, 2007): 130, FIG.8 (DRAWING OF PART OF OF)
    Giuliani, L., Image and myth, a history of pictorial narration in Greek art (Chicago, 2013): 111, 119, 122, 124-125, FIG.23A-E (A, OH2, PARTS OF AB1, RB)
    Gymnasium: 89 (1982) PLS.14-16 (A, B AND SIDE)
    Haas, G., Die Syrinx in der griechischen Bildkunst (Wien, 1985): 148, FIG.7 (PART)
    Harlow, M. and Nosch, M-L. (eds.), Greek and Roman Textiles and Dress: An Interdisciplinary Anthology (Oxford, 2014): 63, FIGS.4.1A-B (COLOUR OF PARTS)
    Hedreen, G., Capturing Troy, The Narrative Functions of Landscape in Archaic and Early Classical Greek Art (Ann Arbor, 2001): FIGS.26A-E (A, PARTS)
    Hedreen, G., The Image of the Artist in Archaic and Classical Greece: Art, Poetry, and Subjectivity (Cambridge, 2016): 167, 170, 175, 178, 188, FIGS.25-27, 29, 30-33, PLS.14-15 (PARTS, COLOUR OF A AND B)
    Hedreen, G.M., Silens in Attic Black-figure Vase-painting (Michigan, 1992): PL.1 (PARTS)
    Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Manaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 86-87, FIG.32 (PARTS), 105, 264, FIGS.44, 163 (B2 AND PARTS)
    Henle, J., Greek Myths: a Vase Painter's Notebook (Indiana, 1973): 117, FIG.57 (A)
    Hephaistos: 14 (1996) 180, FIG.13 (DRAWING OF PART)
    Hesperia: 80 (2011) 492-493, FIGS.1-2 (COLOUR OF A AND PARTS OF RA)
    Hirayama, T., Kleitias and Attic Black-Figure Vases in the Sixth-Century B.C. (Tokyo, 2010): FOLDOUT, PLS.I-III, 3-14, FIG.21B-C, E, G (INCLUDING COLOUR)
    Holloway, R.R., A View of Greek Art (Providence, 1973): 78-79, FIGS.54-56 (A, B, PARTS)
    Hurwit, J.M., Artists and Signatures in Ancient Greece (Cambridge, 2015): 79, FIG.39 (PART OF AB1)
    Hurwit, J.M., The Art and Culture of Early Greece, 1100-480 (Ithaca, 1985): 225, FIG.93 (A, B, SIDE)
    Hyatt, S. (ed.), The Greek Vase (New York, 1981): FIGS.49-50 (A, PART OF A)
    Immerwahr, H., Attic Script, A Survey (Oxford, 1990): PL.4.18-19 (PARTS)
    Isler-Kerenyi, C., Dionysos in Archaic Greece, An Understanding through Images (Leiden, 2007): FIGS.41-42 (OH, A1, A2, B2 AND PARTS)
    Jahrbuch des Deutschen Archaologischen Instituts: 113 (1998) 5, FIG.1 (DRAWING OF PART)
    Jahrbuch des Deutschen Archaologischen Instituts: 99 (1984) 10, FIG.4 (PART OF B)
    Journal of Hellenic Studies: 114 (1994) PL.1A (PARTS)
    Jufresa, M., et al. (eds.), Ouranos-Gaia, L'espai a Grecia III, anomenar l'espai (Tarragona, 2013): 105. FIG.1 (PART OF AB1)
    Junker, K., Interpreting the Images of Greek Myths, An Introduction (Cambridge, 2012): 54, FIG.16 (OH2)
    Kachler, K.G., Zur Entstehung und Entwicklung der griechischen Theatermaske (Basel, 1991): 31, FIG.1 (DRAWING OF PART OF B)
    Kerenyi, K., Dionysos (London, 1976): FIG.37 (PART)
    Kern, H., Labirinti (Milan, 1981): 53-54, FIGS.24-25 (B, PART OF B)
    Kistler, E., Funktionalisierte Keltenbilder, die Indienstnahme der Kelten zur Vermittlung von Normen und Werten in der hellenischen Welt (Berlin, 2009): PL.17.3 (PART OF NB)
    Knittlmayer, B., Die Attische Demokratie und ihre Helden, Darstellungen des trojanischen Sagenkreises im 6. und fruhen 5. Jh.v.Chr. (Heidelberg, 1997): PLS.16.1, 20.1-2 (PARTS)
    Korshak, Y., Frontal Faces in Attic Vase Painting of the Archaic Period (Chicago, 1977): 20, FIG.56 (PART OF A)
    Kron, U., Die zehn attischen Phylenheroen: Geschichte, Mythos, Kult und Darstellungen (Berlin, 1976): PL.27.2 (PART)
    Krumeich, R., Pechstein, N., and Seidensticker, B. (eds.), Das griechische Satyrspiel (Darmstadt, 1999): PL.1A (PART)
    Ktema: 11 (1986) 174, FIG.4 (DRAWING OF PART)
    L'Antiquite classique: 58 (1989), PL.8, FIG.11 (PART OF A)
