211358, ATHENIAN, Schwerin, Staatliches Museum, 708

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  • Vase Number: 211358
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: SKYPHOS
  • Provenance: ITALY, ETRURIA, CERVETERI
  • Date: -475 to -425
  • Inscriptions: Named: HERAKLES, GEROPSO
    Named: LINOS, IPHIKLES
    PISTOXENOS
    Signature: PISTOXENOS EPOIESEN
  • Attributed To: PISTOXENOS P by BEAZLEY
    PISTOXENOS, POTTER by SIGNATURE
  • Decoration: A: LINOS SEATED ON CHAIR, IPHIKLES SEATED ON STOOL (BOTH NAMED), BOTH PLAYING LYRE, KITHARA, PURSE, CROSS SUSPENDED
    B: HERAKLES (BEARDLESS YOUTH, NAMED) DRAPED, WITH SPEAR, GEROPSO (OLD WOMAN, NAMED), WITH LYRE
  • Current Collection: Schwerin, Staatliches Museum: 708
  • Publication Record: Albersmeier, S. (ed.), Heroes, Mortals and Myths in ancient Greece (Baltimore, 2009): 69, FIG.35A-B (A, B)
    Annali dell'Istituto di Correspondenza Archeologica: 1871, PL.F
    Apollo, Bolletino dei Musei Provinciali del Salernitano: 15 (1999) 14, FIG.3 (B)
    Archaologischer Anzeiger: 1998, 384, FIG.7 (B)
    Archivo Espanol de Arqueologia: 56 (1983) 62, FIG.2 (PART OF A)
    Baumann, H., Greek Wild Flowers and plant lore in ancient Greece (Munich, 1993): 172, FIG.343 (AH)
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 859 , 862.30 , 1672
    Beazley, J.D., Paralipomena (Oxford, 1971): 425
    Berti, F., and Restani, D. (eds.), Lo specchio della musica, iconografia nella ceramica attica di Spina (Bologna, 1988): 37, FIG.8B (A)
    Boardman, J. (ed.), The Oxford History of Classical Art (Oxford, 1993): 127, FIG.114 (A)
    Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.68 (A)
    Bonacasa, N. (ed.), Lo Stile Severo in Grecia e in Occidente, Aspetti e problemi, Studi e Materiali 9 (Rome, 1995): PL.1.5 (PART OF B)
    Bottini, A. (ed.), Il Trono Ludovisi e il Trono di Boston (1996): 30, FIG.15 (A)
    Bulletin of the Institute of Classical Studies: 38 (1991-93) PL.6B (B)
    Bulletin of the Institute of Classical Studies: 45 (2001) 121, PL.7 (A)
    Bulletin of the Institute of Classical Studies: 47 (2004) 25, FIG.2.7 (DRAWING OF PART OF A)
    Bundrick, S.D., Music and Image in Classical Athens (Cambridge, 2005): 71-72, FIGS.42-43 (A, B)
    Burn, L., and Glynn, R., Beazley Addenda (Oxford, 1982): 146
    Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.170 (B)
    Carpenter, T.H., with Mannack, T., and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 298
    Cohen, B. (ed.), Not the Classical Ideal, Athens and the Construction of the Other in Greek Art (Leiden, Boston and Koln, 2000): 374, FIG.14.4 (A)
    Corpus Vasorum Antiquorum: SCHWERIN, STAATLICHES MUSEUM 1, 19-20, PLS.(24,25,26,27,28) 24.1-2, 25.1, 26.1, 27.1-2, 28.1-4 View Whole CVA Plates
    Das Altertum: 21 (1975) 252, FIG.4 (A)
    Das Altertum: 35 (1989) 2, 72, FIG.4 (PART OF B)
    Fittschen, K., Griechische Portrats (Darmstadt, 1988): PL.24.1 (PART OF B)
    Frel, J., Greek Portraits in the J. Paul Getty Museum (Malibu, 1981): 6, FIG.13 (PART OF B)
    Furtwangler, A. und Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PL.163.1 (A, B)
    Grmek, M., and Gourevitch, D., Les maladies dans l'art antique (1998): 156, FIG.106 (PART OF B)
    Gymnasium: 100 (1993) 405, FIG.6 (DRAWING OF PART OF A)
    Hartwig, P., Die griechischen Meisterschalen (Stuttgart, 1893): 376
    Jahrbuch des Deutschen Archaologischen Instituts: 127/128 (2012/2013) 116, FIGS.30A-B (A, B)
    Keay, S. and Moser, S. (eds.), Greek Art in View, Studies in honour of Brian Sparkes (Oxford, 2004): 8, FIGS.1.8-9 (A, B)
    Lee, M.M., Body, Dress and Identity in Ancient Greece (Cambridge, 2015): 85, FIG.3.17 (PART OF B)
