216789, ATHENIAN, Chiusi, Museo Archeologico Nazionale, Chiusi, Museo Archeologico Nazionale, Chiusi, Museo Archeologico Nazionale, 63.564

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  • Vase Number: 216789
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: SKYPHOS
  • Provenance: ITALY, CHIUSI
  • Date: -450 to -400
  • Inscriptions: Named: OLYSSEUS, ANTIPHATA, EUMAIOS
    Named: TELEMACHOS, PENELOPE
  • Attributed To: PENELOPE P by HAUSER
  • Decoration: A: PENELOPE (NAMED) SEATED ON STOOL, TELEMACHOS WITH SPEARS, LOOM WITH CLOTH WITH PEGASOI, MEDUSA (?) AND GRIFFIN
    B: ODYSSEUS IN PILOS WITH STAFF AND VESSEL AND OLD WOMAN (EURYKLEIA, NAMED, ANTIPHATA) KNEELING AT BASIN, DRAPED MAN
  • Current Collection: Chiusi, Museo Archeologico Nazionale: 1831
  • Previous Collections:
    • Chiusi, Museo Archeologico Nazionale: 63.564
    • Chiusi, Museo Archeologico Nazionale: 62705
  • Publication Record: Albersmeier, S. (ed.), Heroes, Mortals and Myths in ancient Greece (Baltimore, 2009): 64, FIG.30 (DRAWING OF B)
    Andreae, B. et al., Ulisse, il mito e la memoria (Rome, 1996): 387, 440, FIG. 6.13 (COLOUR OF A AND B, DRAWING OF A)
    Angiolillo, S., and Giuman, M. (eds.), Imago, Studi di iconografia antica (Cagliari, 2007): 108, FIG.1 (A)
    Antike Kunst: 58 (2015) 62, FIG.2 (DRAWING OF A) (WRONG ATTRIBUTION)
    Archeo, Attualita di Passato: 158 (APRIL 1998) 84 (COLOUR OF A)
    Archeo, Attualita di Passato: 97 (MARCH 1993) 48-9 (COLOUR OF B)
    Archivo Espanol de Arqueologia: 56 (1983), 64, FIG.10 (PART OF A)
    Arethusa: 18 (1985) 115, FIG.1 (DRAWING OF A)
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1300.2 , 1689
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tubingen, 1925): 366.1
    Beazley, J.D., Paralipomena (Oxford, 1971): 475
    Benndorf, O., Wiener Vorlegeblatter fur archaelogische Ubungen (Vienna, 1888-1890/91): D, PL.12.2
    Bisconti, F. (ed.), L'ipogeo degli Aureli in viale Manzoni, Restauri, tutela, valorizzazione e aggiornamenti interpretativi (Vatican City, 2011): 176, FIG.3 (COLOUR OF A)
    Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.247 (DRAWINGS OF A & B)
    Boardman, J., Greek Art, 4th edition (London, 1996): 205, FIG.203 (DRAWING OF A)
    Brule, P., Women of Ancient Greece (Edinburgh, 2003): 65 (A)
    Burke, B., From Minos to Midas, Ancient Cloth Production in the Aegean and in Anatolia (Oxford, 2010): 4, FIG.3 (A, DRAWING OF A)
    Buxton, R., La grece de l'imaginaire, les contextes de la mythologie (Paris, 1996): PL.12 (DRAWING OF A)
    Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.347 (A,B)
    Carpenter, T.H., with Mannack, T., and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 360
    Cavalier, O. (ed.), Silence et Fureur, La femme et le marriage en Grece, Les antiquites grecques du Musee Calvet (Avignon, ca.1997): 281, FIG.104 (DRAWING OF A)
    Cid Lopez, R.M. (ed.), Madres y maternidades, Construcciones culturales in la civilizacion clasica (Oviedo, 2009): 66, FIG.2 (DRAWING OF A)
    Cohen, B., The Colours of Clay, Special Techniques in Athenian Vases (Los Angeles, 2006): 157, FIG.7 (A)