    L'histoire comme imperatif ou la 'volonte de comprendre', Actes du Colloque en hommage a Jean-Pierre Vernant et Pierre Vidal-Naquet, Naples, 24-27 novembre 2008 (Naples, 2011): 120, FIG.7 (PARTS OF A)
    La Cite des Images, Religion et Societe en Grece Antique (Lausanne, 1984): 45, FIG.69 (VOLUTE), 128, FIG.180 (PART OF B), 158, FIG.225 (PART OF A)
    Lang-Auinger, C. and Trinkl, E. (eds.), Phyta kai Zoia. Pflanzen und Tiere auf griechischen Vasen, Beihefte zum Corpus Vasorum Antiquorum Osterreich, Band 2 (Vienna, 2015): 170, FIGS.3A-B (COLOUR OF PARTS)
    Latacz, J. (ed.), Zweihundert Jahre Homer-Forschung, Ruckblick und Ausblick, Colloquium Rauricum (Stuttgart, 1991): PL.41 (A)
    Latacz, J. et al., Homer, Der Mythos von Troia in Dichtung und Kunst (Munich, and Basel 2008): 223, FIGS.1A-B (COLOUR OF A AND B)
    Laufer, E., Kaineus, Studien zur Ikonographie, RdA Supp.1 (Rome, 1985): PL.2, FIG.3.1-2 (PART OF NECK INCLUDING DRAWING)
    Lee, M.M., Body, Dress and Identity in Ancient Greece (Cambridge, 2015): 130, FIG.5.3 (PART OF AB1)
    Leveque, P. et al., La Colonisation Grecque en Mediterranee occidentale, Actes de la rencontre scientifique en hommage a Georges Vallet (Rome, 1999): PL.4.2 AT 111 (PART)
    Lexicon Iconographicum Mythologiae Classicae: I, PL.657 ANTENOR I 2
    Lexicon Iconographicum Mythologiae Classicae: I, PL.677, ANTIOCHOS I (PARTS)
    Lexicon Iconographicum Mythologiae Classicae: I, PLS.87, 141, ACHILLEUS 292 AND 873
    Lexicon Iconographicum Mythologiae Classicae: II, PL.130, APHRODITE 1320 (PART OF B)
    Lexicon Iconographicum Mythologiae Classicae: II, PL.261, APOLLON 876 (PART OF A)
    Lexicon Iconographicum Mythologiae Classicae: II, PL.366, ARES 74 (PART OF B)
    Lexicon Iconographicum Mythologiae Classicae: II, PL.445, ARTEMIS 33A-B (PART)
    Lexicon Iconographicum Mythologiae Classicae: II, PL.687, ATALANTE 2 (PART OF A)
    Lexicon Iconographicum Mythologiae Classicae: II, PL.703, ATHENA 9 (PART)
    Lexicon Iconographicum Mythologiae Classicae: III, PL.190 CHEIRON 42 (PART OF BODY A1)
    Lexicon Iconographicum Mythologiae Classicae: III, PL.357, DIONYSOS 496 (PART OF BODY A1)
    Lexicon Iconographicum Mythologiae Classicae: III, PL.364, DIONYSOS 567 (PART OF BODY B2)
    Lexicon Iconographicum Mythologiae Classicae: III, PL.55, AUTOMEDON 28 (PART OF NECK A2)
    Lexicon Iconographicum Mythologiae Classicae: III, PL.729, ARIADNE 48 (PART OF NECK B1)
    Lexicon Iconographicum Mythologiae Classicae: IV, PL.287, HEKTOR 50 (PART)
    Lexicon Iconographicum Mythologiae Classicae: IV, PLS.178, 272, GORGO, GORGONES 234, HASBOLOS 1 (PARTS)
    Lexicon Iconographicum Mythologiae Classicae: IV, PLS.402, 423, 430, HERA 309, 421, HEPHAISTOS 186 (PARTS)
    Lexicon Iconographicum Mythologiae Classicae: V, PLS.246, 574, KAINEUS 67, HERMES 572 (PARTS)
    Lexicon Iconographicum Mythologiae Classicae: V, PLS.291, 348, 314, HESTIA 5, HORAI 45, HIPPODAMEIA II1 (PARTS
    Lexicon Iconographicum Mythologiae Classicae: VI, PL.47, KORONIS 5 (PART OF R)
    Lexicon Iconographicum Mythologiae Classicae: VI, PLS.172, MAIA 14, 208, MELEAGROS 7, 402-403, MOUSA 121
    Lexicon Iconographicum Mythologiae Classicae: VII, PL.185, PELEUS 34 (PART OF RA)
    Lexicon Iconographicum Mythologiae Classicae: VII, PL.664, THESEUS 276 (PART)
    Lexicon Iconographicum Mythologiae Classicae: VII, PLS.22, OKEANOS 3, 172, PEIRITHOOS 3, 208, PELEUS 212
    Lexicon Iconographicum Mythologiae Classicae: VII, PLS.399, PRIAMOS 30, 466, PYGMAIOI 1, 495, RHODIA 1
    Lexicon Iconographicum Mythologiae Classicae: VIII, PL.747, SILENOI 22 (PART)
    Lexicon Iconographicum Mythologiae Classicae: VIII, PLS.71, 353, 588, TROON 1, CANES 7, NYMPHAI 25 (PARTS)
    Lippolis, E. (ed.), I Greci in Occidente, Arte e artigianato in Magna Grecia (Naples, 1996): 140, FIG.1 (PART OF A1)