    Leoussi, L., 2000 B.C.E. to 2000 C.E. The History of Greek Music (River Vale, NJ, 2013): 16 (COLOUR OF PART OF A)
    Lexicon Iconographicum Mythologiae Classicae: IV, PL.557, HERAKLES 1666 (A,B)
    Maas, M. and Snyder, J.M, Stringed Instruments of Ancient Greece (New Haven, 1989): 107, FIG.17 (A)
    Metzler, D., Portrat und Gesellschaft, Uber die Entstehung des griechischen Portrats in der Klassik (Munster, 1971): FIG.5 (PART OF B)
    Pfisterer-Haas, S., Darstellungen alter Frauen in der griechischen Kunst (Frankfurt, 1989): 168, FIG.8 (DRAWING OF A)
    Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 157, FIG.164 (B)
    Sakellariou, M., Colloque International, Democratie Athenienne et Culture organise par l'Academie d'Athenes...23-25.11.1992 (Athens, 1996): 183-184, FIGS.3-4 (A, B)
    Sanchez-Fernandez, C., et al. (eds.), Dioses, heroes y atletas. La imagen del cuerpo en la Grecia antigua (Madrid, 2015): 193, FIG.3 (PART OF B)
    Schefold, K., Jung, F., Die Urkonige, Perseus, Bellerophon, Herakles und Theseus in der klassischen und hellenistischen Kunst (Munich, 1988): 133, FIGS.159-160 (A,B)
    Schulze, H., Ammen und Padagogen, Sklavinnen und Sklaven in der antiken Kunst und Gesellschaft (Mainz, 1998): PL.28.1 (B)
    Stark, M., Gottliche Kinder, Ikonographische Untersuchung zu den Darstellungskonzeptionen von Gott und Kind bzw. Gott und Mensch in der griechischen Kunst (Stuttgart, 2012): PL.22A-B (B, A)
    Wrenhaven, K.L., Reconstructing the slave, the image of the slave in ancient Greece (London, 2012): 85, FIG.7 (B)
    Wunsche, R. (ed.), Herakles, Herkules, Staatliche Antikensammlungen Munchen (Munich, 2003): 49, FIGS.7.3A-B (A, B)
    Yatromanolakis, D. (ed.), Epigraphy of Art: Ancient Greek Vase-Inscriptions and Vase-Paintings (Oxford, 2016): 2, FIGS.1-2 (COLOUR OF A AND B)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=7727
  • AVI Record Number: 7466
  • LIMC ID: 20658
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-74c852ac4dde4-4
  • CAVI Collection: Schwerin 708.
  • CAVI Lemma: RF skyphos. From Cerveteri. Pistoxenos Painter. Pistoxenos, potter. Second quarter fifth. 470-460.
  • CAVI Subject: Heracles and Linos: A: Linos and Iphicles. B: Heracles and Geropso.
  • CAVI Inscriptions: A: above Linos' head: Λι(ν)ος{1}. Starting to left of Iphicles' forehead: Ιφικλε[ς], retr. On the right side of the scene, below the margin, non-stoich. two-liner: Πιστ̣οχσενος | εποιεσεν{2}. B: to right of (behind) Heracles' head: hερακ[λες]. Behind the old woman's head: Γερο̣φσο{3}.
  • CAVI Footnotes: {1} the nu consists of two parallel strokes. {2} Beazley gives all letters of the name as extant. {3} cf. Threatte (1996), 263.
  • CAVI Number: 7466
  • AVI Bibliography: FR (1904–32), iii, pp. 272-73, pl. 163,1 (dr.). — Maybaum (1912), pls. 7-8 (same dr.). — Diepolder (1936), 8-9, pl. 4. — Diepolder (1954), pls. 3-4. — Arias–Hirmer–Shefton (1962), pl. 166. — ARV[2] (1963), 862/30, 1672. — Para. (1971), 425. — G. von Lücken, CVA Schwerin, East Germany 1 (1972), pls. 24,1-2, 25-27,2, 28,1-4. — Add.[2] (1989), 298 (much bibl.). — AttScr (1990), no. 718. — Robertson (1992), 157-58 and fig. 164 (B); cf. 168.
  • Image Credits: FURTWANGLER-REICHHOLD DRAWINGS: Please consult with Williams College Special Collections staff and Williams College Visual Resources Center staff, regarding questions about publishing and accessing materials from Williams College Special Collections. Researchers are responsible for handling any copyright issues that may be associated with collections and materials.
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