216971, ATHENIAN, Athens, National Museum, Athens, National Museum, CC1528

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  • Vase Number: 216971
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: EPINETRON
  • Provenance: GREECE, EUBOEA, ERETRIA
  • Date: -450 to -400
  • Inscriptions: Named: THEO, NAPIS (?), ASTEROPE, HIPPOLYTE, ALTIS, MELITE, EULIMENE, AURO, NAO
  • Attributed To: ERETRIA P by FURTWANGLER
  • Decoration: A: WEDDING PREPARATIONS, BRIDE ALKESTIS LEANING ON KLINE, WOMEN, ONE SEATED WITH BIRD, ONE PLACING SPRIGS IN LEBES, LOUTROPHOROS, WREATHS AND MIRROR SUSPENDED, COLUMN, DOORS (ALL NAMED, THEO, NAPIS (?), ASTEROPE, HIPPOLYTE)
    B: BRIDE HARMONIA SEATED, APHRODITE SEATED, EROS WITH BOXES, HIMEROS SEATED ON CHAIR, WITH LOUTROPHOROS, WOMEN (ALL NAMED, INCLUDING PEITHO, PERSEPHONE, HEBE), WREATH SUSPENDED, COLUMN
    C: PELEUS AND THETIS, WRESTLING, SNAKE (?), NEREUS, NEREIDS FLEEING (ALL NAMED, INCLUDING ALTIS, MELITE, EULIMENE, AURO, NAO)
    FIG: BUST OF WOMAN
  • Current Collection: Athens, National Museum: 1629
  • Previous Collections:
    • Athens, National Museum: CC1528
  • Publication Record: Antike Kunst: 49 (2006) PL.9.5 (A)
    Archaeology: MAY/JUNE 1988, 35 (PART)
    Archaologischer Anzeiger: 1 (2013) 19, FIG.9 (A)
    Archeo, Attualita di Passato: 164 (OCTOBER 1998) 102-103 BOTTOM (COLOUR OF A)
    Archivo Espanol de Arqueologia: 56 (1983), 65, FIGS.14A-B (A,B)
    Barringer, J.M., The Art and Archaeology of Ancient Greece (Cambridge, 2014): 259, FIG.4.71A-B (COLOUR OF A AND B)
    Barta, H., 'Graeca non legunter'?, Zu den Ursprungen des europaischen Rechts im antiken Griechenlands, Band II: Archaische Grunlagen (Wiesbaden, 2011): PART 2, 17, FIG.1 (A, PART OF C, FIG)
    Baumann, H., Greek Wild Flowers and plant lore in ancient Greece (Munich, 1993): 80, FIG.142 (A)
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1250.34 , 1688
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tubingen, 1925): 429.1
    Beazley, J.D., Paralipomena (Oxford, 1971): 469
    Bellia, A. (ed.), Musica, culti e riti nell'occidente greco (Pisa and Rome, 2014): 284, FIG.1 (A)
    Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.235
    Boardman, J., The history of Greek vases: potters, painters and pictures (London, 2001): 267, FIG.298 (B)
    Brule, P., Women of Ancient Greece (Edinburgh, 2003): 146 (A)
    Bundrick, S.D., Music and Image in Classical Athens (Cambridge, 2005): 193, FIG.110 (B, PART OF C)
    Cambridge Ancient History, Plates to Volumes 5&6: 39, FIG.44 (PART)
    Carpenter, T.H., with Mannack, T., and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 354
    Cavalier, O. (ed.), Silence et Fureur, La femme et le marriage en Grece, Les antiquites grecques du Musee Calvet (Avignon, ca.1997): 231, FIGS.94-94BIS (PART OF A, DRAWING OF PART OF B)
    Cite sous terre, Des archeologues suisses explorent la cite grecque d'Eretrie, Une exposition realisee par l'Ecole suisse d'archeologie en Grece, en collaboration avec l'Antikenmuseum Basel und Sammlung Ludwig (Basel, 2010): 131, 270 (COLOUR OF A, FIG AND PARTS OF C)
    Cohen, B., The Colours of Clay, Special Techniques in Athenian Vases (Los Angeles, 2006): 158, FIG.8 (COLOUR OF A)
    Duby, G., Perrot, M. (eds.), Histoire des femmes (Plon, 1991): 179, FIG.10 (A,B)
    Ephemeris Archaiologike: 1897, PLS.9-10
    Fantham, E., et al., Women in the Classical World, Image and Text (New York, 1994): 101, FIG.3.15 (A)
    Froning, H., Holscher, T., and Mielsch, H. (eds.), Kotinos, Festschrift fur Erika Simon (Mainz, 1992): PL.48 (DRAWING)
    Heinrich, F., Das Epinetron, Aspekte der weiblichen Lebenswelt im Spiegel eines Arbeitsgerats (Rahden, 2006): PLS.16.4-17.4 (A, B, PART OF C, FIG, PARTS)
    Hephaistos: 14 (1996) 89, FIG.6 (A)
    Immerwahr, H., Attic Script, A Survey (Oxford, 1990): PLS.34.141, 35.142-144
