200102, ATHENIAN, Brussels, Musees Royaux, A717

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  • Vase Number: 200102
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: STAMNOS
  • Date: -550 to -500
  • Inscriptions: ANTIAS
    AUTOMENES
    EUALKIDES
    EUARCHOS
    EUELTHON
    HELIKE
    Kalos/Kale: ANTIASKALOS: E[U]ALKIDESKALOS
    Named: SMIKROS, HELIKE
    PHEIDIADES
    RODE
    SMIKROS
    SMIKROS
    Signature: SMIKROSEG[R]APHSEN
    Transcription: EUALKIDES
  • Attributed To: SMIKROS by SIGNATURE
  • Decoration: A: SYMPOSIUM, YOUTHS (ONE NAMED, SMIKROS) AND WOMEN, WOMAN PLAYING PIPES (NAMED, HELIKE)
    B: YOUTH AND MAN WITH POINTED AMPHORAE AT DINOS ON STAND, OINOCHOAI
  • Current Collection: Brussels, Musees Royaux: A717
  • Publication Record: Annuario della Scuola Archeologica di Atene: 29-30 (1967-68) 339, FIG.12 (PART OF A)
    Antike Kunst: 14 (1971) PL.21.1 (B)
    Antike Kunstwerke aus der Sammlung Ludwig, vol. 1 (Basel, 1979): 221, FIG.5 (B)
    Antike Welt: 1988, SONDERNUMMER, 53, FIG.83 (PART OF A)
    Antike Welt: 32 (2001) 186, FIG.6 (PART OF A)
    Archeologia Classica: 33 (1981) PL.64 (PART OF A)
    Bazant, J., Les citoyens sur les vases atheniens, Rocnik 95 (1985) 2: PLS.21.34, 31.50 (A)
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 20.1, 1619
    Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 20.1
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tubingen, 1925): 62.1
    Beazley, J.D., Paralipomena (Oxford, 1971): 322
    Belloni, L., Bonandini, A., Ierano, G., and Moretti, G. (eds.), Le Immagini nel Testo, il Testo nelle Immagini, Rapporti fra parola e visualita nella tradizione greco-latina (Trento, 2010): 63-4, FIGS.5-6 (A, B, COLOUR OF PART OF A)
    Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.32.1,2 (B, PART OF A)
    Browning, R.(ed), The Greek World: Classical, Byzantine and Modern (London, 1985): 89 BELOW (PART OF B)
    Brule, P., Women of Ancient Greece (Edinburgh, 2003): 206 (A)
    Bundrick, S.D., Music and Image in Classical Athens (Cambridge, 2005): 114, FIG.68 (A)
    Burn, L., and Glynn, R., Beazley Addenda (Oxford, 1982): 74
    Carpenter, T.H., with Mannack, T., and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 154
    Charbonneaux, J., Martin, R., and Villard, F., Archaic Greek Art (London, 1971): 332, FIG.381 (PART OF A)
    Christiansen, J., Melander, T., Proceedings of the 3rd Symposium on Ancient Greek and Related Pottery, Copenhagen 31.8.-4.9.87 (Copenhagen, 1988): 307, FIG.10 (A)
    Cloche, P., Les classes, les metiers, le trafic (Paris, 1931): PL.21.3 (A)
    Corpus Vasorum Antiquorum: BRUSSELS, MUSEES ROYAUX D'ART ET D'HISTOIRE (CINQUANTENAIRE) 2, III.I.C.6-III.I.C.7, PLS.(065,066) 12.1A-D, 13.1A.1B.1C View Whole CVA Plates
    Das Altertum: 34 (1988) 3, 139, FIG.8 (PART OF A)
    Dedalo: 1 (1920) 159 (B)
    Fantham, E., et al., Women in the Classical World, Image and Text (New York, 1994): 281, FIG.10.1 (A)
    Fellmuth, N., et al., Der Jenaer Maler, Eine Topferwerkstatt im klassischen Athen (Wiesbaden, 1996): 36, FIG.25 (PART OF B)
    Frel, J., Greek Portraits in the J. Paul Getty Museum (Malibu, 1981): 8, FIG.19 (PART OF A)