    Lissarrague, F. et al. (eds.), Ceramique et peinture Grecques, Modes d'emploi, Actes du colloque internat., Ecole du Louvre, April 1995 (Paris, 1999): 265, FIG.3 (PART)
    Lissarrague, F., Greek Vases, The Athenians and their Images (2001): 11-20, FIGS.1-13
    Lissarrague, F., L'Autre Guerrier, Archers, Peltastes, Cavaliers dans l'Imagerie Attique (Paris-Rome, 1990): 74, FIG.38, 239, FIG.130 (DRAWINGS OF PART OF OH AND A2)
    Lissarrague, F., La cite des satyres. Une anthropologie ludique (Athenes, VIe-Ve siecle avant J.-C.) (Paris, 2013): 43, 132, FIG.17, 106 (PART OF BA, BA)
    Lydakis, S., Ancient Greek Painting and its Echoes in Later Art (Athens, 2002): 83, FIG.62 (COLOUR OF A)
    Maas, M. and Snyder, J.M, Stringed Instruments of Ancient Greece (New Haven, 1989): 50, FIG.14C (PART OF NB)
    Marconi, C. (ed.), Greek Vases: Images, Contexts and Controversies (Leiden and Boston, 2004): FIGS.2.1, 3.11 (RA, NA, OH)
    Marconi, E. (ed.), The Oxford Handbook of Greek and Roman Art and Architecture (Oxford, 2015): 630, FIG.28.3 (PART OF OH2)
    Martens, D., Une esthetique de la transgression: le vase grec de la fin de l'epoque geometrique au debut de l'epoque classique (Brussels, 1992): 12, 33-44, 276, FIGS.1, 13-14, 121 (A, PART OF B, PART OF NB)
    Martin, R., La Grecia e il Mondo Greco dalle Origini all'Eta Classica (Torino, 1984): I, 64, 70, 93-95, 131 (PARTS)
    Meddelelser fra Ny Carlsberg Glyptotek: 47 (1991) 8, FIG.2 (PART OF B)
    Mededelingen van het Nederlands Instituut te Rome: 5 (1978) PL.29, FIGS.14, 15 (A, PART OF A)
    Mededelingenblad, Vereniging van Vrienden van het Allard PiersonMuseum: 27 (1983) 13, FIG.30 (A)
    Mededelingenblad, Vereniging van Vrienden van het Allard PiersonMuseum: 65 (1996) 12, FIG.20 (PART)
    Mediterranean Archaeology: 12 (1999) PL.4 (FOOT)
    Mediterranean Historical Review (Tel Aviv University): 7 (1992) 1, 35, FIG.2 (DRAWING OF PART OF B)
    Menichetti, M., Archeologia del Potere, Immagini e Miti a Roma e in Etruria in eta Arcaica (Milan, 1994): FIGS.48-50 (A, B, PART)
    Metis: 2 (1987) 1, 80, FIG.1 (PART OF B)
    Mitteilungen des Deutschen Archaologischen Instituts, Romische Abteilung: 93 (1986) PL.21 (PART OF B)
    Moignard, E., Master of Attic Black-Figure Painting. The Art and Legacy of Exekias (London and New York, 2015): 26, FIG.2 (OH1-2)
    Moon, W. (ed.), Ancient Greek Art and Iconography (Madison, 1983): 54-55, FIGS.4.1A-D, 57, FIGS.4.2-3 (A, B, SIDES, DRAWING OF PART), 64-65, FIG.4.6, 177, FIG.12.5 (PART OF B)
    Morard, T., Horizontalite et Verticalite, Le bandeau humain et le bandeau divin chez le Peintre de Darius (Mainz, 2009): PL.63.1 (B)
    Moraw, S., Die Manade in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v.Chr. (Mainz, 1998): PL.2.5A-B (PARTS)
    Moreno, P., La pittura Greca dalle origini ad Apelle, Archeo Dossier 34: 20 (COLOUR OF A)
    Morford, M., et al., Classical Mythology, International Ninth Edition (Oxford, 2011): 223, 515 (OH, A, PARTS)
    Morris, I., and Powell, B., A New Companion to Homer (Leiden, 1997): PLS.7, 12 (PARTS)
    Morrison, J. & Williams, R., Greek Oared Ships, 900 - 322 BC (Cambridge, 1968): PL.11A-B (PARTS)
    Morrison, J.S., The Athenian Trireme, The history and reconstruction of an ancient Greek warship, 2nd edn. (Cambridge, 2000): 174, FIG.49 (PART)
    Mugione, E. and Benincasa, A. (eds.), L'Olpe Chigi, Storia di un agalma, Atti del Convegno Internazionale, Salerno, 3-4 giugno 2010 (Salerno, 2012): 143, FIG.28 (OH2, PART OF RB)
    Muse, Annual of the Museum of Art and Archaeology, University of Missouri-Columbia: 11 (1977) 32, FIG.10 (PART)
    Museum Helveticum: 48 (1991), PL.1 (NB, PART OF NB1)