    James, S.L., and Dillon, S. (eds.), A companion to women in the ancient world (Malden, 2012): 142, FIG.10.1 (A, PART OF C AND FIG)
    Kaltsas, N. (ed.), Athens-Sparta (New York, 2006): 109, FIG.4 (COLOUR OF A, FIG AND PART OF C)
    Ktema: 15 (1990) PL.2.6 AT P.194 (A)
    Lexicon Iconographicum Mythologiae Classicae: VI, PL.527, NEREUS 86 (C); PL.229, MELITE I 3 (PART OF C)
    Lexicon Iconographicum Mythologiae Classicae: VII, PL.178, PEITHO 6 (B), PL.199, PELEUS 172 (PART)
    Lezzi-Hafter, A., Der Eretria-Maler, Werke und Weggefahrten (Mainz, 1988): PLS.168-69, NO.257
    Marconi, C. (ed.), Greek Vases: Images, Contexts and Controversies (Leiden and Boston, 2004): FIGS.8.1-5
    Meyer, M., and von den Hoff, R. (eds.), Helden wie sie. Ubermensch, Vorbild, Kultfigur in der griechischen Antike (Vienna, 2010): 111, FIG.2 (A)
    Neils, J., The Parthenon Frieze (Cambridge, 2001): 167, FIG.126 (A)
    Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.561
    Phoenix, Classical Association of Canada: 62 (2008) FIG.5 (DRAWING OF A AND B)
    Plantzos, D., Greek Art and Archaeology, c. 1100-30 BC (Athens, 2016): 181, FIGS.333-334 (COLOUR OF A AND PART OF A)
    Rosenzweig, R., Worshipping Aphrodite, Art and Cult in Classical Athens (Ann Arbor, 2004): FIG.11 (B)
    Schefold, K., Jung, F., Die Urkonige, Perseus, Bellerophon, Herakles und Theseus in der klassischen und hellenistischen Kunst (Munich, 1988): 38, FIG.28, 178, FIG.216
    Schmidt, S., Rhetorische Bilder auf attischen Vasen, Visuelle Kommunikation im 5. Jahrhundert v. Chr. (Berlin, 2005): 75, FIG.39 (A, PARTS OF C AND FIG)
    Shapiro, H.A., Personifications in Greek Art, The Representation of Abstract Concepts 600-400 BC (Zurich, 1993): 105, FIG.58 (B)
    Smith, A.C., Polis and Personification in Classical Athenian Art (Leiden, 2011): FIG.5.6 (B)
    Sparkes, B.A., The Red and the Black (London, 1996): 71, FIG.III.4 (A)
    Specht, E., Schon zu sein und gut zu sein, Madchenbildung und Frauensozialisation im antiken Griechenland, Frauenforschung 9 (Vienna, 1989): 122, FIG.16 (B)
    Stansbury-O'Donnell, M.D., A History of Greek Art (Oxford, 2015): 260, FIG.10.24 (COLOUR OF B)
    Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 184-185, FIGS.167-168 (COLOUR OF A AND PART OF A)
    Woodford, S., An Introduction to Greek Art. Sculpture and Vase Painting in the Archaic and Classical Periods. 2nd edition (London, 2015): 143, FIG.213 (B)
    Xenia Antiqua: 2 (1993) 42, FIG.16 (A)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=918
  • AVI Record Number: 804
  • LIMC ID: 9877
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-742f732c8e04b-a
  • CAVI Collection: Athens, N.M. 1629.
  • CAVI Lemma: RF epinetron. From Eretria. Eretria Painter. Third quarter fifth. Ca. 430. 425-420 (Shapiro).
  • CAVI Subject: A: the bride Alcestis. B: the bride Harmonia. C (end panel): Peleus and Thetis.
  • CAVI Inscriptions: A: Θεω. Ερανω̣. Αστεροπε. Ιππολυτε. Αλκηστις. One more name. B: Αφροδιτε. Ερως. Αρμονια. Πειθω. Κορε. hεβε [[h(ε)βε]]. Ιμερος. C: Αλτις. Μελιτε. Ευλιμενε. Πελευς. Θετις. Nερευς. Αυρα. Nαω{1}.
  • CAVI Footnotes: {1} Slightly different readings in the cat. of Lezzi-Hafter: B: [A in L.-H.]: [Π]ειθο. A: [B in L.-H.]: Θεω. Χ̣α̣ρ̣ις. Θ[ε]ανο. Αστερ̣ο[π]ε. Ιππολυτε. Αλκ̣[εσ]τ[ις]. [This is the complete list for this side.] C: N?ερευς̣.
  • CAVI Number: 0804
  • AVI Bibliography: ARV[2] (1963), 1250/34, 1688. — Para. (1971), 469. — Shapiro (1986), 15. — Burn (1987), 35 and n. 47. — Lezzi-Hafter (1988), 253-62 (chapter 11), 347/257, pls. 168-69. — Add.[2] (1989), 354 (much bibl.). — AttScr (1990), no. 798, figs. 141-44 (photos). — Oakley–Sinos (1993), 40-42, figs. 128-30 (phs. of A and B; dr. of end panel after Eph. 1897, pl. 9,1.). — Shapiro (1993), 241/47, 105, fig. 58 (B) (vast bibl.).
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