    Colpo, I., and Ghedini, F. (eds.), Il gran poema delle passioni e delle meraviglie, Ovidio e il repertorio letterario e figurativo fra antico e riscoperta dell'antico, Atti del convegno (Padova, 15-17 settembre 2011) (Padova, 2012): 196, FIG.1 (DRAWING OF A)
    Corpus Vasorum Antiquorum: CHIUSI, MUSEO ARCHEOLOGICO NAZIONALE 2, 16-17, PLS.(2676,2677,2678) 34.4, 35.1-2, 36.1-4 View Whole CVA Plates
    Della Fina, G.M. (ed.), La fortuna degli etruschi nella construzione dell'Italia unita, Atti del XVIII Convegno Internazionale di Studi sulla Storia e l'Archeologia dell'Etruria (Rome, 2011): 358, FIGS.26-27 (A, B)
    Furtwangler, A. und Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): III, 124, FIG.57, PL.142 (A, B)
    Gagarin, M. (ed.), The Oxford Encyclopedia of Ancient Greece and Rome (Oxford, 2010): VOLUME 7, 13 (A)
    Giner, C.A., Tejido y cesteria en la Peninsula Iberica, Historia de su tecnia e industrias desde la prehistoria hasta la romanizacion (Madrid, 1984): 98, FIG.69 (DRAWING OF A)
    Gymnasium: 100 (1993) 395, FIG.1 (DRAWING OF A)
    Hesperia: 77 (2008) 295, FIG.5 (A)
    Jahrbuch des Deutschen Archaologischen Instituts: 105 (1990), 36, FIG.4 (DRAWING OF A)
    Kader, I. (ed.), Penelope rekonstruiert, Geschichte und Deutung einer Frauenfigur, Sonderausstellung des Museums fur Abgusse Klassischer Bildwerke Munchen 9. Oktober bis 15. Januar 2007 (Munich, 2007): 28, FIG.2.1, 46, FIGS.2.1, 2.22, 98, FIG.4.1 (COLOUR OF A AND B, DRAWING OF A)
    Keuls, E.C., Painter and Poet in Ancient Greece, Iconography and the Literary Arts (Stuttgart and Leipzig, 1997): 411, FIG.72 (A)
    Lang-Auinger, C. and Trinkl, E. (eds.), Phyta kai Zoia. Pflanzen und Tiere auf griechischen Vasen, Beihefte zum Corpus Vasorum Antiquorum Osterreich, Band 2 (Vienna, 2015): 272, FIG.1 (DRAWING OF B)
    Latacz, J. et al., Homer, Der Mythos von Troia in Dichtung und Kunst (Munich, and Basel 2008): 144, FIG.2, 433, NO.192 (COLOUR OF A AND B)
    Lexicon Iconographicum Mythologiae Classicae: VII, PL.227, PENELOPE 16 (A, PART OF A); PL.589, TELEMACHOS 1 (PART OF A)
    Lipkin, S., Textile-Making in Central Tyrrhenian Italy from the Final Bronze Age to the Republican Period (Oxford, 2012): 69, FIG.29 (DRAWING OF A)
    Losfeld, G., Essai sur le costume Grec (Paris, n.d.): PL.1, NO.1 (DRAWING OF A)
    Meyer, M., and von den Hoff, R. (eds.), Helden wie sie. Ubermensch, Vorbild, Kultfigur in der griechischen Antike (Vienna, 2010): 109, FIG.1 (A)
    Monumenti inediti pubblicati dall'Instituto di Corrispondenza Archeologica (Rome, 1829-91): IX, PL.42
    Morford, M., et al., Classical Mythology, International Ninth Edition (Oxford, 2011): 536 (B)
    Munchner Jahrbuch der Bildenden Kunst: 65 (2014) 14, FIG.10 (DRAWING OF A)
    Olmos, R. (ed.), Coloquio sobre el Puteal de la Moncloa, Estudios de Iconografia II (Madrid, 1986): 173, FIG.58 (DRAWING OF A)
    Opuscula Atheniensia: Acta Instituti Atheniensis Regni Sueciae: 20 (1994) 167, FIG.7 (B)
    Ostraka: 7 (1998) 59, FIG.4 (DRAWING OF A)
    Pfisterer-Haas, S., Darstellungen alter Frauen in der griechischen Kunst (Frankfurt, 1989): 168, FIG.9 (A)
