204730, Berlin, Antikensammlung, Rome, Mus. Naz. Etrusco di Villa Giulia, Berlin, Schloss Charlottenburg, F2290

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  • Vase Number: 204730
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: CUP
  • Provenance: ITALY, ETRURIA, VULCI
  • Date: -500 to -450
  • Inscriptions: HIERON
    Signature: HIERONEPOIESEN
  • Attributed To: HIERON POTTER by SIGNATURE
    MAKRON by BEAZLEY
  • Decoration: A: CULT (?), MAENADS WITH THYRSOS, ONE PLAYING PIPES, DANCING AT ALTAR AND STATUE OF DIONYSOS
    B: MAENADS DANCING WITH KROTALA, THYRSOI, DEER, SKYPHOS WITH BLACK FIGURE DECORATION (FIGURE DANCING BETWEEN PALMETTES)
    I: DIONYSOS WITH THYRSOS AND GRAPE VINE, SATYR PLAYING PIPES
    UH: COLUMN KRATER
  • Current Collection: Berlin, Antikensammlung: F2290
  • Previous Collections:
    • Rome, Mus. Naz. Etrusco di Villa Giulia
    • Berlin, Schloss Charlottenburg: F2290
  • Publication Record: Antike Kunst: 49 (2006) PL.6.3-5 (A, B, PART OF A)
    Backe-Dahmen, A., et al., Greek Vases, Gods, Heroes and Mortals (London and Berlin, 2010): 20-21, NO.8 (COLOUR OF A, B, UH AND I)
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 462.48, 481, 1654
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tubingen, 1925): 213.26
    Beazley, J.D., Paralipomena (Oxford, 1971): 377
    Benndorf, O., Wiener Vorlegeblatter fur archaelogische Ubungen (Vienna, 1888-1890/91): A, PL.4
    Berard, C. (ed.), Images et societe en Grece ancienne, L'iconographie comme methode d'analyse, Cahiers d'Archeologie Romande 36 (Lausanne, 1987): 95, FIG.9 (DRAWING OF A AND B0
    Burn, L., and Glynn, R., Beazley Addenda (Oxford, 1982): 120
    Buschor, E., Griechische Vasenmalerei (Munich, 1914): 177 (B)
    Carpenter, T.H., Dionysian Imagery in Fifth-Century Athens (Oxford, 1997): PLS.20B, 21 (PART OF A, B)
    Carpenter, T.H., with Mannack, T., and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 244
    Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 2, 34-35, PLS.(1016,1017,1018) 87.1-2, 88.1-4, 89.1-5 View Whole CVA Plates
    Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 3, 19, PL.(1057) 128.1.5 View Whole CVA Plates
    Docter, R.F. and Moormann, E.M. (eds.), Proceedings of the 15th Int. Congress of Classical Archaeology, Amsterdam, July 12-17, 1998 (Amsterdam, 1999): FIG.19 (DRAWING OF PART)
    Duby, G., Perrot, M. (eds.), Histoire des femmes (Plon, 1991): 210-211, FIG.32 (A)
    Estienne, S., et al. (eds.), Figures de dieux. Construire le divin en images (Rennes, 2014): PL.26A-B (COLOUR OF A AND B)
    Gerhard, E., Trinkschalen und Gefsse des Kniglichen Museums zu Berlin und anderer Sammlungen (Berlin, 1848-1850): PLS.4-5
    Heilmeyer, W-D., et al., Antikenmuseum Berlin, Die ausgestellten Werke (Berlin, 1988): 124, NO.3 (I)
    Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Manaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 129, 493, FIGS.69, 338 (PART OF B, DRAWING OF A AND B)
    Hephaistos: 14 (1996) 88, FIG.2 (PART OF A)
    Hephaistos: 9 (1988) 70, FIG.11 (DRAWING OF A AND B)
    Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): II, 41 (A)
    Hornblower, S. and Spawforth, A. (eds.), The Oxford Companion to Classical Civilization (Oxford, 1998): 440 (DRAWING OF A)
    Hornblower, S., and Spawforth, A. (eds.), The Oxford Companion to Classical Civilization, Second Edition (Oxford, 2014): 486 (PART OF A)
    International Congress of Classical Archaeology, 12, Athens, 1983. Praktika, 2-3 Tou XII Diethnous Synedriou Klasikes Archaiologias, Athena, 4-10 Sep: VOL.B, PL.19.1-2 (A, B)
