206422, ATHENIAN, Munich, Antikensammlungen, Munich, Antikensammlungen, J376

  • Vase Number: 206422
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: AMPHORA, NECK
  • Provenance: ITALY, ETRURIA, VULCI
  • Date: -500 to -450
  • Attributed To: OREITHYIA P by JAHN
  • Current Collection: Munich, Antikensammlungen: 2345
  • Previous Collections:
    • Munich, Antikensammlungen: J376
  • Publication Record: BEAZLEY NOTEBOOK: 76, 55.2
    BEAZLEY NOTEBOOK: 78, 44.1
    BEAZLEY NOTEBOOK: 80, 94.5
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 496.2, 1656
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tubingen, 1925): 292.1
    Beazley, J.D., Paralipomena (Oxford, 1971): 380
    Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.30 (A)
    Boardman, J., Greek Art, 4th edition (London, 1996): 269, FIG.273 (A)
    Boardman, J., The history of Greek vases: potters, painters and pictures (London, 2001): 210, FIG.224 (A)
    Bulletin, Yale University Art Gallery: SPRING 1987, 15, FIG.7 (A)
    Burn, L., and Glynn, R., Beazley Addenda (Oxford, 1982): 122
    Carpenter, T.H., with Mannack, T., and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 250
    Cohen, B. (ed.), Not the Classical Ideal, Athens and the Construction of the Other in Greek Art (Leiden, Boston and Koln, 2000): 384, FIG.14.9 (A)
    Corpus Vasorum Antiquorum: MUNICH, MUSEUM ANTIKER KLEINKUNST 4, 27,28,29, PLS.(583-586) 205.1-2, 206.1-2, 207.1-2. 208.1-2 View Whole CVA Plates
    Deacy, S. and Pierce, K.F., Rape in Antiquity (Swansea, 1997): 109, FIG.2 (A)
    Ellinghaus, C., Die Parthenonskulpturen, Der Bauschmuck eines offentlichen Monumentes der demokratischen Gesellschaft Athens zur Zeit des Perikles, Techniken in der bildenden Kunst zur Tradierung von Aussagen (Hamburg, 2011): FIG.71 (A)
    Furtwangler, A. und Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): II, FIGS.66-69 AT 185, PLS.94-95 (A, B, PARTS)
    Girard, T., L'oblique dans le monde grec (Oxford, 2015): 93, FIG.57 (A)
    Lexicon Iconographicum Mythologiae Classicae: VII, PL.49, OREITHYIA I 15 (A)
    Meyer, M., Athena, Gottin von Athen. Kult und Mythos auf der Akropolis bis in klassische Zeit, Wiener Forschungen zur Archologie 16 (Vienna, 2017): 634, FIGS.323-326 (COLOUR OF A, B, AND UH)
    Monuments des Nouvelles Annales: 1839, PLS.22-23
    Norskov, V., et al. (eds.), The World of Greek Vases (Rome, 2009): 70, FIG.4 (A)
    PLS.1.3, 2.2-4 (A, B, DRAWINGS OF A AQND B)
    Reeder, E.D., et al., Pandora, Women in Classical Greece (Baltimore, 1995): 40, 75, FIGS.2-3, 2 (A, PART OF B)
    Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 149, FIG.143 (A)
    Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 160, FIG.137 (COLOUR OF A)
    Tsiaphaki, D., I Thraki stin attiki eikonographia tou 5ou aiona p. Ch., Prosengiseis stis scheseis Athinas kai Thrakis (Komotini, 1998): 359, FIG.37 (A)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=5486
  • AVI Record Number: 5268
  • LIMC ID: 9284
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-7427286bfcdf7-7
  • CAVI Collection: Munich 2345.
  • CAVI Lemma: RF pointed amphora. From Vulci. Oreithyia Painter. Second quarter fifth. Ca. 475.
  • CAVI Subject: A: Boreas and Oreithyia between two girls. B: continuation: Cecrops and Erechtheus with two girls.
  • CAVI Inscriptions: A: to left of the shoulder of a girl trying to rescue Oreithyia, retr.: Ερσε{1}. To left of Boreas's middle, retr.: Βορας{2}. Above the heads of Boreas and Oreithyia, retr.: Ορει(θ)υα.(2)a Around the head and face of a girl running off: Πανδροσος. B: to right of the lower legs of a girl running to right: καλος{3}. Around Cecrops' head: Κεκρο[φ]ς{4}. To left of a girl appealing to Erechtheus, retr.: Αγλαυρος. To left of Erechtheus' lower body, retr.: Ερεχσες, for Ερεχθευς{5}. Under the foot, Gr.: ΙV. Not in Johnston (1979), or Hackl.
  • CAVI Footnotes: {1} so FR; CVA gives [Ε]ρσε, in the facs. There is some restoration in FR. {2} i.e., Βορ[ρ]ας(?). This is the Attic form. {2} a see Threatte (1980), 339. {3} so in FR and in CVA. Furtwängler says `clearly' and refers to his `Meisterwerke' 235, n. 5. Formerly read Αφυας, see Welcker in Ant. Denkm. iii, 168, 171. Jahn said: `nicht deutliche Spuren von Buchstaben.' The facs. in CVA has a clear καλος. {4} FR refers to Kretschmer (1894), 182 and Welcker 170. {5} FR refers to Kretschmer 192 for -ης = -ευς. Welcker considered σ = θ a Dorism. Then we could write: Ερεχσε̅́ς, Doric.
  • CAVI Number: 5268
  • AVI Bibliography: FR (1904–32), ii, 186-92, 191, fig. 70 (facs. of Gr.), pls. 94-95 (drs.). — R. Lullies, CVA Munich 4, Germany 12 (1956), p. .. (facs.), pls. 205-208. — ARV[2] (1963), 496/2, 1656. — Para. (1971), 380. — Add.[2] (1989), 250. — Robertson (1992), 140, fig. 143 (A).
  • Image Credits: FURTWANGLER-REICHHOLD DRAWINGS: Please consult with Williams College Special Collections staff and Williams College Visual Resources Center staff, regarding questions about publishing and accessing materials from Williams College Special Collections. Researchers are responsible for handling any copyright issues that may be associated with collections and materials.
  • Pleiades URI: https://pleiades.stoa.org/places/413393
  • Coordinates: 42.421429,11.702499
  • Pleiades Coordinates: 42.419009,11.6298975
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