10152, ATHENIAN, Malibu (CA), The J. Paul Getty Museum, New York (N.Y.), Metropolitan Museum, Malibu (CA), The J. Paul Getty Museum, Greenwich (CT), private, M. and W. Bareiss, S82.AE.2

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Vase Number: 10152
Fabric: ATHENIAN
Technique: BLACK-FIGURE
Shape Name: AMPHORA, NECK
Date: -525 to -475
Attributed To: BAREISS P by BOTHMER
MEDEA GROUP by BOTHMER
Decoration: A: ATHENA MOUNTING CHARIOT, HERAKLES, HERMES
B: WARRIOR, FALLING, BETWEEN HORSEMEN IN THRACIAN CLOAKS
Current Collection: Malibu (CA), The J. Paul Getty Museum: 86.AE.85
Previous Collections:
- Greenwich (CT), private, M. and W. Bareiss: 14
- Malibu (CA), The J. Paul Getty Museum: S82.AE.2
- New York (N.Y.), Metropolitan Museum: L68.142.11
Publication Record: American Journal of Archaeology: 76 (1972), PLS.1.1-2, 6.17-23 (A, B)
Bentz, M. and Kästner, U. (eds.), Konservieren oder restaurieren: Die Restaurierung griechischer Vasen von der Antike bis heute, Beiheft zum Corpus Vasorum Antiquorum Deutschland III (Munich, 2007): PL.2.1 (COLOUR OF A)
Bentz, M., Geominy, W., and Müller, J.M. (eds.), TonArt, Virtuosität antiker Töpfertechnik. Eine Ausstellung im Akademischen Kunstmuseum-Antikensammlung der Universität Bonn 18.November 2010-17. April 2011 (Petersberg, 2010): 1026, FIG.26 (DETAIL)
Cohen, B. (ed.), Not the Classical Ideal, Athens and the Construction of the Other in Greek Art (Leiden, Boston and Köln, 2000): 371, FIG.14.3 (A)
Corpus Vasorum Antiquorum: MALIBU, J. PAUL GETTY MUSEUM 1, 26, 27, 28, 82, FIG.22, PLS.(1137-1139) 27.1-2, 28.1-5, 29.1-2 View Whole CVA Plates
Greek Vases, Molly and Walter Bareiss Collections, the Paul Getty Museum (Malibu, 1983): 20-21, NO.10 (A, B, INCLUDING COLOUR)
J. Paul Getty Museum Journal: 18 (1990) 63, 65, FIGS.19, 24 (PARTS OF AH AND NA)
Lang-Auinger, C. and Trinkl, E. (eds.), Griechische Vasen als Medium für Kommunikation. Ausgewählte Aspekte. Akten des internationalen Symposiums im Kunsthistorischen Museum Wien, 5.-7. Oktober 2017. CVA Österreich, Beiheft 3 (Vienna, 2021): 250, FIG. 1 (COLOUR OF B)
Lapatin, K., and Wight, K. (eds.), The J. Paul Getty Museum, Handbook of the Antiquities Collection (Los Angeles, 2010): 63 (COLOUR OF A)
Morais, R., Centeno, R., and Freitas Ferreira, D. (eds.), Myths, Gods and Heroes. Greek Vases in Portugal – Mitos, Deuses e Heróis. Vasos Gregos em Portugal (Porto, 2022): I, 240, FIG.12 (COLOUR OF A)
PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 6 (A, B, UH)
AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=5255
AVI Record Number: 5050
LIMC ID: 22418
LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-74e1453ab31b9-3
CAVI Collection: Malibu S.82.AE.2.
CAVI Lemma: BF neck amphora. Bareiss Painter (Moore) (Medea Group). Last quarter sixth. 520-510 (Bothmer).
CAVI Subject: A: Heracles going to Olympus: Athena mounting a chariot; Heracles. B: a falling hoplite between two horsemen. [Horses appear on each side.]
CAVI Inscriptions: A, B, each: horse brand: sigma (or san) with a squiggle. Simon (apud CVA?) thinks they are snakes, whence Clark calls them `serpentine brands.'
CAVI Comments: Ex Bareiss 14. Sigma: Moore in Moore–Bothmer (1972), 1 n. 3, pl. 2. Similar: see Malibu 86.AE.134. By the same painter as London B 176. The lip has been cut off. Bibl. on these brands: Lullies (1971), 47 n. 16. A. Martin, Daremberg�Saglio (1877�1919), ii, 800.
CAVI Number: 5050
AVI Bibliography: Schauenburg (1968), no. A 25. — Moore–Bothmer (1972), 1ff., pl. 1, figs. 1-2. — J. Paul Getty Museum (1983), 71/47 (not ill.). — A.J. Clark, CVA Malibu 1, USA 23 (1988), pls. 27-29.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)

Link to this record using the address https://www.beazley.ox.ac.uk/record/5D6AF8C6-5E26-4E81-A4B4-D650FA6F5785