    Isler-Kerenyi, C., Dionysos in Classical Athens. An Understanding through Images (Leiden and Boston, 2014): 126, FIG.69 (DRAWING OF A AND B)
    Jahrbuch des Deutschen Archaologischen Instituts: 112 (1997) 300, FIG.20B (PART OF A)
    Jahreshefte des Osterreichischen Archaologischen Instituts in Wien: 76 (2007) 366, FIG.10 (B)
    Kaltsas, N. and Shapiro, A., Worshiping Women, Ritual and Reality in Classical Athens (Athens and New York, 2008): 274, FIG.5 (COLOUR OF A)
    Kunisch, N., Makron (Mainz, 1997): 36, 69, FIGS.19, 32.345, PLS.116-117.345
    Kurtz, D.C. (ed.), Greek Vases, Lectures by J.D. Beazley (Oxford, 1989): PL.74 (DRAWING OF A AND B, A)
    Mannack, T., Griechische Vasenmalerei, Eine Einfuhrung, 2nd edition (Darmstadt, 2012): 144, FIG.89 (A)
    Metropolitan Museum Journal: 26 (1991) 71, FIG.36 (OH)
    Moraw, S., Die Manade in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v.Chr. (Mainz, 1998): PL.13.34 (A, B)
    Osborne, R., Archaic and Classical Greek Art, Oxford History of Art (Oxford, 1998): 133, 150-151, FIG.81 (COLOUR OF I, B AND PART OF B)
    Panto, G. (ed.), I modi dell'Eros. Reperti archeologici a tema erotico del Museo di Antichita di Torino (Turin, 2011): 72, UNNUMBERED (COLOUR OF A)
    Panto, G. (ed.), I modi dell'Eros. Reperti archeologici a tema erotico del Museo di Antichita di Torino (Turin, 2011): 73, UNNUMBERED RIGHT (COLOUR OF I)
    Pelling, C. (ed.), Greek Tragedy and the Historian (Oxford, 1997): PL.9 (A, B)
    Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.438 (B)
    Philipp, M., et al., Dionysos, Rausch und Ekstase (Munich, 2013): 58, FIG.3 (COLOUR OF B)
    Reeder, E.D., et al., Pandora, Women in Classical Greece (Baltimore, 1995): 384-385, NO.123 (COLOUR OF A, B, I)
    Revue des Etudes Anciennes: 94 (1992) 148, FIG.12 (A, B)
    Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 102, FIGS.97-98 (A, B)
    Sakellarake, G., Idaio Antro: hiero kai manteio (Athens, 2013): 192, FIG.141 (DRAWING OF I)
    Schlesier, R., and Schwarzmaier, A. (eds.), Dionysos, Verwandlung und Ekstase (Berlin, 2008): FRONT COVER, 25, 66, 82, 152-3, NO.1, FIGS.7, 8, 2-3 (COLOUR OF I, A, B AND PARTS)
    Soar, K., and Aamodt, C. (eds.), Archaeological approaches to dance performance (Oxford, 2014): 88, FIG.2 (DRAWING OF PARTS)
    Thesaurus Cultus et Rituum Antiquorum: II, PL.89.GR330 (A)
    Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 439-441, FIGS.80.1A-G (A, B, I)
  • CAVI Collection: Berlin 2290.+
  • CAVI Lemma: RF cup. From Vulci. Makron. Hieron, potter. First quarter fifth. 490-480. Hauptwerk II (Kunisch).
  • CAVI Subject: Int.:Dionysus and satyr. A-B: maenads dancing at the image of Dionysus.
  • CAVI Inscriptions: On handle B/A in BG area of right hasta, Gr.: hιερον εποεσεν.
  • CAVI Footnotes: {1} shows A augmented by fr. in Villa Giulia.
  • CAVI Number: 2335
  • AVI Bibliography: CIG 4 (1855–77), no. 8215. — Furtwängler (1885), no. 2290. — CF (1933), 34/13, pl. Z 1 (VG fr.). — Blösch (1940), 92/18. — ARV[2] (1963), 462/48 (much bibl.), 1654. — Para. (1971), 377. — Add.[2] (1989), 244 (much bibl.). — Beazley (1989), 93-94, pl. 74,1-2{1}. — AttScr (1990), no. 1071. — Cohen (1991), 70, fig. 36 (signature). — Robertson (1992), figs. 97-98 (A, B). — Kunisch (1997), 7, 8, and n. 37, 197/345, fig. 19 (detail), pls. 116-17 (shows part of inscription) (much bibl.).
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