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213, ATHENIAN, Basel, Antikenmuseum und Sammlung Ludwig, Ticino, Athos Moretti, Basel, Antikenmuseum und Sammlung Ludwig, Basel, Antikenmuseum und Sammlung Ludwig, 103.4

  • Vase Number: 213
  • Fabric: ATHENIAN
  • Technique: BLACK-FIGURE
  • Shape Name: AMPHORA, BELLY, TYPE B
  • Date: -575 to -525
  • Attributed To: Compare PHRYNOS P by MOMMSEN
    GROUP E by UNKNOWN
  • Decoration: A: BIRTH OF ATHENA, ZEUS, HERA, EILEITHYIA, POSEIDON, HEPHAISTOS, GODDESS
    B: INTRODUCTION OF HERAKLES ON OLYMPOS (ZEUS, HERA ? HERMES, ATHENA, HERAKLES, POSEIDON, YOUTH WITH SPEAR, DEVICE, GORGONEION)
  • Current Collection: Basel, Antikenmuseum und Sammlung Ludwig: BS1921.328
  • Previous Collections:
    • Ticino, Athos Moretti
    • Basel, Antikenmuseum und Sammlung Ludwig: 103.4
    • Basel, Antikenmuseum und Sammlung Ludwig: BS496
  • Publication Record: Angiolillo, S., Arte e cultura nell'Atene di Pisistrato e dei Pisistratidi (Bari, 1997): 52, 83, FIGS.25, 41 (A, I)
    Antike Kunst: 32 (1989), PL.27.2 (B)
    Chiarini, S., The So-called Nonsense Inscriptions on Ancient Greek Vases. Between Paideia and Paidiá (Leiden, 2018): 70-71, FIGS.12A-B (COLOUR OF A AND B)
    Dietrich, N., Das Attribut als Problem, Eine bildwissenschaftliche Untersuchung zur griechischen Kunst (Berlin, Munich, and Boston, 2018): 7, FIG.1.2 (DRAWING OF A)
    Ephemeris Archaiologike: 128 (1989) 106, FIG.1 (A, B)
    Jahrbuch des Römisch-Germanischen Zentralmuseums, Mainz: 8 (1961), 69, PL.37
    Lexicon Iconographicum Mythologiae Classicae: II, PL.745, ATHENA 353 (A)
    Lexicon Iconographicum Mythologiae Classicae: IV, PL.462, HEPHAISTOS 193 (PART OF A)
    Lexicon Iconographicum Mythologiae Classicae: SUPPLEMENTUM 1, PL.247, ZEUS ADD.140 (B)
    Lexicon Iconographicum Mythologiae Classicae: V, PL.113, HERAKLES 2850 (A)
    Metis: 5 (1990) 1-2, 68, FIGS.7-8 (DRAWINGS OF A AND B)
    Metropolitan Museum Journal: 42 (2007) 29, FIG.12 (B)
    NOTES FROM BEAZLEY ARCHIVE PHOTOGRAPHIC MOUNT(S): CF SOMEWHAT GENEVA [M]F154 [BEAZLEY]
    PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 9 (A, B, PART OF A)
    Schefold, K., Gods and Heroes in Late Archaic Greek Art. English translation by A. Griffiths (Cambridge, 1992): FIGS.4, 37 (A, B)
    Schefold, K., Götter und Heldensagen der Griechen in der spätarchaischen Kunst (Munich, 1978): 17, FIG.4 (A), 39, FIG.37 (B)
    Shapiro, H.A., Art and Cult under the Tyrants in Athens (Mainz, 1989): PL.47B (B)
    Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 78, FIG.37 (COLOUR OF A)
    Yatromanolakis, D. (ed.), An Archaeology of Representations, Ancient Greek Vase-Painting and contemporary Methodologies (Athens, 2009): 83, FIG.3 (A)
    de La Geniere, J. (ed.), Hera, Images, espaces, cultes, Actes du Coll.Int.du Cent. de Rech. Archeologiques de l'Univ. de Lille III 1993 (Naples,1997): 104, FIGS.10-11 (A, PART OF A)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=2138
  • AVI Record Number: 2006
  • LIMC ID: 18586
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-74aad44355f59-9
  • CAVI Collection: Basel, Antikenmuseum BS 496.
  • CAVI Lemma: BF amphora. Probably Phrynos Painter{1}. Third quarter sixth. 550-540 (Mommsen).
  • CAVI Subject: A: Birth of Athena: in the center, Zeus seated while giving birth (Athena, armed, springs forth from his head); at left, Hephaestus between a goddess and an Eileithyia; at right, another Eileithyia; Hera enthroned; Poseidon. B: Introduction of Heracles into Olympus: in the center, Athena; at left, Zeus, Hera and Hermes; at right, Heracles, Poseidon, and Iolaus.
  • CAVI Inscriptions: Nonsense: A: to Athena's left, above Zeus' head and over the head of the left Eileithyia: ενενενε. Between Athena's shield, above Hera's head and to left of Poseidon's outstretched hand: four letters, the third an omicron{2}. B: between Hera's and Hermes' lower legs, facing Hera: ευ(.)ν(ϝ)γ{3}. Between the faces of Hermes and Athena: οτοε(γ)ενε(σ){4}. To right of Heracles' face: εονενει, retr. Between Athena's and Heracles' lower legs: ενε(σ)ενι. Under foot, Gr.: Ε.
  • CAVI Footnotes: {1} see Mommsen 137: by the same hand as Würzburg 241, which Beazley attributed to the Phrynos Painter. M. is non-committal on how the vase in Basel would affect the work of the Phrynos Painter. {2} not legible in the photo. {3} the third letter unclear in the photo.; the `digamma' probably a badly written epsilon. {4} the fifth letter unclear in the photo. The last perhaps a reversed three-stroke sigma.
  • CAVI Comments: Done from the photos in AK, since M. does not transcribe the inscriptions.
  • CAVI Number: 2006
  • AVI Bibliography: LIMC ii (1984), 987, Athena 353* (pl. 745). — LIMC iii (1986), 687, Eileithyia 6. — LIMC iv (1988), 646, Hephaistos 193* (pl. 402); 691, Hera 288, and 714, Hera 461. — Malagardis (1988a), 104-114. — H. Mommsen (1989), 134ff. (facs. of Gr., p. 134), pls. 26,2,4, and 27 (much bibl. in n. 96). — LIMC v (1990), 123, Herakles 2850*, Hermes 555. — LIMC vi (1992), Moirai 16.
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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Link to this record using the address https://www.beazley.ox.ac.uk/record/65CD38BE-EDB7-40AC-ADD1-021CEFE9C4CC

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