    Giudice, F., and Panvini, R. (eds.), Il greco, il barbaro e la ceramica attica, Immaginario del diverso, processi di scambio e autorappresentazione degli indegni, Volume Quarto, Atti del Convegno Internazionale di Studi 14-19 maggio 2001 (Rome, 2007): 146, FIG.3 (B)
    Harvard University Art Museums Bulletin: SPRING 1997, 15, FIG.5 (B)
    Hedreen, G., The Image of the Artist in Archaic and Classical Greece: Art, Poetry, and Subjectivity (Cambridge, 2016): 2, FIG.1, 25, FIG.5, 27, FIG.7, PL.1 AT 176 (B, PARTS OF A, COLOUR OF A))
    Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): II, 417
    Hurwit, J.M., Artists and Signatures in Ancient Greece (Cambridge, 2015): IX (COLOUR OF A)
    Hurwit, J.M., The Art and Culture of Early Greece, 1100-480 (Ithaca, 1985): 267, FIG.114 (PART OF A)
    Isler-Kerenyi, C., Dionysos in Classical Athens. An Understanding through Images (Leiden and Boston, 2014): 33, FIG.12 (DRAWING OF A)
    J. Paul Getty Museum Journal: 14 (1986), 18, FIG.18 (A)
    Jacobsthal, P., Ornamente Griechischer Vasen (Berlin, 1927): PL.92B (SIDE)
    Jahrbuch des Deutschen Archaologischen Instituts: 126 (2011) 22, FIG.27 (PART OF A)
    Kernos: 5 (1992) 180, FIG.1 (PART OF A)
    Keuls, E., The Reign of the Phallus (New York, 1985): 213, FIG.185 (A)
    Keuls, E.C., Painter and Poet in Ancient Greece, Iconography and the Literary Arts (Stuttgart and Leipzig, 1997): 390, 406, 410, FIGS.29, 62, 69 (A, PART OF A)
    Kistler, E., Funktionalisierte Keltenbilder, die Indienstnahme der Kelten zur Vermittlung von Normen und Werten in der hellenischen Welt (Berlin, 2009): PL.13.2 (DRAWING OF B)
    Kurtz, D.C. (ed.), Greek Vases, Lectures by J.D. Beazley (Oxford, 1989): PL.25.3-4 (A, PART OF A)
    La Cite des Images, Religion et Societe en Grece Antique (Lausanne, 1984): 15, FIG.17 (B), 124, FIG.174 (A)
    Lee, M.M., Body, Dress and Identity in Ancient Greece (Cambridge, 2015): 159, FIG.5.19 (PART OF A)
    Lissarrague, F., The Aesthetics of the Greek Banquet, Images of Wine and Ritual (Princeton, 1990): 23, FIG.10 (DRAWING OF B)
    Martens, D., Une esthetique de la transgression: le vase grec de la fin de l'epoque geometrique au debut de l'epoque classique (Brussels, 1992): 108, FIG.45 (B)
    Meddelelser fra Ny Carlsberg Glyptotek: 47 (1991) 24, FIG.23 (B)
    Metropolitan Museum Journal: 43 (2008) 19, FIG.19 (COLOUR OF A)
    Monuments et memoires publies par l'Academie des Inscriptions et Belles-Lettres: 9 (1902) PLS.2-3
    Moon, W.G. (ed.), Polykleitos, the Doryphoros, and Tradition (Madison) 1995: 33-34, FIGS.3.11-3.12 (PARTS OF A)
    Neer, R.T., Art and Archaeology of the Greek World, a new history, c.2500-c.150 BC (London, 2012): 208, FIG.8.16 (COLOUR OF PART OF A)
    Neer, R.T., Style and Politics in Athenian Vase-Painting, The Craft of Democracy, ca.530-460 B.C.E. (Cambridge, 2002): 88, 90, FIGS.41-43 (A, B, PART OF A)
    Oakley, J.H. (ed.), Athenian Potters and Painters, Volume III (Oxford and Philadelphia, 2014): 50, FIG.1, PL.5C (A, COLOUR OF A)
    Osborne, R., Archaic and Classical Greek Art, Oxford History of Art (Oxford, 1998): 140, FIG.72 (COLOUR OF PART OF A)
    Panto, G. (ed.), I modi dell'Eros. Reperti archeologici a tema erotico del Museo di Antichita di Torino (Turin, 2011): 18, UNNUMBERED (DRAWING OF A)