    Powell, B. Homer's Iliad and Odyssey. The Essential Books (Oxford, 2015): 430, 481, FIGS.19.2, 24.2 (PART OF B, A)
    Rastrelli, A., Museo Archeologico di Chiusi (Rome, 1991): PL.11 (COLOUR OF A)
    Rivista di Archeologia: 19 (1995) GHEDINI FIG.9 (PART OF A)
    Salcedo, F., Africa, Iconografia de una Provincia Romana (Rome/Madrid, 1996): PL.8D (PART OF A)
    Schefold, K., Jung, F., Die Sagen von den Argonauten, von Theben und Troia in der klassischen und hellenistischen Kunst (Munich, 1989): 319, FIG.278; 320, FIG.279 (A,B)
    Schulze, H., Ammen und Padagogen, Sklavinnen und Sklaven in der antiken Kunst und Gesellschaft (Mainz, 1998): PL.55.1-2 (A, B)
    Specht, E., Schon zu sein und gut zu sein, Madchenbildung und Frauensozialisation im antiken Griechenland, Frauenforschung 9 (Vienna, 1989): 39, FIG.4 (DRAWING OF A)
    Stansbury-O'Donnell, M.D., A History of Greek Art (Oxford, 2015): 118, FIG.5.19 (COLOUR OF A)
    Stansbury-O'Donnell, M.D., A History of Greek Art (Oxford, 2015): 221, FIG.9.9 (COLOUR OF B)
    Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 183, FIG.165 (COLOUR OF A)
    Whittaker, H. (ed.), In Memoriam, Commemoration, Communal Memory and Gender Values in the Ancient Graeco-Roman World (Newcastle, 2011): 12, FIG.1.3 (DRAWING OF A)
    Wunsche, R., Der Torso, Ruhm und Ratsel (Munich, 1998): 105, FIGS.158-159 (DRAWINGS OF A AND B)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=3337
  • AVI Record Number: 3166
  • LIMC ID: 8542
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-741c9f10031d2-0
  • CAVI Collection: Chiusi, Museo Arch. Nazionale 1831.
  • CAVI Lemma: RF skyphos. From Chiusi. Penelope Painter. Third quarter fifth. Ca. 440 (FR).
  • CAVI Subject: A: Foot-washing of Odysseus. B: Penelope at her loom, with Telemachus.
  • CAVI Inscriptions: Inscriptions in white, above heads. A: Ολισσευς{1}. The servant: Αντιφατ[τ]α, retr. [Ε]υμα[ι]ος. B: [Τ]ε[λ]εμ[α]χος. Πενελοπε{2}.
  • CAVI Footnotes: {1} so Reichhold's dr. and Buschor's text in FR. {2} B: Telemachos is above his head, at the rim, the end written between interstices of the loom: [Τ]ε[λ]ε^μ^[α]χ^ο^ς. Penelope is written, roughly horizontally, under her feet and below the bottom maeander: Π vv.ε v.νελοπε. Irregular spacing (2 vacats after the first letter, one after the first epsilon).
  • CAVI Number: 3166
  • AVI Bibliography: Kretschmer (1894), 147.14. — FR (1904–32), iii, 124-31, pl. 142 (dr.), 124, fig. 57 (photo). — ARV[2] (1963), 1300/2, 1689. — Para. (1971), 475. — A. Rastrelli, CVA Chiusi 2, Italy 60 (1982), pls. 35,1-2 and 36,1-2 (much bibl.). — Add.[2] (1989), 360 (much bibl.). — Boardman (1989), fig. 247 (A). — AttScr (1990), no. 1138. — Barber (1992), 104, fig. 63 (B, dr., after FR).
  • Image Credits: FURTWANGLER-REICHHOLD DRAWINGS: Please consult with Williams College Special Collections staff and Williams College Visual Resources Center staff, regarding questions about publishing and accessing materials from Williams College Special Collections. Researchers are responsible for handling any copyright issues that may be associated with collections and materials.
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