    Muth, S., Gewalt im Bild, Das Phanomen der medialen Gewalt im Athen des 6. und 5. Jahrhunderts v. Chr. (Berlin, 2008): 430, 460, FIGS.311, 332 (PARTS OF NB)
    Nagy, G., Homer the Preclassic (Berkeley and Los Angeles, 2010): FRONT COVER, BACK COVER (DRAWING OF PARTS OF AB1)
    Neils, J. and Oakley, J.H. (eds.), Coming of Age in Ancient Greece, Images of Childhood from the Classical Past (New Haven, 2003): 157, FIG.18 (RB)
    Neils, J., The Youthful Deeds of Theseus (Rome, 1987): FIG.4 (PARTS OF RB AND NB)
    Nicosia, F., Itinerari archeologici in Toscana (Firenze, 1990): 3, ABOVE (PART OF A)
    Nikephoros: 2 (1989) 321, FIG.6 (PART)
    Oakley, J.H. et al., Athenian Potters and Painters, The Conference Proceedings (Oxford, 1997): 523-524, FIGS1-4 (A, B, AH)
    Olivova, V., Sports and Games in the Ancient World (1984): 88 (A, PART OF A)
    Osborne, R., Archaic and Classical Greek Art, Oxford History of Art (Oxford, 1998): 92, FIGS.42-43 (COLOUR OF A AND B)
    Oxford Journal of Archaeology: 18 (1999) 68, FIG.F (DRAWING OF PART OF AB1)
    Padgett, J. M. (ed.), The Centaur's Smile: The Human Animal in Early Greek Art (Princeton, 2003): 15, FIG.10 (COLOUR OF PART OF NB)
    Pala, E., Acropoli di Atene, Un microcosmo della produzione e distribuzione della ceramica attica (Rome, 2012): 193, 195, FIGS.93, 95 (PARTS OF RB)
    Pallas, Revue d'etudes antiques: 93 (2013) 94, FIGS.7-8 (PART AND DRAWING OF A1)
    Papers of the British School at Rome: 82 (2014), 8, FIGS.4-5 (PARTS)
    Papers on the Amasis Painter and his World (Malibu, 1987): 69, FIGS.8A-C, 95, FIG.1, 105, FIGS.7A-B (DRAWINGS OF PARTS, OH)
    Parke, H., Festivals of the Athenians (London, 1977): FIGS.10, 33 (PARTS)
    Patrucco, R., Lo Sport nella Grecia antica (Florence, 1972): 376, FIG.182 (PART 0F A)
    Pedley, J.G., Greek Art and Archaeology (New Jersey, 1993): 184-185, FIGS.6.61-62 (A, B)
    Pedley, J.G., Greek Art and Archaeology. Fifth Edition (London, 2011): 193, FIGS.6.75-76 (COLOUR OF A AND B)
    Pelling, C. (ed.), Greek Tragedy and the Historian (Oxford, 1997): PL.1 (PART OF A1)
    Penso, G., La medecine romaine, l'art d'Esculape dans la Romeantique (Paris, 1984): 345, FIG.182 (PART OF B)
    Petit, T., Oedipe et le Cherubin, Les sphinx levantins, cypriotes et grecs comme gardiens d'Immortalite (Fribourg, 2011): FIG.93 (PART OF FB)
    Pfisterer-Haas, S., Darstellungen alter Frauen in der griechischen Kunst (Frankfurt, 1989): 167, FIG.6 (DRAWING OF PART)
    Plantzos, D., Greek Art and Archaeology, c. 1100-30 BC (Athens, 2016): 89, FIGS.132-133 (COLOUR OF B AND PART OF B)
    Pomey, P. (ed.), La Navigation dans l'Antiquite (Aix en Provence, 1997): 67 (DRAWING OF PART)
    Powell, B. Homer's Iliad and Odyssey. The Essential Books (Oxford, 2015): 477, FIG.24.1 (OH2)
    Prospettiva Rivista dell' arti antica e moderna (Siena): 32 (1983) 54-59, FIGS.19-20, 29-33
    Recke, M., Gewalt und Leid, Das Bild des Krieges bei den Athenern im 6. und 5. Jh. v. Chr. (Istanbul, 2002): PL.34A-B (OH2)
    Reeder, E.D., et al., Pandora, Women in Classical Greece (Baltimore, 1995): 303, FIG.1 (OH1)
    Revue Archeologique: (1972) 19, FIG.3 (A)
    Richter, G., Perspective in Greek and Roman Art (London [1970]): FIGS.37, 38, 54, 60, 65, 67, 70-71 (PARTS OF A AND B)
    Roberts, S., The Attic Pyxis (Chicago, 1978): PL.96.2 (PART)
    Robertson, C., A Shorter History of Greek Art (Cambridge, 1981): 33, FIG.47 (PART OF B)
    Robertson, C., History of Greek Art (Cambridge, 1975): PLS.35B, 37A (A, HANDLE)
    Rodriguez Mayorgas, A., Arqueologia de la palabra, Oralidad y escritura en el mundo antiguo (Barcelona, 2010): 194, FIG.50 (PART OF NA AND RA, A)
    Sakellarake, G., Idaio Antro: hiero kai manteio (Athens, 2013): 189, FIG.139 (OH1)
