310403, ATHENIAN, Munich, Antikensammlungen, Munich, Antikensammlungen, Munich, Antikensammlungen, Munich, Antikensammlungen, KM3179

  • Vase Number: 310403
  • Fabric: ATHENIAN
  • Technique: BLACK-FIGURE
  • Sub Technique: CORAL RED (I)
  • Shape Name: CUP A
  • Provenance: ITALY, ETRURIA, VULCI
  • Date: -575 to -525
  • Inscriptions: EXEKIAS
  • Attributed To: EXEKIAS by BEAZLEY
    Under handle 1: FALLEN WARRIOR
    Under handle 2: FALLEN MAN
  • Current Collection: Munich, Antikensammlungen: 8729
  • Previous Collections:
    • Munich, Antikensammlungen: KM3179
    • Munich, Antikensammlungen: J339
    • Munich, Antikensammlungen: 2044
  • Publication Record: Adam-Veleni, P., et al. (eds), Il dono di Dioniso, Mitologia del vino nell'Italia centrale (Molise) e nella Grecia del Nord (Macedonia) (Thessaloniki, 2011): 81, FIG.4 (COLOUR OF I)
    American Journal of Archaeology: 119.3 (2015), 296, FIG.1 (A)
    Angiolillo, S., Arte e cultura nell'Atene di Pisistrato e dei Pisistratidi (Bari, 1997): 110, FIG.56 (I)
    Angiolillo, S., Arte e cultura nell'Atene di Pisistrato e dei Pisistratidi (Bari, 1997): 154, FIG.88 (A)
    Antike Welt: 22 (1991) 3, 162, FIG.4 (COLOUR OF I)
    Archeo, Attualita di Passato: 80 (OCTOBER 1991) 78 (COLOUR OF I)
    Archeologia Classica: 42 (1990) 49, FIG.5 (I)
    Archeologia Classica: 48 (1996) 219, FIG.1 (AH)
    BEAZLEY NOTEBOOK: 76, 106.2
    Barringer, J.M., The Art and Archaeology of Ancient Greece (Cambridge, 2014): 166, FIG.3.33 (COLOUR OF I)
    Baumann, H., Greek Wild Flowers and plant lore in ancient Greece (Munich, 1993): 57, FIG.89 (COLOUR OF I)
    Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 146.21, 686
    Beazley, J.D., Paralipomena (Oxford, 1971): 60
    Bernardini, P. et al. (eds.), Phoinikes Bshrdn, I Fenici in Sardegna, nuove acquisizioni (1997): 342-343 (PART OF I)
    Boardman, J., The history of Greek vases: potters, painters and pictures (London, 2001): FRONTISPIECE (I)
    Boardman, J., The triumph of Dionysos, Convivial processions, from antiquity to the present day (Oxford, 2014): 9, FIG.4 (COLOUR OF I)
    Bothmer, D.von, The Amasis Painter and his World (Malibu, 1985): 225, FIG.115 (A)
    Brun, J-P., et al. (eds.), Le Vin, Nectar des Dieux, Genie des Hommes, 2e edition (Gollion, 2009): 133, FIG.139 (COLOUR OF I)
    Bulletin de Correspondance Hellenique: 113 (1989) 263, FIG.2 (I, A)
    Bundrick, S.D., Athens, Etruria, and the Many Lives of Greek Figured Pottery (Madison, 2019): 94, FIGS.4.1-2 (A, I)
    Carpenter, T.H., with Mannack, T., and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 41
    Carratelli, G.P. (ed.), I Greci in Occidente (1996): 203 (COLOUR OF I)
    Cartledge, P., Millett, P. und v. Reden, S. (eds.), Kosmos, Essays in order, conflict and community in classical Athens (Cambridge, 1998): 22-24, FIGS.3A-C (I, AH)
    Castoldi, M., Alberi di bronzo. Piante in bronzo e in metalli preziosi nell'antica Grecia (Bari, 2014): 90, FIG.35 (I)
    Cohen, B., The Colours of Clay, Special Techniques in Athenian Vases (Los Angeles, 2006): 45, FIG.1 (COLOUR OF I)
    Corpus Vasorum Antiquorum: MUNICH, ANTIKENSAMMLUNGEN 13, 14, 15, 16, 17, 18, 19, BEILAGE 1.1, PLS.(3861,3862,3863,3864,1,2) 1.1-2, 2.1-3, 3.1-2, 4.1, 1.1, 2.1-2 View Whole CVA Plates
    Davidson, J.N., Courtesans and Fishcakes, The Consuming Passions of Classical Athens (London, 1997): PL.2 AT 166 (I)
