310400, ATHENIAN, Boulogne, Musée Communale, 558

[View larger image][Add to photograph album]

Vase Number: 310400
Fabric: ATHENIAN
Technique: BLACK-FIGURE
Shape Name: AMPHORA, BELLY, TYPE B
Date: -575 to -525
Attributed To: EXEKIAS by BEAZLEY
Decoration: A: SUICIDE OF AJAX, PLANTING SWORD, HELMET ON BOEOTIAN SHIELD (DEVICE, GORGONEION, PANTHER HEAD), SPEARS, PALM TREE
B: YOUTHS, SOME DRAPED, SOME IN CHARIOT, WOMAN
Current Collection: Boulogne, Musée Communale: 558
Publication Record: Aloni, A., and Ornaghi, M. (eds.), Tra panellenismo e tradizioni locali, Nuovi contributi (Messina, 2011): 80, FIG.10 (A)
Angiolillo, S., Arte e cultura nell'Atene di Pisistrato e dei Pisistratidi (Bari, 1997): 129, FIG.72 (A)
Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 145.18
Beazley, J.D., Paralipomena (Oxford, 1971): 60
Bielfeldt, R. (ed.), Ding und Mensch in der Antike. Gegenwart und Vergegenwärtigung (Heidelberg, 2014): 344, FIG.32 (A)
Boardman, J., The history of Greek vases: potters, painters and pictures (London, 2001): 63, FIG.82 (PART OF A)
Buitron-Oliver, D. (ed.), New Perspectives in Early Greek Art (Hanover and London, 1991): 52, FIG.23 (DRAWING OF A)
Buxton, R., La grece de l'imaginaire, les contextes de la mythologie (Paris, 1996): PL.19 (A)
Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.332 (A)
Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 40
Eschbach, N. and Schmidt, S. (eds.), Töpfer, Maler, Werkstatt. Zuschreibungen in der griechischen Vasenmalerei und die Organisation antiker Keramikproduktion (Munich, 2016): 89-90, FIGS.2A-B, 3A-C (A AND B, AND PARTS OF A AND B)
Gagarin, M. (ed.), The Oxford Encyclopedia of Ancient Greece and Rome (Oxford, 2010): VOLUME 6, 400 (A)
Garvie, A.F., The Plays of Sophocles (London, 2005): FRONTCOVER (DRAWING)
Geroulanos, S. and Bridler, R., Trauma, Wund-Entstehung und Wund-Pflege im antiken Griechenland (Mainz, 1994): FIG.65 (A)
Girard, T., L'oblique dans le monde grec (Oxford, 2015): 142, 144, FIGS.135A-B (A)
Grmek, M., and Gourevitch, D., Les maladies dans l'art antique (1998): 139, FIG.97 (PART OF A)
Hedreen, G., Capturing Troy, The Narrative Functions of Landscape in Archaic and Early Classical Greek Art (Ann Arbor, 2001): FIG.27 (A)
Hephaistos: 11/12 (1992/93) 13, FIG.2 (A)
Holmberg, E.J., On the Rycroft Painter and other Black-Figure Vase-Painters with a Feeling for Nature (Jonsered, 1992): 32, FIG.20 (A)
Hurwit, J.M., Artists and Signatures in Ancient Greece (Cambridge, 2015): 83, FIG.42 (A)
Kurtz, D.C. (ed.), Greek Vases, Lectures by J.D. Beazley (Oxford, 1989): PL.7 (A)
Latacz, J. et al., Homer, Der Mythos von Troia in Dichtung und Kunst (Munich, and Basel 2008): 393-394, NO.137 (COLOUR OF AND B)
Mackay, E.A., Tradition and Originality, A Study of Exekias (Oxford, 2010): PLS.58-59, CHARTS 1.4, 1.5, 2.2, 3.5, 4.2, 5.2, 6.2, 6.3, 8.1 (A, B, PARTS)
Meyer, M. and Adornato, G. (eds.), Innovations and Inventions in Athens c. 530 to 470 BCE: Two Crucial Generations. Wiener Forschungen zur Archäologie 18 (Vienna, 2020): FIG.8.15 (COLOUR OF A)
Minerva, International Review of Ancient Art and Archaeology: 13.1 (JANUARY/FEBRUARY 2002) 15, FIG.9 (COLOUR OF A)
Moignard, E., Master of Attic Black-Figure Painting. The Art and Legacy of Exekias (London and New York, 2015): 30, FIG.5 (A), PLATE 3 (COLOUR OF A)
Neer, R.T., Art and Archaeology of the Greek World, a new history, c.2500-c.150 BC (London, 2012): 145, FIG.5.41 (COLOUR OF A)
Papers on the Amasis Painter and his World (Malibu, 1987): 32, FIG.4 (DRAWING OF A)
Pedley, J.G., Greek Art and Archaeology (New Jersey, 1993): 186, FIG.6.64 (A)
Pedley, J.G., Greek Art and Archaeology. Fifth Edition (London, 2011): 194, FIG.6.78 (COLOUR OF A)
Reusser, C. and Bürge, M. (eds.), Exekias hat mich gemalt und getöpfert: Ausstellung in der Archäologischen Sammlung der Universität Zürich, 9.11.2018-31.3.2019 (Zurich, 2018): 223-226, FIGS.153-157 (COLOUR OF A AND B, PARTS OF A AND B)
Reusser, C. and Bürge, M. (eds.), Exekias und seine Welt: Tagung an der Universität Zürich vom 1.–2. März 2019, Züricher Archäologische Forschungen 8 (Zurich, 2022): PL.51E-F (DRAWINGS OF PARTS OF A)
Rizzo, M.A. (ed.), Un Artista Etrusco e il suo mondo. Il Pittore di Micali (Rome, 1988): 16, FIG.7 (PART OF A)
Sansone, D., Ancient Greek Civilization, 2nd edition (Oxford, 2009): 156, FIG.42 (A)
Shapiro H.A., Myth into Art, Poet and Painter in Classical Athens (London, 1994): 152, FIG.107 (A)
Siracusano, A., Arte greca, un'interpretazione (Messina, 2009): 110, FIG.8 (A)
Stampolidis, N.C. et al. (eds.), Beyond. Death and Afterlife in Ancient Greece (Athens, 2014): 18, 59, FIG.5 (COLOUR OF A)
Stansbury-O'Donnell, M.D, Pictorial Narrative in Ancient Greek Art (Cambridge, 1999): 177, FIG.75 (A)
Stansbury-O'Donnell, M.D., A History of Greek Art (Oxford, 2015): 216, FIG.9.5 (COLOUR OF A)
Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 88, FIG.49 (COLOUR OF A)
Torelli, M., Semainein, Significare, Scritti vari di ermeneutica archeologica, a cura di Angela Sciarma (Pisa and Rome, 2012): 409, FIG.24 (A)
Valavanis, P. and Kourkoumelis, D., Chaire kai piei, drinking vessels (1996): 46 (DRAWING OF PART OF A)
Whitehouse, R.D., Lancaster in Italy (Lancaster, 1980): 196, FIG.9.1 (PART OF A)
Wünsche, R., Der Torso, Ruhm und Rätsel (Munich, 1998): 129, FIG.188 (A)
LIMC ID: 30460
LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-7553665a01be4-6

Link to this record using the address https://www.beazley.ox.ac.uk/record/938261A0-F0AA-4125-931E-1A62F73778C6