1107, ATHENIAN, Hamburg, Museum fur Kunst und Gewerbe, Germany, private, 1981.173

  • Vase Number: 1107
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: OINOCHOE
  • Date: -500 to -450
  • Inscriptions: EURYMEDON
  • Attributed To: Manner of TRIPTOLEMOS P by SCHAUENBURG
  • Current Collection: Hamburg, Museum fur Kunst und Gewerbe: 1981.173
  • Previous Collections:
    • Germany, private
  • Publication Record: Boardman, J., The Greeks in Asia (London, 2015): PL.IX (COLOUR OF A AND B)
    Brinkmann, V. (ed.), Zuruck zur Klassik, ein neuer Blick auf das alte Griechenland, eine Ausstellung der Liebieghaus Skulpturensammlung, Frankfurt am Main, 8. Februar bis 26. Mai 2013 (Munich, 2013): 92-93, FIGS.80-81 (COLOUR OF BD)
    Cohen, A., Art in the Era of Alexander the Great, Paradigms of Manhood and their Cultural Traditions (Cambridge, 2010): 169, FIG.77 (BD)
    Cohen, B. (ed.), Not the Classical Ideal, Athens and the Construction of the Other in Greek Art (Leiden, Boston and Koln, 2000): 88, FIGS.3.6-7 (PARTS)
    Davidson, J.N., Courtesans and Fishcakes, The Consuming Passions of Classical Athens (London, 1997): PL.11 AT 166 (PARTS)
    Deacy, S. and Pierce, K.F., Rape in Antiquity (Swansea, 1997): 136, FIG.10 (BD)
    Foxhall, L. and Salmon, J. (eds.), When men were men, Masculinity, power and identity in classical antiquity (London, 1998): 58-59, FIG.2.1 (BD)
    Francis, E.D., Vickers, M. (ed.), Image and Idea in Fifth-Century Greece (London, 1990): FIG.12
    Frontisi-Ducroux, F., Du Masque au Visage, Aspects de l'identite en Grece ancienne (Paris, 1995): PL.83
    Giudice, F. and Panvini, R. (eds.), Il greco, il barbaro e la ceramica attica, Immaginario del diverso, processi di scambio e autorappresentazione degli indegni, Volume Quarto, Atti del Convegno Internazionale di Studi 14-19 maggio 2001 (Rome, 2007): 129, FIG.7 (DRAWING OF BD)
    Gruen, E.S. (ed.), Cultural Identity in the Ancient Mediterranean (Los Angeles, 2011): 469, FIG.3 (BD)
    Harari, M, et al. (eds.), Icone del mondo antico, un seminario di storia delle immagini, Pavia, Collegio Ghislieri, 25 novembre 2005 (Rome, 2009): PL.31.5-6 (BD)
    Jahrbuch der Hamburger Kunstsammlungen: NF 1 (1982), 110-111
    Jahrbuch des Deutschen Archaologischen Instituts: 109 (1994) 37, FIGS.34-35
    Journal of Hellenic Studies: 104 (1984), PL.8 C-D
    Journal of Hellenic Studies: 119 (1999) PL.8A-B (PARTS)
    Keuls, E., The Reign of the Phallus (New York, 1985): 292, FIG.261 (A,B)
    Kilmer, M.F., Greek Erotica on Attic Red-Figure Vases (London, 1993): PL. AT P.146, R1155
    Kunst der Antike, Schatze aus norddeutschem Privatbesitz, Hamburg, Museum fur Kunst und Gewerbe (Mainz, 1977): 317-18, NO.271
    Lear, A., and Cantarella, E., Images of ancient Greek pederasty, Boys were their gods (London and New York, 2008): 112-113, FIG.3.5A-B (BD)
    Marco Simon, F., et al. (eds.), Vae Victis Perdedores en el mundo antiguo (Barcelona, 2012): 51, FIG.3 (BD)
    Metis: 2013, 214, FIG.1 (A AND B)
    Miller, M.C., Athens and Persia in the Fifth Century BC, A study in cultural receptivity (Cambridge, 1997): PLS.1-2
    Mitteilungen des Deutschen Archaologischen Instituts, Athenische Abteilung: 90 (1975) PL.25.1-3
    Neer, R.T., Style and Politics in Athenian Vase-Painting, The Craft of Democracy, ca.530-460 B.C.E. (Cambridge, 2002): 166, FIGS.79-80 (BD)
    Pritchard, D. (ed.), War, Democracy and Culture in Classical Athens (Cambridge, 2010): 305-306, 337, FIGS.12.1-2, 12.18 (BD, DRAWING OF INSCRIPTION)
    Reinsberg, C., Ehe, Hetarentum und Knabenliebe im antiken Griechenland (Munich, 1989): 177, FIGS.98A-B
    Rodriguez Perez, D. (ed.), Greek Art in Context. Art Historical and Archaeological Perspectives (Oxford and New York, 2017): 98, 108-109, FIGS.7.1A-B, 7.6A-B (A, B AND DRAWINGS OF A AND B)
    Smith, A.C., Polis and Personification in Classical Athenian Art (Leiden, 2011): FIGS.2.7-2.9 (BD AND PART)
    Vlassopoulos, K., Greeks and barbarians (Cambridge, 2013): 64, FIG.5 (BD)
    Yatromanolakis, D. (ed.), Epigraphy of Art: Ancient Greek Vase-Inscriptions and Vase-Paintings (Oxford, 2016): 166-167, 169, 171-177, FIGS.1-15 (COLOUR)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=4090
  • AVI Record Number: 3880
  • CAVI Collection: Hamburg, Museum für Kunst und Gewerbe 1981.173.
  • CAVI Lemma: RF oinochoe{1}. Manner of Triptolemos Painter (Schauenburg). Second quarter fifth.
  • CAVI Subject: To right of the handle: a naked man, bearded and with his chlamys behind him, his left arm outstretched, running to right while holding his erect penis in his left hand. To left of the handle: Oriental (Persian archer, Schauenburg) in sleeved and legged costume leaning forward, facing right but the head frontal and his hands raised to it, the gorytos hanging from his left arm.
  • CAVI Inscriptions: Starting to right of left figure's head and continuing to to the Persian's right foot: Εὐρυμέδον εἰμ[ί], κυβάδε̣ hέστεκα{2}.
  • CAVI Footnotes: {1} type VII, which is discussed at length by Schauenburg. {2} κυβαδε is discussed by Schauenburg on p. 103. S. Laser (see 103 n. 38a) suggested κυβαλες or κυβατες. - hεστεκα: Threatte (1996), 608.
  • CAVI Number: 3880
  • AVI Bibliography: BADB 1107. — Schauenburg (1975), 102ff. (dr. of inscription p. 103), pl. 25,1-3. — Schauenburg (1977), 317/271 (ill.). — Hornbostel (1982), 110-111. — Golden (1984), 314f. n. 34. — Pinney (1984), 181ff., pl. 8,c-d. — Keuls (1985), 292, fig. 261. — H. Metzger (1986), 113. — Francis–Vickers (1990), 39, fig. 12.

Link to this record using the address http://www.beazley.ox.ac.uk/record/C6CC59DF-8DD2-4BCE-8BA9-F2B8A35BB220

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