    Fullerton, M.D., Greek Art (Cambridge, 2000): 101, FIG.72 (COLOUR OF I)
    Furtwangler, A. und Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): I, 227, PL.42 (I, A, DRAWING OF B)
    Gagarin, M. (ed.), The Oxford Encyclopedia of Ancient Greece and Rome (Oxford, 2010): VOLUME 2, 432 (I)
    Giuliani, L., Image and myth, a history of pictorial narration in Greek art (Chicago, 2013): 245, FIG.60A-B (UH1 AND UH2)
    Guazzelli, T, Le Antesterie, Liturgie e pratiche simboliche (Florence): FIG.15 (I)
    Hamdorf, D., Dionysos, Bacchus, Kult und Wandlungen des Weingottes (Munich, 1986): 53, PL.1 (I)
    Hesperia: 81 (2012) 245, FIG.7B (PART OF I)
    Hockmann, O., Antike Seefahrt (Munich, 1985): 98, FIG.70 (I)
    Isler-Kerenyi, C., Dionysos in Archaic Greece, An Understanding through Images (Leiden, 2007): FIGS.104-107 (I, A, B)
    Knauss, F., Die Kunst der Antike, Meisterwerke der Munchner Antikensammlungen (Munich, 2017): 119-122 (COLOUR OF I, A, AND UH, FOOT)
    Lissarrague, F. et al. (eds.), Ceramique et peinture Grecques, Modes d'emploi, Actes du colloque internat., Ecole du Louvre, April 1995 (Paris, 1999): 180, FIG.6 (I)
    Lydakis, S., Ancient Greek Painting and its Echoes in Later Art (Athens, 2002): 89, FIG.68 (COLOUR OF I)
    MASCA: 1 (1981) 8, 254 (I)
    Mache, la battaglia del Mare Sardonio : catalogo della mostra, Oristano, Antiquarium Arborense, ottobre 1998-ottobre 1999 (Cagliari, 1999): 20, FIG.7 (COLOUR OF I)
    Mackay, E.A., Tradition and Originality, A Study of Exekias (Oxford, 2010): PLS.55-57, CHARTS 1.4, 2.2, 3.5 (I, F, UH, A, B, PARTS)
    Marconi, E. (ed.), The Oxford Handbook of Greek and Roman Art and Architecture (Oxford, 2015): 564-568, FIGS.25.1-5 (PARTS OF A, B AND UH)
    Martens, D., Une esthetique de la transgression: le vase grec de la fin de l'epoque geometrique au debut de l'epoque classique (Brussels, 1992): 285, FIG.124 (A)
    Matijasic, R., and Bursic-Matijasic, K., Classical Pula and environs (Pula, 1996): 15 (COLOUR OF I)
    McGovern, P.E, Fleming, S.J and Katz, S.H. (eds.), The Origins and Ancient History of Wine (Amsetrdam, 1995): 234, FIG.15.1 (I)
    Merkouri, Ch., et al., Baskanos Ophthalmos, Symbola Mageias apo Idiotikes Archaiologikes Sylloges (Athens, 2010): 34, FIG.2 (COLOUR OF I)
    Metropolitan Museum Journal: 26 (1991) 56, FIG.8 (A)
    Moignard, E., Master of Attic Black-Figure Painting. The Art and Legacy of Exekias (London and New York, 2015): 114-115, figs.59-61 (A, UH1, UH2)
    Moignard, E., Master of Attic Black-Figure Painting. The Art and Legacy of Exekias (London and New York, 2015): PLATE 8 (COLOUR OF I), 103, FIG.47 (A)
    Morford, M., et al., Classical Mythology, International Ninth Edition (Oxford, 2011): 321 (I)
    Neer, R.T., Art and Archaeology of the Greek World, a new history, c.2500-c.150 BC (London, 2012): 140, 144, FIGS.5.33, 5.40 (A, COLOUR OF I)
    Numismatica e Antichita Classiche, Quaderni Ticinesi: 18 (1989) 20, PL.4.11 (I)
    Pallotino, M., et al., Les Etrusques e l'Europe (Paris, 1992): 52 (COLOUR OF I)
    Papers on the Amasis Painter and his World (Malibu, 1987): 110, FIG.10, 155, FIG.2 (I)
    Philipp, M., et al., Dionysos, Rausch und Ekstase (Munich, 2013): 41, FIG.1 (COLOUR OF I)
    Plantzos, D., Greek Art and Archaeology, c. 1100-30 BC (Athens, 2016): 92, FIG.136 (COLOUR OF I)