    Paul, E., Antike Keramik (Leipzig, 1982): 195 (DRAWING OF B)
    Perrot, G., Chipiez, C., Histoire de l'art dans l'antiquite, vols. IX-X (Paris, 1911-14): IX, 375 (A)
    Perrot, G., Chipiez, C., Histoire de l'art dans l'antiquite, vols. IX-X (Paris, 1911-14): X, 519-21
    Peschel, I., Die Hetare bei Symposium und Komos in der attisch rotfigurigen Malerei des 6.-4. Jhs. v.Chr. (Frankfurt, 1987): PL.1 (PARTS OF A)
    Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.388 (A)
    Reinsberg, C., Ehe, Hetarentum und Knabenliebe im antiken Griechenland (Munich, 1989): 98, FIGS.47A-B (PARTS OF A)
    Revue Archeologique: 2015.2, 282, FIG.57 (DRAWING OF PART OF B)
    Scheibler, I., Griechische Topferkunst, Herstellung, Handel und Gebrauch der antiken Tongefasse (Munich, 1983): 129, FIG.115 (PART OF A)
    Scheibler, I., Griechische Topferkunst, Herstellung, Handel und Gebrauch der antiken Tongefasse, 2nd ed. (Munich, 1995): 192, FIG.115 (PART OF A)
    Settis, S. (ed.), I Greci, Storia Cultura Arte Societa 2, Una storia greca, 1.Formazione (Turin, 1996): 820, FIG.34 (PART OF A)
    Simon, E. & Hirmer, M., Die Griechischen Vasen (Munich, 1976): PLS.110-11 (PARTS OF A & B)
    Sparkes, B.A., The Red and the Black (London, 1996): 112, FIG.IV.13 (PART OF A)
    Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 130-131, FIGS.102-103 (COLOUR OF A AND PART OF A)
    Topper, K., The imagery of the Athenian symposium (Cambridge, 2012): 148, FIG.60 (A)
    Valavanis, P., and Kourkoumelis, D., Chaire kai piei, drinking vessels (1996): 70-71 (DRAWING OF PART OF A, COLOUR OF B)
    Yatromanolakis, D. (ed.), An Archaeology of Representations, Ancient Greek Vase-Painting and contemporary Methodologies (Athens, 2009): 202, FIG.1 (A)
    Ziomecki, J., Les representations d'artisans sur les vases attiques (Warsaw, 1975): 37, FIG.9 (PART OF A)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=3042
  • AVI Record Number: 2893
  • CAVI Collection: Brussels, Mus?es Royaux A 717.+
  • CAVI Lemma: RF stamnos. Smikros. Last quarter sixth. 510-500.
  • CAVI Subject: A: symposium (three pairs of youths and hetaerae). B: "man and youth filling the dinos" (ARV[2]). The man is bearded.
  • CAVI Inscriptions: A: Above the scene: Σμικρος εγρ̣αφσεν. Left pair: Χορο. Φειδιαδες, retr. Central pair: hελικε (vertical, not facing). Σμικρος (around the back of the head; he is singing). Right pair: Ροδε, retr. Αυ[τ]ομενες, retr.{2}. B: the youth: Ευαρχο̣ς̣. The man: Ευελθον. [Α]ντιας καλος. Ε[υ]αλκιδες καλος, retr. except the first sigma. Under the foot, Gr.
  • CAVI Footnotes: {1} mention of the join of NY fr. and Brussels stamnos. {2} -ομενες is on the N.Y. fr.
  • CAVI Number: 2893
  • AVI Bibliography: Hackl (1909), 45/502. ? Pfuhl (1923), fig. 388 (dr.). ? F. Mayence and V. Verhoogen, CVA Brussels 2, Belgium 2 (1937), III I c, pls. 12-13. ? ARV[2] (1963), 20/1 (much bibl.), (173/2), 1619. ? Para. (1971), 322. ? Johnston (1979), 111/16C 1, fig. 6a. ? Add.[2] (1989), 154 (much bibl.). ? Beazley (1989), 47, pl. 25,4. ? AttScr (1990), no. 400. ? Bothmer (1990b), 36{1}. ? Immerwahr (1992a), 121-22, pl. 29,a (B).
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