    Salamone, G., Una e molteplice, la ninfa eponima di citta. Iconografie monetali e semantica (Reggio, 2012): 197, FIG.215 (PART OF AB1)
    Schefold, K., Der religiose Gehalt der antiken Kunst und die Offenbarung (Mainz, 1998): 206-207, FIG.58 (A)
    Schefold, K., Gotter- und Heldensagen der Griechen in der Fruh- und Hocharchaischen Kunst (Munich, 1993): FIGS.189, 210, 228, 274-275, 291, 332, 353 (A, B, PARTS)
    Scheibler, I., Griechische Topferkunst, Herstellung, Handel und Gebrauch der antiken Tongefasse, 2nd ed. (Munich, 1995): 61, FIG.57 (A)
    Schiltz, V., Les Scythes et les nomades des steppes, VIIIe siecle avant J.-C.- Ier siecle apres J.-C. (1994): 392, FIG.314 (COLOUR OF PART)
    Schleiffenbaum, M.E., Der griechische Volutenkrater (Frankfurt, 1991): 485, FIG.9 (PART OF A)
    Schlesier, R., and Schwarzmaier, A. (eds.), Dionysos, Verwandlung und Ekstase (Berlin, 2008): 44, 73, FIGS.2, 3 (DRAWING OF B2 AND PART OF AB1)
    Schmidt, S. and Steinhart, M. (eds.), Sammeln und Erforschen, Griechische Vasen in neuzeitlichen Sammlungen, Beihefte zum Corpus Vasorum Antiquorum, Band VI (Munich, 2014): 150, FIG.2 (A, OF, FB, PARTS OF AB1)
    Schnapp, A., Le chasseur et la cite, Chasse et erotique dans la Grece ancienne (Paris, 1997): 292, NO.242 (PARTS OF RA)
    Schulze, H., Ammen und Padagogen, Sklavinnen und Sklaven in der antiken Kunst und Gesellschaft (Mainz, 1998): PL.26.3 (PART)
    Servadei, C., La figura di Theseus nella ceramica Attica, Iconografia e iconologia del mito nell' Atene arcaica e classica (Bologna, 2005): 97, 143, FIG.36, 55 (PARTS)
    Settis, S. (ed.), I Greci, Storia Cultura Arte Societa 2, Una storia greca, 1.Formazione (Turin, 1996): 388, FIG.4, 688, FIG.2, 1201, FIG.26 (A, PARTS)
    Shapiro H.A., Myth into Art, Poet and Painter in Classical Athens (London, 1994): 36, FIGS.19-20 (PARTS OF A AND B)
    Shapiro, H.A., Art and Cult under the Tyrants in Athens (Mainz, 1989): PLS.6B, 47A, 66A, 68C (B, PARTS OF A AND B, INCL. DRAWING)
    Simon, E. & Hirmer, M., Die Griechischen Vasen (Munich, 1976): PLS.51-57 (A, B, PARTS)
    Simon, E., Die Gotter der Griechen (Munich, 1969): 170, 219, 257, FIGS.153, 203, 247 (PARTS)
    Smith, T.J., and Plantzos, D. (eds.), A Companion to Greek Art (Malden, 2012): II, 587, FIG.30.1 (A, B)
    Spathari, E., Sailing through time, the ship in Greek art (Athens, 1995): 82-83, FIG.92 (COLOUR OF PART OF RB)
    Stansbury-O'Donnell, M.D, Pictorial Narrative in Ancient Greek Art (Cambridge, 1999): 135, FIG.57 (A)
    Stansbury-O'Donnell, M.D., A History of Greek Art (Oxford, 2015): 203, FIG.8.23 (COLOUR OF A)
    Steuben, H. von, Fruhe Sagendarstellungen in Korinth und Athen (Berlin, 1968): 36-37, FIG.17, 56-57, FIG.27 (DRAWING OF PARTS)
    Stewart, A., Art, Desire, and the Body in Ancient Greece (Cambridge, 1997): 187, FIG.120 (DRAWING OF PART)
    Steymans, H.U. (ed.), Gilgamesch, Ikonographie einies Helden, Gilgamesh, Epic and Iconography (Fribourg, 2010): 450, FIG.24 (PARTS OF RA)
    Strauss Clay, J., Malkin, I., and Tzifopoulos, Y.Z. (eds.), Panhellenes at Methone, Graphe in Late Geometric and Protoarchaic Methone, Macedonia (ca 700 BCE), Trends in Classics 44 (Berlin and Boston, 2017): 94, FIG.42 (A)
    The Art Institute of Chicago Centennial Lectures, Museum Studies 10 (Chicago, 1983): 5, FIG.2 (PART OF A)
    Thesaurus Cultus et Rituum Antiquorum: II, PL.68.78 (PART OF RB)
    Thomsen, A., Die Wirkung der Gotter, Bilder mit Flugelfiguren auf griechischen Vasen des 6. und 5. Jahrhunderts v.Chr. (Berlin and Boston, 2011): 150, FIG.63A-B (DRAWING OF PART OF OH1 AND H)
    Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 70-71, FIGS.26-28 (COLOUR OF A AND PARTS OF A)
