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200080, ATHENIAN, Munich, Antikensammlungen, Munich, Antikensammlungen, Munich, Antikensammlungen, J337

  • Vase Number: 200080
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: CUP B
  • Provenance: ITALY, ETRURIA, VULCI
  • Date: -550 to -500
  • Inscriptions: CHACHRYLION
    EUPHRONIOS
    Kalos/Kale: LEAGROS KALOS
    LEAGROS
    Signature: CHACHRYLIONEPOIESEN
  • Attributed To: EUPHRONIOS by SIGNATURE
    KACHRYLION by SIGNATURE
  • Decoration: A: HERAKLES AND GERYON, ORTHROS, EURYTION IN NEBRIS FALLEN, DEVICES, OCTOPUS (?), GORGONEION, WINGED BOAR
    B: WARRIORS WITH CATTLE, DEVICES, COCK, KANTHAROS, LION
    I: HORSEMAN IN PETASOS AND THRACIAN CLOAK WITH SPEARS
    Under handle: PALM TREE
  • Current Collection: Munich, Antikensammlungen: 2620
  • Previous Collections:
    • Munich, Antikensammlungen: J337
    • Munich, Antikensammlungen: 8704
  • Publication Record: Angiolillo, S., Arte e cultura nell'Atene di Pisistrato e dei Pisistratidi (Bari, 1997): PL.6 AT 110 (COLOUR OF A)
    Antike Welt: 22 (1991) 2, 136, FIG.1 (I)
    Antike Welt: 32 (2001) 2, 184, FIGS.4A-B (COLOUR OF A AND I)
    Archäologischer Anzeiger: 1976, 508-509, FIGS.27-29 (I,A,B)
    BEAZLEY NOTEBOOK: 76, 35.2
    BEAZLEY NOTEBOOK: 79, 23.2-24.1
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 16.17, 1619
    Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 17.14
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 61.11, 468
    Beazley, J.D., Paralipomena (Oxford, 1971): 322, 379
    Benndorf, O., Wiener Vorlegeblätter für archäologische Übungen (Vienna, 1888-1890/91): V, PL.3
    Bentz, M. and Kästner, U. (eds.), Konservieren oder restaurieren: Die Restaurierung griechischer Vasen von der Antike bis heute, Beiheft zum Corpus Vasorum Antiquorum Deutschland III (Munich, 2007): 151, 153, FIGS.1-7, PL.21.4-5 (A, B, I, DRAWINGS OF I AND A, COLOUR OF PART OF A)
    Berger, E. (ed.), Parthenon-Kongress Basel: Referate und Berichte, 4. bis 8. April 1982, II (Mainz, 1984): PL.3.5 (A, B)
    Bianchi Bandinelli, R. and Paribeni, E., L'Arte dell' antichita classica, I, Grecia (Turin, 1976): NO.325 (I, PART OF A)
    Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.26.1,2 (I,A), 32, HEAD DETAILS 3
    Brinkmann, V. and Wünsche, R. (eds.), Bunte Götter: Die Farbigkeit Antiker Skulptur (Munich, 2004): 113, FIG.191 (COLOUR OF PART OF A)
    Brize, P., Geryoneis des Stesichoros und die frühe griechische Kunst (Würzburg, 1980): PL.4.2 (A)
    Brommer, F., Heracles, The Twelve Labors of the Hero in Ancient Art and Literature (Translation, New York, 1986): PLS.38-39 (A,B)
    Bulletin de Correspondance Hellenique: 54 (1930) PL.22.1 (PART)
    Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 73
    Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.204 (A)
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 153
    Charbonneaux, J., Martin, R., and Villard, F., Archaic Greek Art (London, 1971): 324-25, FIGS.373-74 (I, PART OF)
    Classical Antiquity: 21 (2002) FIG.10B AT 379 (I)
    Classical Antiquity: 23 (2004) FIG.9 AT 94 (DRAWING OF B)
    Cloche, P., Les classes, les metiers, le trafic (Paris, 1931): PL.5.3 (I)
    Cohen, B., Attic Bilingual Vases (New York, 1978): PLS.85.3, 86.1 (I,B)
    Cohen, B., The Colours of Clay, Special Techniques in Athenian Vases (Los Angeles, 2006): 48-49, FIGS.4, 6 (COLOUR OF I AND PART OF A)
