214158, ATHENIAN, New York (NY), Metropolitan Museum, New York (NY), Metropolitan Museum, 1928.57.23

  • Vase Number: 214158
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: KRATER, BELL
  • Date: -475 to -425
  • Inscriptions: Named: PERSOPHATA
  • Attributed To: PERSEPHONE P by BEAZLEY
  • Decoration: A: ANODOS, (RETURN OF) PERSEPHONE, HERMES, HEKATE WITH TORCHES, DEMETER WITH SCEPTRE (ALL NAMED, PERSOPHATA)
    B: WOMAN WITH OINOCHOE BETWEEN DRAPED MEN, ONE WITH PHIALE, ONE WITH SCEPTRE
  • Current Collection: New York (NY), Metropolitan Museum: 28.57.23
  • Previous Collections:
    • New York (NY), Metropolitan Museum: 1928.57.23
  • Publication Record: Acta Archaeologica: 64 (1993) 164, FIG.16 (PART OF A)
    Antike Kunst: 38 (1995) PL.9.3 (A)
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1012.1
    Beazley, J.D., Paralipomena (Oxford, 1971): 440
    Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.121 (A)
    Bonanome, D., Il relievo da Mondragone nel Museo Nazionale di Napoli (Naples, 1995): 114, FIG.55 (PART OF A)
    Bowden, H., Mystery Cults in the Ancient World (London, 2010): 27, FIG.13 (A)
    Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 153
    Cambridge Ancient History, Plates to Volumes 5&6: 141, FIG.144 (A)
    Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.44 (A)
    Carpenter, T.H., with Mannack, T., and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 314
    Clark, M., Exploring Greek Myth (Malden, Oxford, and Chichester, 2012): 8, FIG.1.1 (A)
    Denoyelle, M., La cratere des Niobides (Paris, 1997): 29, FIG.23 (COLOUR OF A)
    Descoeudres, J-P. (ed.), Eumousia, Ceramic and Iconographic Studies in Honour of Alexander Cambitoglou (Sydney, 1990): PL.27.4 (DRAWING OF A)
    Lexicon Iconographicum Mythologiae Classicae: V, PL.251, HERMES 637 (PART OF A)
    Mertens, J., How to read Greek vases (New York, 2010): 136-137, 139 (COLOUR OF A, B AND PART OF A)
    Morford, M., et al., Classical Mythology, International Ninth Edition (Oxford, 2011): 342 (A)
    Mugione, E., Miti della ceramica attica in Occidente: Problemi di trasmissioni iconografiche nelle produzioni italiote (Taranto, 2000): 72, FIG.20 (PART OF A)
    Neils, J. and Oakley, J.H. (eds.), Coming of Age in Ancient Greece, Images of Childhood from the Classical Past (New Haven, 2003): 125, FIG.13 (A)
    Picon, C.A., Mertens, J.R., et al., Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome (New York, 2007): 114, NO.124 (COLOUR OF A)
    Reeder, E.D., et al., Pandora, Women in Classical Greece (Baltimore, 1995): 290-291, NO.82 (COLOUR OF A, B)
    Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 204, FIG.214 (A)
    Stampolidis, N.C. et al. (eds.), Beyond. Death and Afterlife in Ancient Greece (Athens, 2014): 144, FIG.68 (COLOUR OF A)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=5874
  • AVI Record Number: 5651
  • LIMC ID: 7072
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-7407ca9005b9d-b
  • CAVI Collection: New York 28.57.23.
  • CAVI Lemma: RF bell krater. Persephone Painter. Third quarter fifth.
  • CAVI Subject: A: Return of Persephone (rising from the ground), with Hermes, Hecate and Demeter. B: a woman with a phiale between two men.
  • CAVI Inscriptions: A: the inscriptions are above the heads: Περσωφατ[τ]α{1}. hερμες [[h(ε)]]. hεκατε [[h(ε)]]. Δεμετερ.
  • CAVI Footnotes: {1} according to Kretschmer omega is here used for omicron; see AttScr (1990), 167 and Threatte (1980), 47.
  • CAVI Number: 5651
  • AVI Bibliography: CIG 4 (1855–77), no. 7434. — Kretschmer (1894), 107. — Richter–Hall (1936), i, 156/124, pls. 123-24 and 171. — ARV[2] (1963), 1012/1 (much bibl.). — Para. (1971), 440. — Add.[2] (1989), 314. — Boardman (1989), fig. 121. — Robertson (1992), 203-204, fig. 214 (A).
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Last updated 09/04/2020 09:59:00 by Mannack, Thomas. Created 19/10/2003 04:54:00 by Mannack, Thomas. Approved by Mannack, Thomas. Copyright © 2003-2020 Classical Art Research Centre, University of Oxford.

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