    Torelli, M., Le strategie di Kleitias, Composizione e programma figurativo del vaso Francois (Milan, 2007): 85-113 (COLOUR)
    Tsaknis, N., Trophies of the Argonauts (Volos, 2004): 34 (COLOUR OF PART OF NA)
    Tsingarida, A. (ed.), Shapes and Uses of Greek Vases (7th-4th centuries B.C.), Proceedings of the Symposium held at the Universite Libre de Bruxelles, 27-29 April 2006 (Brussels, 2009): 154, 156, FIGS.1, 3 (PARTS OF A2)
    Valavanis, P. and Manakidou, E., Egraphsen kai epoiesen. Essays on Greek Pottery and Iconography in Honour of Professor Michalis Tiverios (Thessaloniki, 2014): 170, FIGS.6A-B (PARTS OF AB1)
    Valavanis, P., and Kourkoumelis, D., Chaire kai piei, drinking vessels (1996): 55, 57 (COLOUR OF A AND PART OF NA1,2)
    Vermeule, E., Aspects of Death in Early Greek Art and Poetry (Berkeley, 1979): 89, FIG.9 (PART)
    Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 141, FIG.20.2 (DRAWING OF PART)
    Wacher, J. (ed.), The Roman World (London, 1987): I, 51,3.2 (A)
    Walsh, D., Distorted Ideals in Greek Vase-Painting, The World of Mythological Burlesque (Cambridge, 2009): 49, FIG.4 (PART OF OF)
    Walter-Karydi, E. (ed.), Myths, Texts, Images, Homeric epics and ancient Greek art, Proceedings of the 11th International Symposium on the Odyssey, Ithaca, September 15-19, 2009 (Ithaca, 2010): 167, FIG.5 (DRAWING OF NA)
    Walter-Karydi, E., Die Athener und ihre Graber (1000-300 v.Chr.) (Berlin, 2015): 96, 168, FIGS.52, 91 (AB1, OH2)
    Whitley, J., The Archaeology of Ancient Greece (Cambridge, 2001): 211, FIG.9.10 (A)
    Whittaker, H. (ed.), In Memoriam, Commemoration, Communal Memory and Gender Values in the Ancient Graeco-Roman World (Newcastle, 2011): 11, 13, FIGS.1.1, 1.6 (DRAWINGS OF PART OF AB1 AND OH2)
    Woodford, S., An Introduction to Greek Art. Sculpture and Vase Painting in the Archaic and Classical Periods. 2nd edition (London, 2015): 17, FIG.15-16 (DRAWING OF A AND OF PARTS OF A1 AND OH2)
    Wunsche, R. (ed.), Herakles, Herkules, Staatliche Antikensammlungen Munchen (Munich, 2003): 71, 114, FIGS.10.7, 14.4 (DRAWINGS OF PART OF OH AND PART OF OF)
    Yalouris, N. et al, Athletics in Ancient Greece (Athens, 1977): 26-27, FIG.7 (PART)
    Yatromanolakis, D. (ed.), An Archaeology of Representations, Ancient Greek Vase-Painting and contemporary Methodologies (Athens, 2009): 70, FIG.5, 331, FIG.5 (DRAWINGS OF PARTS)
    Yatromanolakis, D. (ed.), Epigraphy of Art: Ancient Greek Vase-Inscriptions and Vase-Paintings (Oxford, 2016): 190, 193, FIGS.5-6 (PART OF NA)
    Yoshikawa, I, Special Exhibition of Ancient Greek Vases from Japanese Collections (Nara, 1988): 8, FIG.2 (A)
    Zanovello, P., and Ciampini, E.M. (eds.), Egitto in Veneto (Padova, 2013): 103, FIG.1 (COLOUR OF PART OF AB1)
    Zardini, F., The Myth of Herakles and Kyknos, A Study in Greek Vase-Painting and Literature (Verona, 2009): COLOUR PLATE 1 (B)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=3753
  • AVI Record Number: 3576
  • CAVI Collection: Florence 4209.
  • CAVI Lemma: BF volute krater (François Vase). From Chiusi. Kleitias. Ergotimos, potter. 570-560.
  • CAVI Subject: A: NECK, upper zone: Calydonian boar hunt. Lower zone: chariot race at the funeral of Patroclus. BODY, main zone: wedding of Peleus and Thetis (gods visiting the couple), arrival. Lower zone: Achilles and Troilos. B: NECK, upper zone: dance of youths and maidens rescued from the Minotaur. Lower zone: Centauromachy. BODY, main zone: wedding of Peleus and Thetis, procession. Lower zone: return of Hephaestus. A, B, each, lower part of body: animals. HANDLES, each: above, Potnia Theron. Below: Ajax carrying the body of Achilles. FOOT: battle of pygmies and cranes.