    Cook, R.M. and Charleston, R., Masterpieces of Western and near-Eastern Ceramics (Tokyo, 1979): FIG.46 (A)
    Corpus Vasorum Antiquorum: MUNICH, ANTIKENSAMMLUNGEN EHEMALS MUSEUM ANTIKER KLEINKUNST 18, 41,42,43,44,45,46,47,48,49,50,51,51,53, FIGS.14-25, BEILAGE 6.1, 19.1, 19.2, 20.1, 20.2, 20.3, PLS.(4835,4836,4837,4838,4839,4840,4903) 16.1-5, 17.1-2, 18.1-4, 19.1-12, 20.1-6, 21.1-4, 84.24 View Whole CVA Plates
    Cygielmann, M. et al. (eds.), Euphronios, Atti del Seminario Internazionale di Studi, Arezzo 27-28 Maggio 1990 (Florence, 1992): PLS.25, 50 (A, DRAWINGS OF I A AND B)
    Denoyelle, M. (ed.), Euphronios Peintre, Recontres de l'Ecole du Louvre 10 Octobre 1990 (Paris, 1992): 56, FIG.10, 73, FIGS.15A-C (A, B)
    Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 68, FIG.49 (B)
    Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 99, PL.8A (COLOUR OF I)
    Flaceliere, R. and Devambez, P., Heracles, Images & Recits (Paris, 1966): PL.13 (A)
    Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PL.22 (A, B, I)
    Geroulanos, S. and Bridler, R., Trauma, Wund-Entstehung und Wund-Pflege im antiken Griechenland (Mainz, 1994): FIG.35 (A)
    Greece and Rome: 1 (1932) PL.10.3 (A)
    Grimm, G., Von der Liebe zur Antiken Welt, Zaberns Bildbände zur Archäologie (Mainz, 2005): 94, FIGS.4A-B (COLOUR OF I AND A)
    Hamdorf, F., Attische Vasenbilder der Antikensammlungen in München (Munich, 1978): II, 35-41, PLS.14-17 (DRAWINGS OF I,A,B)
    Heilmeyer, W-D. and Giuliani, L. (eds.), Euphronios, der Maler: eine Ausstellung in der Sonderausstellungshalle der Staatlichen Museen Preußischer Kulturbesitz Berlin-Dahlem, 20.3. - 26.5.1991 (Milan, 1991): 199-201, 203, NO.41 (COLOUR OF A, B, I AND PART OF I, OF)
    Heilmeyer, W.D. et al., Euphronios und seine Zeit, Kolloquium in Berlin 19./20. April 1991 anlässlich der Ausstellung Euphronios der Maler (Berlin, 1991): 82, 84, FIGS.4, 9 (PARTS OF A)
    Hesperia: The Journal of the American School of Classical Studies at Athens: 90 (2021) 653, FIG.8 (COLOUR OF I)
    Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): I, 391
    Immerwahr, H., Attic Script, A Survey (Oxford, 1990): PL.21.87 (DRAWING OF I)
    J. Paul Getty Museum Journal: 6-7 (1978-79) 138, FIG.13 (I)
    Jourdain-Annequin, C., Heracles-Melquart a Amrith, Recherches iconographiques (Paris, 1992): 81, PL.18.29 (PART OF A)
    Klein, W., Euphronios (1886): 54-5, 82
    Knauss, F., Die Kunst der Antike, Meisterwerke der Munchner Antikensammlungen (Munich, 2017): 147-150 (COLOUR OF I, A, B, AND OF)
    Langlotz, E., Griechische Vasenbilder (Heidelberg, 1922): PL.4.7 (I)
    Laxander, H., Individuum und Gemeinschaft im Fest, Untersuchungen zu attischen Darstellungen von Festgeschehen im 6. und frühen 5. Jahrhundert v. Chr. (Münster, 2000): PL.63.1 (DRAWING OF A)
    Lexicon Iconographicum Mythologiae Classicae: IV, PLS.60, EURYTION II 44, 175, GORGO, 173 (PARTS OF A AND B)
    Lexicon Iconographicum Mythologiae Classicae: V, PL.89, HERAKLES 2501 (DRAWINGS OF A AND B)
    Lissarrague, F., L'Autre Guerrier, Archers, Peltastes, Cavaliers dans l'Imagerie Attique (Paris-Rome, 1990): 217, FIG.120 (DRAWING OF I)
    Lydakis, S., Ancient Greek Painting and its Echoes in Later Art (Athens, 2002): 94, FIG.73 (COLOUR OF I)
    Mededelingen van het Nederlands Instituut te Rome: 5 (1978), PL.31, FIGS.21-22 (A,B)