    Pomey, P. (ed.), La Navigation dans l'Antiquite (Aix en Provence, 1997): 45 (COLOUR OF I)
    Sanchez Sanz, A., El poder naval de Grecia en el s.V a.C. (Zaragoza, 2015): 105, UNNUMBERED (I)
    Scheibler, I., Griechische Topferkunst, Herstellung, Handel und Gebrauch der antiken Tongefasse, 2nd ed. (Munich, 1995): 27, FIG.21 (A)
    Schlesier, R., and Schwarzmaier, A. (eds.), Dionysos, Verwandlung und Ekstase (Berlin, 2008): 147, FIG.2 (COLOUR OF I)
    Shapiro, H.A., Art and Cult under the Tyrants in Athens (Mainz, 1989): PL.39B (I)
    Sicilia Antiqua, An International Journal of Archaeology: 4 (2007) 23, FIG.16 (I)
    Siracusano, A., Arte greca, un'interpretazione (Messina, 2009): 109, FIG.7 (I)
    Sparkes, B.A., The Red and the Black (London, 1996): 60, FIG.II.17 (I)
    Spathari, E., Sailing through time, the ship in Greek art (Athens, 1995): 97, FIG.109 (COLOUR OF I)
    Steinhart, M., Das Motiv des Auges in der griechischen Bildkunst (Mainz, 1995): PL.14 (I, A)
    Sweet, W.E., Sport and Recreation in Ancient Greece, A Source Book with Translations (Oxford, 1987): 166, PL.52 (I)
    Technau, W., Exekias (Leipzig, 1936): PLS.5-6 (I, A, AH)
    Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 83, FIG.44 (COLOUR OF I)
    Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 45, 81, 166-167, 319-320, 419, FIGS.3.23, 9.12, 27.4, 55.1, NO.9
    Wachsmann, S., The Gurob ship-cart model and its Mediterranean context (College Station TX, 2013): 141, FIG.3.58 (PART OF I, REVERSED)
    Wallinga, H.T., Ships and Sea - Power before the Great Persian War, The Ancestry of the Ancient Trireme (Leiden, 1993): FIG.18 (I)
    Whitley, J., The Archaeology of Ancient Greece (Cambridge, 2001): 212, FIG.9.11 (I)
    Woodford, S., An Introduction to Greek Art. Sculpture and Vase Painting in the Archaic and Classical Periods. 2nd edition (London, 2015): 25, FIG.24 (COLOUR OF I)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=5424
  • AVI Record Number: 5206
  • LIMC ID: 36661
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-75ab443489f6e-5
  • CAVI Collection: Munich 2044.
  • CAVI Lemma: BF eye cup. From Vulci. Exekias. Third quarter sixth. 540-530.
  • CAVI Subject: Int.: Dionysus on the sea. A,B, each: by the handles: fight.
  • CAVI Inscriptions: On the reserved foot profile, in BG, widely spaced: Εχσεκιας εποεσε, complete.
  • CAVI Number: 5206
  • AVI Bibliography: FR (1904–32), i, 227-30, pl. 42 (dr.), p. 227 (dr., inscription). — [[Lullies–Hirmer (1953), pl. 8 top (sm.)]]. — ABV (1956), 146/21, 686. — Para. (1971), 60. — Immerwahr (1984), 343. — Add.[2] (1989), 41 (much bibl). — AttScr (1990), no. 143. — Cohen (1991), 56, fig. 8 (A).
  • Image Credits: FURTWANGLER-REICHHOLD DRAWINGS: Please consult with Williams College Special Collections staff and Williams College Visual Resources Center staff, regarding questions about publishing and accessing materials from Williams College Special Collections. Researchers are responsible for handling any copyright issues that may be associated with collections and materials.
  • Pleiades URI: https://pleiades.stoa.org/places/413393
  • Coordinates: 42.421429,11.702499
  • Pleiades Coordinates: 42.419009,11.6298975
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Link to this record using the address http://www.beazley.ox.ac.uk/record/90E58738-4638-4190-82C9-C5A0E3CB1A93

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