  • CAVI Inscriptions: A: CALYDONIAN BOAR HUNT: Αρπυλεα[ς], retr. Αριστανδρος, end boustr. Λαβρος. Θο̅ραχς. Αντανδρος. Ευθυμαχος. Μελανιον. Αταλα[ν]τε. Μεθεπον. Πελευς. Μελεαγρος. Ορμενος. Μαρφσ̣[α]ς, retr.{1}. Ανταιος{2}. Ϙοραχς. Πολυδευκες, retr. Καστορ, retr. Εγερτες. Ακαστος, retr. Ασμετος. Κιμ[μ]εριος. Αντιμαχ[ο]ς, retr.{3}. Σιμον, retr. Ε[υ]βολος{4}. Τοχσαμις. Παυσιλεον̣, retr.{5}. Κυνορτες,retr. FUNERAL GAMES FOR PATROCLUS: hιπ̣[π]ο̣[θο]ον{6}. Δαμασιπ[π]ος. Διομεδες. Αυτομεδον. Ολυτ[τ]ευς. Α[χ]ιλ[λ]ευς. WEDDING OF PELEUS AND THETIS (B-A): hεφαιστος, retr.{7}. [Ο]χεανος, retr.{8}. hερμες, retr. Μαια. Μο[ι]ρα[ι]. Αθε̣[ν]α̣ια. Δορις, retr.{9}. Nερ[ευ]ς̣{10}. Αρες, retr. Αφροδιτε, retr. Στεσιχορε{11}. Ερατ̣[ο]{12}. Πολυμνις{13}. Ανφιτριτε, retr. [Πο]σειπον, retr.{14}. Μελπομενε:*{15}. Κλειο{16}. Ευτερπε. Θαλεια. hερα, retr. Ζευς. Ορανια. Καλ[λ]ιοπε. Vertically in front of Zeus' horses, but not facing them: Εργοτιμος μεποιεσεν, retr. hοραι. Διονυσος, retr. hεστια, retr. Χαρικλο. Δεμ̣[ετερ]{17}. Χιρον, retr. Ιρις. Above the altar: Κλιτιας μεγραφσεν̣, retr. On the altar, Gr.: βομ̣[ος]{18}. Πελευ̣ς, retr.Θετις, retr. ACHILLES AND TROILOS: Απολ[λ]ον. Τρόο̅ν, retr.{19}. κρενε. Ροδια, retr. Θετις, retr. hερμε[ς]. Αθεναι̣[α]. Τρο̅ίλος, retr. hυδρια, retr. [Πολυχ]σ̣ενε̣, retr.{20}. Αντενορ. Πριαμος. On Priam's seat, Gr.: θακος. hεκτορ, retr. Πολιτες, retr. B: DANCE OF ATHENIANS RESCUED FROM THE MINOTAUR: above the ship on the left, in large letters: [Εργοτιμος επ]ο̣ιεσεν. [Κλιτιας εγραφ]σ̣εν. Φαιδιμος{21}. hιπ[π]οδαμεια. Δαιδοχος, retr.{22}. Μενεσθο, retr. [Ευ]ρ̣υσθενες, retr.{23}. Κορον̣ις, retr.{24}. Βευσισ[τ]ρατο̣[ς], for hευσισ[τ]ρατο̣[ς], retr.{25}. Δαμασισ[τ]ρατε, retr. Αντιοχος, retr. Αστερια, retr. hερμιπ[π]ο[ς], retr.{26}. Λυσιδικε, retr. [Π]ρ̣οκριτος, retr.{27}. Ε̣πιhοια, retr., for Ε̣πι(β)οια{28}. Θεσευς. θροφός, retr. [Αρ]ιαδ̣[ν]ε, retr., or [Αρ]ιαγ̣[ν]ε{29}. CENTAUROMACHY: [Θ]εσε̣υς, retr. Αντιμαχος (Lapith). hυλαιος, retr. (Centaur). Καινευς (L.). Ακριος, retr. (C.){30}. hασβολος (C.){31}. [λιθ]ο̣ς{32}. Πετραιος, retr. (C.).Πυρ[ρ]ος, retr. (C.). hοπλον (L.). Μελαν[χα]ιτ̣ες{33}. Θερανγρος, i.e., Θερανδρος (C.){34}. Δρυ[ας] (L.). Οροσ̣βιος (C.), for Ορεσβιος{35}. RETURN OF HEPHAESTUS: [Απολ[λ]ο]ν{36}. Αρτεμις. Αρες. Αθ[ενα]ια{37}. hερα. Ζευς. hαφρογιτε, retr.{38}. Διονυσος, retr. hεφαιστος, retr.{39}. In larger letters, above heads: Σιλενοι. Similar: Nυ[ν]φαι, retr. ONE HANDLE: Αχιλ[λ]ευς, retr. Αιας. OTHER HANDLE (inscriptions rubbed): Αχιλ[λ]ευς, retr. Αιας.
  • CAVI Footnotes: {1} so FR i. Boll. has : Μα[ρ]φ[..]ς, retr. W. reads Μαρφ[σο]ς, after a Centaur name on a Chalcidian vase; see his 93, top. {2} usually Ανκαιος (W.); cf. his 93/17. (3)so fig. 157 in Boll.; Αντιμαχος, FR i, Boll., text, and W. {4} my supplement (as most editors, according to W.); FR i and Boll. read Εβολος. Threatte (1996), 736 and 755-56 prefers Ε[μ]βολος (see SEG 34.50), [but this is not read by Cristofani]. Ε[ν]βολος, Pugliese Caratelli, cf. W.88 n. 11 and 93/24. {5} W. does not dot the last letter. {6} Ηιπ[π]ο̣[..]ον, W.; see also 89 note 19 and 97/46. {7} so FR i; Boll.: very much rubbed in photos, figs. 74 and 212; text in Boll. has: hε̣φαι̣στο̣ς. {8} so FR i and apparently the photos, figs. 75 and 213 in Boll.; the text has [Ο]κεανος. W. argues that the first extant letter cannot be a kappa; see 89 note 26 and 99/91. {9} mother of Thetis. {10} so Boll.; FR i has Nερ[ε]υ̣ς. Nερ[ε]υς̣, W. (the upsilon once clear) {11} for the non-Attic ending, see Threatte (1980), 132, and W. 108, both citing Schulze. {12} so FR i; Ερα̣[το], Boll. Ερα̣τ[ο], W. (the tau once clear). {13} for Πολυμνις in lieu of Πολυμνια, see Threatte (1996), 104. {14} pi miswritten for delta. Considered a copying error in AttScr (repetition of ΠΟ) but not by W. 99/69. {15} the triple punctuation is given by FR i, but not in the text of Boll.; however, I see a faint trace of it in the photos, figs. 80 and 197; the name of Kleio is written very close and a bit lower. See also W.90 note 29. {16} Threatte (1996), 262, says the true reading is Κλεο, but the ph. in Boll. d'Arte, 186, fig. 197, shows a faint iota very close