    Monumenti inediti pubblicati dall'Instituto di Corrispondenza Archeologica (Rome, 1829-91): 1838, PLS.16-17
    Monuments des Nouvelles Annales: 1838, PLS.15-16
    Muth, S., Gewalt im Bild, Das Phänomen der medialen Gewalt im Athen des 6. und 5. Jahrhunderts v. Chr. (Berlin, 2008): 77, FIG.40 (DRAWING OF A)
    Münchner Jahrbuch der Bildenden Kunst: 25 (1974) 8, FIGS.2-3 (B, FOOT)
    Nationalmuseets Arbejdsmark: 1968, 55, FIG.15 (I)
    Ohly, D., Geleitwort fur den Besucher (Munich, 1968): PL.26 (B)
    PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 17 (A, B, PARTS OF A, B, I, DRAWINGS)
    Pasquier, A., Euphronios: genie de la peinture grecque, Archeologia hors serie numero 1 (Dijon, 1991): 26 TOP, 27 (COLOUR OF I AND PART OF B)
    Perrot, G., Chipiez, C., Histoire de l'art dans l'antiquite, vols. IX-X (Paris, 1911-14): X, 399-401
    Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.391
    Revue des Etudes Anciennes: 98 (1996) 352, FIG.5 (I)
    Revue du Louvre: 40 (1990), 331, FIG2 (A)
    Rivista di Archeologia: 15 (1991) FIG.2 (A)
    Robertson, C., A Shorter History of Greek Art (Cambridge, 1981): 67, FIG.97 (B)
    Robertson, C., History of Greek Art (Cambridge, 1975): PLS. 39C, 75C (B)
    Schefold, K., Götter und Heldensagen der Griechen in der spätarchaischen Kunst (Munich, 1978): FIGS.147-48 (B)
    Scheibler, I., Griechische Töpferkunst, Herstellung, Handel und Gebrauch der antiken Tongefässe (Munich, 1983): 127, FIG.113 (A)
    Scheurleer, C.W., Grieksche keramiek (Rotterdam, 1936): PL.27.77 (A)
    Schlanger, N. and Nordbladh, J. (eds.), Archives, Ancestors, Practices. Archaeology in the light of its history (New York, 2007): 181, FIG.14.2 (DRAWING OF A)
    Schmidt, S. and Steinhart, M. (eds.), Sammeln und Erforschen, Griechische Vasen in neuzeitlichen Sammlungen, Beihefte zum Corpus Vasorum Antiquorum, Band VI (Munich, 2014): 151, FIG.3 (A, B, I)
    Seki, T., Untersuchung zum Verhaltnis von Gefässform und Malerei attischer Schalen (Berlin, 1985): PL.14.1-3 (I,A,B, UNDERNEATH)
    Seltman, C.T., Attic vase-painting (Cambridge, 1933): PL.18 (I)
    Shapiro H.A., Myth into Art, Poet and Painter in Classical Athens (London, 1994): 76-77, FIGS.50-51 (A, B)
    Simon, E. & Hirmer, M., Die Griechischen Vasen (Munich, 1976): PLS.107-109 (I,A, PART OF A)
    Spivey, N., The Sarpedon Krater: The Life and Afterlife of a Greek Vase (Chicago, 2018): 48, FIG.8 (A, B, I)
    Swindler, M.H., Ancient painting: from the earliest times to the period of Christian art (New Haven, 1929): FIGS. 246, 290, 295
    Syropoulos, S., A Bestiary of Monsters in Greek Mythology (Oxford, 2018): 93 (COLOUR OF PART OF A)
    The Museum Journal, University of Pennsylvania: 10 (1919) 9, FIG.1 (DRAWING OF I)
    Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 126-127, FIGS.96-98 (COLOUR OF A AND B)
    Tsiaphaki, D., I Thraki stin attiki eikonographia tou 5ou aiona p. Ch., Prosengiseis stis scheseis Athinas kai Thrakis (Komotini, 1998): 323, FIG.1B (I)
    Tsingarida, A. (ed.), Shapes and Uses of Greek Vases (7th-4th centuries B.C.), Proceedings of the Symposium held at the Universite Libre de Bruxelles, 27-29 April 2006 (Brussels, 2009): 188-189, 193, FIGS.5-6, 8D, 15A (A, COLOUR OF FOOT, PROFILE OF FOOT)
    Tölle-Kastenbein, R., Pfeil und Bogen im antiken Griechenland (Bochum, 1980): 143, PL.42, 161, PL.52E (PARTS OF A)
    Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 45, 180, FIGS.3.25, 29.8 (A)
    Walter-Karydi, E., Die Athener und ihre Gräber (1000-300 v.Chr.) (Berlin, 2015): 85, FIG.48 (I)
    Wünsche, R. (ed.), Herakles, Herkules, Staatliche Antikensammlungen München (Munich, 2003): FRONT COVER, 65, FIG.9.7, 142-144, FIGS.19.1, 19.4-6, 406, CAT.79 (A, B, I, COLOUR OF A AND B AND PARTS OF A)
    Wünsche, R. and Knauss, F. (eds.), Lockender Lorbeer. Sport und Spiel in der Antike, Staatliche Antikensammlungen München (Munich, 2004): 197, FIGS.21.5-7 (COLOUR OF A, B AND I)
    Zadoks-Josephus Jitta, A.N., Antieke cultuur in beeld (Bussum, 1938): 85.9 (I)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=5541
  • AVI Record Number: 5322
  • LIMC ID: 10088
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-7432776aaa1aa-5
  • CAVI Collection: Munich 2620.
  • CAVI Lemma: RF cup. From Vulci. Euphronios. Cachrylion, potter. Last quarter sixth. 510-500. 515-510 (`Euphronios').
  • CAVI Subject: Int.: a young horseman. A-B: Heracles and Geryon{1}.
  • CAVI Inscriptions: Int.: To left of the upper body: Λεαγρος{2}. To right of the horse: καλος{3}. A: To right of Eurytion's head: Ευρυτιον. To right of Iolaus' face: Ιολεος. To right of Athena's head: Αθε[ναια]. Similar: hερακ̣λες. To left of Geryon's heads: [Γερ]υονες, retr. Between him and a woman at right, in two curved lines: Λεα[γ]ρος, retr., and κ[α]λ̣ος. B: in the scene: Λ̣ε̣αγρος and [h]ο παις and [κ]α̣λ̣ος̣, all retr. On the reserved foot profile in BG: Χαχρυλιον εποιεσεν. Ευφρονιος εγραφσεν{4}.
  • CAVI Footnotes: {1} Schefold thinks B might be Neleus and his sons; see Add.[2] 153. {2} Reichhold does not show the final sigma, but Beazley has it too. {3} the lambda is not in Reichhold's dr. {4} facs., FR, pl. 22; photos. in Mü. Jb. and `Euphr.' 184.
  • CAVI Comments: Furtwängler thought the Leagros inscription on the Int. could refer to the horseman. Robertson (1992), 21, also thinks the horseman on the Int. may be Leagros himself. Readings in `Euphr.' differ slightly from the above.
  • CAVI Number: 5322
  • AVI Bibliography: FR (1904–32), i, 98-109, pl. 22 (dr.). — Dinsmoor (1946), 97 and 118 (mentions; much bibl.). — [[Lullies–Hirmer (1953), pls. 12–16 (Int. pl. 12, cl.; potter pl. 14 top, sm.; painter pl. 16, uncl., rest invis.)]]. — ARV[2] (1963), 16/17 (much bibl.), 1619. — Para. (1971), 322. — Ohly-Dumm (1974), 8, figs. 2-3 (foot). — Simon–Hirmer (1981), pls. 107-109. — Add.[2] (1989), 153. — AttScr (1990), no. 362, fig. 87 (Int.). — Hamdorf (1990), 183/41 (ill.; bibl.).
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
  • Image Credits: FURTWANGLER-REICHHOLD DRAWINGS: Please consult with Williams College Special Collections staff and Williams College Visual Resources Center staff, regarding questions about publishing and accessing materials from Williams College Special Collections. Researchers are responsible for handling any copyright issues that may be associated with collections and materials.
  • Pleiades URI: https://pleiades.stoa.org/places/413393
  • Coordinates: 42.421429,11.702499
  • Pleiades Coordinates: 42.419009,11.6298975
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Link to this record using the address https://www.beazley.ox.ac.uk/record/14C95B25-2CA0-4D0A-B9A9-3485A6DA50AB

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