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207321, ATHENIAN, Boston (MA), Museum of Fine Arts, 13.196

  • Vase Number: 207321
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: OINOCHOE
  • Provenance: ITALY, SICILY, GELA
  • Date: -475 to -425
  • Attributed To: CHICAGO P by BEAZLEY
  • Decoration: Body: FIGHT, WARRIOR (GREEK) AND PERSIAN ARCHER
  • Current Collection: Boston (MA), Museum of Fine Arts: 13.196
  • Publication Record: American Journal of Archaeology: 111 (2007) 48, FIG.13 (BD)
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 631.38
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 355.3
    Beazley, J.D., Paralipomena (Oxford, 1971): 399
    Berard, C., L'Image de l'autre et le Heros Etranger, Sciences et Racisme (Lausanne, 1986): 9, FIG.3 (PART)
    Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.29
    Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 133
    Böhr, E. and Martini, W. (eds.), Studien zur Mythologie und Vasenmalerei, Festschrift für Konrad Schauenburg (Mainz, 1986): 103
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 272
    Ellinghaus, C., Die Parthenonskulpturen, Der Bauschmuck eines öffentlichen Monumentes der demokratischen Gesellschaft Athens zur Zeit des Perikles, Techniken in der bildenden Kunst zur Tradierung von Aussagen (Hamburg, 2011): FIG.16 (BD)
    Giudice, F. and Panvini, R. (eds.), Il greco, il barbaro e la ceramica attica, Immaginario del diverso, processi di scambio e autorappresentazione degli indegni, Volume Quarto, Atti del Convegno Internazionale di Studi 14-19 maggio 2001 (Rome, 2007): 125, FIG.3 (BD)
    Himmelmann, N., Ideale Nacktheit in der griechischen Kunst, 26. Erganzungsheft zum JdI (Berlin, 1990): 41, FIG.10
    Marco Simon, F. et al. (eds.), Vae Victis! Perdedores en el mundo antiguo (Barcelona, 2012): 50, FIG.2 (BD)
    Metis: 2013, 216, FIG.3 (BD)
    Miller, M.C., Athens and Persia in the Fifth Century BC, A study in cultural receptivity (Cambridge, 1997): PL.110 (BD)
    Muth, S., Gewalt im Bild, Das Phänomen der medialen Gewalt im Athen des 6. und 5. Jahrhunderts v. Chr. (Berlin, 2008): 13, 257, FIGS.10, 167 (BD)
    Osborne, R., The Transformation of Athens Painted Pottery and the Creation of Classical Greece (Princeton and Oxford, 2018): 108, FIG.4.16 (BD)
    Panvini, R. and Giudice, F. (eds.), Ta Attika, Attic Figured Vases from Gela (Rome, 2003): 345.I71 (PART)
    Pritchard, D. (ed.), War, Democracy and Culture in Classical Athens (Cambridge, 2010): 313, FIG.12.7 (BD)
    Smith, T.J. and Plantzos, D. (eds.), A Companion to Greek Art (Malden, 2012): 431, FIG.21.5 (BD)
    Steinhauer, G., Marathon and the Archaeological Museum (Athens, 2009): 121 (COLOUR)
    VELEIA. Revista de Prehistoria, Historia Antigua, Arqueologia y Filologia Clasicas: 20 (2003) 287, FIG.4 (BD)
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Link to this record using the address https://www.beazley.ox.ac.uk/record/3FACFFD4-41F9-4B2F-85C6-0394435474FE

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