to the letters epsilon and omicron. W.: Κλε{ι}ο; cf. 99/71 (the iota added later; the two forms much discussed, pp. 108ff.). {17} Δε[μετερ], Boll. W. has Δεμ̣[ετερ], a trace of the mu once extant). {18} βο[μος], Boll. {19} or Τρo̅́o̅ν, as W. 100/101 points out. {20} Πολυχ]σενε̣, W. {21} W. 95/24 notes that on Leiden PC 47 (CAVI 4196) there is a name Φαινιπ[π]ος. {22} see W. 88 note 13. {23} [Ε]υ̣ρυσθενες, FR i. The same name on Acr. i, 598 (CAVI 970). {24} so FR i; Κορ[ον]ις, Boll. Κ̣ορονις, W. (ον once visible); for the kappa see his p. 95/34, where he ponders whether to read Χορο̅νις. {25} so FR i; --[ος], photo in Boll.; beta for heta by error. W. gives {Β}Ευχσισρατο[ς]. On p. 95/35 he denies that this beta stands for heta (he is attempting to disprove that this (or any other mistakes) are copying errors as I have claimed in AttScr p. 25; W.'s lengthy attempt at refutation, pp. 101-104, assumes that copying necessarily denotes illiteracy, which I would deny). {26} hερνιπο[ς], wrongly FR i. W. reads hερμιπ[π]ο[ς], thinking from the photo that the final figma was never written. The fourth letter he also reads as a mu (in AttScr p. 25, I wrongly followed Furtw.). {27} so FR i and W. ([Π]ροκριτος, the rho once clear); [Πρ]οκριτος, Boll. The name recurs on Leiden PC 47 (CAVI 4196). {28} Heta for beta; see figs. 65 and 173 in Boll. W. reads: [..?]επιhοια (for -βοια); see his p. 96/42 (he assumes that two letters are missing at the beginning). {29} the final epsilon not in FR i. Αρι̣α.[ν]ε, W., cf. 96/45 (he thinks the letter preceding the missing nu may be delta, nu, or gamma). But nu is unlikely as consonants are not written double on this vase). {30} the kappa is apparently incomplete but certain; see W., 97/55, who however dots it; 105 he suggests that Hes., Scut. 186 Αρκτον τ' for Ακριον may be an error of transmission. {31} {h}Ασβ̣ολος, W. {32} in BG on the white of the rock; given only by FR i (restoration called probable), not by Boll. = W., no. 56a; see also 89 note 21. {33} FR i and Boll. fig. 190 show some traces of the missing letters, but they are unclear; FR iii reports that Wolters read Μελαγχαιτης. Boll. reads Μελαν[--], Μελαν[ιπ[π]ος](?). W. reads Μελαν[χα]ιτ̣ες (the iota and ες once clear); cf. 98/61, relying partly (and rightly) on Pugliese Caratelli). {34} Not in FR i, since the fr. was discovered after the vase had been smashed; see FR iii, after Milani; gamma for delta. Cf. W. 98/62 with discussion of further possibilities. {35} Οροσ̣β̣ιος, W.; note also 89 note 24. {36} not in FR i. See Boll. W. follows E. Simon in reading [Ποσειδο(?)]ν, because of the stick of what could have been a trident. {37} the theta only partly preserved now, see Boll., fig. 237. Αθ̣[ενα]ια, W. {38} gamma for delta; or an incomplete delta. {Η}Αφρογιτε (for -διτε), W., cf. also 100/121. {39} the iota perhaps added later. W. prints Ηεφα{ι}στος, by which he means that iota was added later; see 100/123.
  • CAVI Number: 3576
  • AVI Bibliography: Milani (1902), 705-20. — FR (1904–32), i, pls. 1-3 and 11-13. — FR (1904–32), iii, 62a and b, figs. 1-3 (drs. after Milani). — C. Fränkel (1912), 20, 84/F. — ABV (1956), 76/1, 682. — Minto (1960), with poor photos; the inscriptions, pp. 173-74. — Arias–Hirmer–Shefton (1962), pls. 40-46. — Para. (1971), 29 (much bibl.). — Herter, RE, suppl. 13 (1973), 1101ff (discussion of Athenians rescued from Crete). — Guarducci (1974), 479, fig. 189 (signatures). — Cristofani–Marzi–Perissinotto (1981), 177-95, figs. 147-248 (photos of each inscription). — Simon–Hirmer (1981), pls. 51-57. — Stewart (1983), 53-74. — Pugliese Caratelli (1984), 373-75. — Dev.[2] (1986), ch. 3. — Schaus (1986), 119-28. — Add.[2] (1989), 21 (vast bibl.). — Bérard et al. (1989), 49, fig. 69 (handle pictures of Ajax carrying body of Achilles: handle B/A in black and white; handle A/B in color (exc.!)). — Shapiro (1989), 146-47, pl. 66,a. — AttScr (1990), no. 83, figs. 18-19. — Docter (1991), 45-49. — Kossatz-Deissmann (1991), 168 (Silenoi 1, bibl.). — Wachter (1991), 86-113 (further bibl.)(W.). — Isler-Kerényi (1997), 523-39.
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