Menu
Search
Main SiteGandhara ConnectionsVase Corpus (CVA Online)
Search

7043, ATHENIAN, Rome, Mus. Naz. Etrusco di Villa Giulia, Private, Collection unknown, New York (N.Y.), market, Sotheby's, Texas, Hunt Collection, Malibu (CA), The J. Paul Getty Museum, 5

  • Vase Number: 7043
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: CUP B
  • Date: -525 to -475
  • Inscriptions: EUPHRONIOS
    Named: HYPNOS, SARPEDON, THANATOS, AKAMAS
    Signature: EUPHRONIOS EGRAPH[SEN] (EG)
  • Attributed To: EUPHRONIOS by SIGNATURE
  • Decoration: A: HYPNOS AND THANATOS WITH SARPEDON, AKAMAS (ALL NAMED)
    B: PYRRHIC, YOUTH PLAYING PIPES, YOUTH AND WOMAN
    I: FLORAL COMPLEX, PALMETTES
  • Current Collection: Rome, Mus. Naz. Etrusco di Villa Giulia
  • Previous Collections:
    • Texas, Hunt Collection: 5
    • Malibu (CA), The J. Paul Getty Museum: LOAN7043
    • New York (N.Y.), market, Sotheby's
    • Private, Collection unknown
  • Publication Record: Antike Kunst: 45 (2002) PL.1.3 (A)
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 404
    Ceccarelli, P., La pirrica nell'antichita greco romana, studi sulla danza armata (Pisa, 1998): PL.7.1-2 (A, B)
    Cygielmann, M. et al. (eds.), Euphronios, Atti del Seminario Internazionale di Studi, Arezzo 27-28 Maggio 1990 (Florence, 1992): PL.56 (A, B)
    Denoyelle, M. (ed.), Euphronios Peintre, Recontres de l'Ecole du Louvre 10 Octobre 1990 (Paris, 1992): 69, FIG.13A-C (A, B)
    Enciclopedia dell'Arte Antica: SUPP. II.2, 608, FIG.689 (A)
    Heilmeyer, W-D. and Giuliani, L. (eds.), Euphronios, der Maler: eine Ausstellung in der Sonderausstellungshalle der Staatlichen Museen Preußischer Kulturbesitz Berlin-Dahlem, 20.3. - 26.5.1991 (Milan, 1991): 183-184, NO.34 (COLOUR OF I, A AND B)
    J. Paul Getty Museum Journal: 9 (1981) 24-26, FIGS.1-6 (I, A, B)
    Kéi, N., L'esthétique des fleurs, kosmos, poikilia et kharis dans la céramique attique du VIe et du Ve siècle av. n. ère, ICON 22 (Berlin and Boston, 2022): 311, FIGS.249A-B (A, B)
    Lexicon Iconographicum Mythologiae Classicae: VII, PL.520, SARPEDON 3 (A)
    Metropolitan Museum Journal: 22 (1987) 7, FIG.2-3, 10, FIG.6 (A,PART OF A)
    Metropolitan Museum Journal: 22 (1987) 10, FIG.6 (PART OF A)
    PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 10 (A, B, PARTS OF A AND B, FT)
    Pasquier, A., Euphronios: genie de la peinture grecque, Archeologia hors serie numero 1 (Dijon, 1991): 16 (COLOUR OF A AND B)
    Recke, M., Gewalt und Leid, Das Bild des Krieges bei den Athenern im 6. und 5. Jh. v. Chr. (Istanbul, 2002): PL.42A (A)
    Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 22, FIG.15-16 (I, PART OF A)
    Shapiro, H.A., Personifications in Greek Art, The Representation of Abstract Concepts 600-400 BC (Zurich, 1993): 134, FIG.87 (A)
    Silver, V., The Lost Chalice, The Real-Life Chase for One of the World's Rarest Masterpieces, a Priceless 2,500-Year-Old Artifact Depicting the Fall of Troy (New York, 2009): FRONT COVER, PLS. AT 184 (A, B, F, COLOUR OF A, B, AND I, PARTS)
    Sotheby's, The Nelson Bunker Hunt Collection, New York, 19.6.1990 (New York, 1990): NO.6 (A, B, I, PARTS)
    Spivey, N., The Sarpedon Krater: The Life and Afterlife of a Greek Vase (Chicago, 2018): FIGS.37-38 (COLOUR OF A AND B)
    Stansbury-O'Donnell, M.D, Pictorial Narrative in Ancient Greek Art (Cambridge, 1999): 104, FIG.43 (A)
    Studi Etruschi: 77 (2014) PL.6C (A)
    Wealth of the Ancient World, the Hunt Collections (Fort Worth, 1983): 54-57, NO.5, FRONTISPIECE (I, A, B, PARTS)
    Willinghofer, H., Thanatos: Die Darstellung des Todes in der griechischen Kunst der archaischen und klassischen Zeit (Marburg, 1996): FIG.1 (A)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=3521
  • AVI Record Number: 3345
  • LIMC ID: 9750
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-742db4aa02069-2
  • CAVI Collection: Once Dallas, TX, Nelson Bunker Hunt 5.
  • CAVI Lemma: RF cup. Euphronios. Last quarter sixth. 520-510. (Very early). 520-515 (`Euphronios').
  • CAVI Subject: Thanatos and Hypnos carry the body of Sarpedon, in the presence of Akamas. B: pyrrhiche: woman, piper, warrior dancing.
  • CAVI Inscriptions: Inscriptions reserved. A: Behind Hypnos, not facing: hυπν[ο]ς. Above the dead body: Σα(ρ)πεδον, retr. Before Thanatos' head: (Θ)ανατος. To right of Akamas' shield, along the curve: Ακαμας. On the reserved foot profile, in BG: Ευφρονιος εγραφ[σεν].
  • CAVI Comments: Once loaned to Malibu. Robertson lists as now in the Market. The theta lacks the dot. Rho D-shaped and reversed. Note the typical N, with the first bar truly vertical, the third bearing outward.
  • CAVI Number: 3345
  • AVI Bibliography: BADB 7043 (bibl.). — Robertson (1981a), 23-26, figs. 1-6. — Cody (1983), 54-57, no. 5 and frontispiece. — Add.[2] (1989), 404. — AttScr (1990), no. 365. — Robertson (1990), 168/34 (ill.: p. 32, fig. 7, p. 169: show inscriptions). — Sotheby (1990a), no. 6. — Cygielman et al. (1991), L. 56 (A, B). — Robertson (1992), 22, fig. 16; 298 n. 8 (bibl.).
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image Image

Link to this record using the address https://www.beazley.ox.ac.uk/record/2AAFCD9F-2F43-4FE5-B9F3-3586B7D57D3F

Site map Copyright Accessibility Privacy statement Contact us
Gandhara Connections
Gandhara Connections on Facebook
Gandhara Connections on Twitter
Back to top