204340, ATHENIAN, Berlin, Antikensammlung, Berlin, Schloss Charlottenburg, F2294

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Vase Number: 204340
Fabric: ATHENIAN
Technique: RED-FIGURE
Shape Name: CUP B
Provenance: ITALY, ETRURIA, VULCI
Date: -500 to -450
Inscriptions: DIOGENES
Kalos/Kale: DIOGENES KALOS NAICHI
Attributed To: FOUNDRY P by HARTWIG
Decoration: A: ARTISANS, SCULPTORS, MAN IN PILOS SQUATTING AT FOUNDRY (FURNACE), YOUTH WITH HAMMER, DRAPED MAN AT STATUE, PINAKES AND STATUE HEADS SUSPENDED, SAW AND HAMMERS SUSPENDED
B: ARTISANS, SCULPTORS AT STATUE OF ARES IN BUILDING (?) BETWEEN DRAPED MEN (STATUES ?) LEANING ON STAFFS WITH STRIGILS AND SPONGES AND ARYBALLOI, TOOLS SUSPENDED
I: HEPHAISTOS SEATED WITH HELMET AND HAMMER, THETIS WITH BOEOTIAN SHIELD (ARMS OF ACHILLES ?)
Current Collection: Berlin, Antikensammlung: F2294
Previous Collections:
- Berlin, Schloss Charlottenburg: F2294
Publication Record: Acton, P., Poiesis, Manufacturing in Classical Athens (Oxford, 2014): FRONTCOVER (COLOUR OF A), 137, FIG.4.2 (A)
Alston, R. et al. (eds.), Reading Ancient Slavery (London, 2011): 79, FIG.4.2 (A, B)
American Journal of Archaeology: 111 (2007) 56, FIG.19 (A, B)
American Journal of Archaeology: 77 (1973) PL.50, FIG.5 (I); 84 (1980) PLS.54-55, FIGS.1-2, 4 (I,A,B)
Antike Welt: 14 (1983) 3, 17, FIG.9 (PART OF A)
Antike Welt: 1990, SONDERNUMMER, 42, FIG.59 (A)
Antike Welt: 24 (1993) 4, 335, 342-343, FIGS.1, 10A-B (COLOUR OF A, B, I)
Antike Welt: 28 (1997) 1, 47, FIG.29 (COLOUR OF PART OF A)
Antike Welt: 9 (1978) 2, 53, FIG.6A-B (PARTS OF A & B)
Archeo, Attualita di Passato: 158 (APRIL 1998) 50-51 (COLOUR OF A)
Archeologia, Rocznik Instytuto Archeologii i Etnologii Polskiej Akademii Nauk: 24 (1973) 58, FIG.10 (PART OF A)
Archäologischer Anzeiger: (2000) 383, FIG.4 (I)
Atti e Memorie della Societa Magna Grecia: NS 9-10 (1968-69) PL.11 (I,A)
Backe-Dahmen, A. et al., Greek Vases, Gods, Heroes and Mortals (London and Berlin, 2010): 88-89, NO.45 (COLOUR OF A, B, AND PARTS OF A AND B)
Barringer, J.M., The Art and Archaeology of Ancient Greece (Cambridge, 2014): 222, FIG.2A-B (COLOUR OF A AND B)
Bazant, J., Les citoyens sur les vases atheniens, Rocnik 95 (1985) 2: PL.35.58 (A)
Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1573
Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 400.1, 1651, 1706
Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 263.1
Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 187.2, 474
Beazley, J.D., Paralipomena (Oxford, 1971): 370
Bentz, M., Geominy, W., and Müller, J.M. (eds.), TonArt. Virtuosität antiker Töpfertechnik. Eine Ausstellung im Akademischen Kunstmuseum-Antikensammlung der Universität Bonn 18.November 2010-17. April 2011 (Petersberg, 2010): 116-117, FIGS.32-33 (COLOUR OF I AND PART OF A)
Berger, E. (ed.), Parthenon-Kongress Basel: Referate und Berichte, 4. bis 8. April 1982, II (Mainz, 1984): PL.4.3-5 (A, B, I)
Berger, E. et al., Der Entwurf des Künstlers, Bildhauerkanon in der Antike und Neuzeit (Basel, 1992): 35, FIG.34 (COLOUR OF AH)
Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.262 (I,A,B)
Boardman, J., Greek Art, 4th edition (London, 1996): 271, FIG.274 (DRAWING OF A)
Boardman, J., The history of Greek vases: potters, painters and pictures (London, 2001): 233, FIG.256 (DRAWINGS OF A AND B)
Bol, P.C., and Kreikenbom, D. (eds.), Polyklet, Der Bildhauer der griechischen Kunst, Ausstellung im Liebieghaus, Museum alter Plastik (Frankfurt,1990: 81, FIGS.15A-C (A, B, I)
Bonner Jahrbücher: 196 (1996) 341, FIGS.3-4 (PARTS OF A AND B)
Boreas: 33 (2010), PL.1.4 (I)
Born, H. and Hansen, S., Frühgriechische Bronzehelme III, Sammlung Axel Guttmann (Mainz, 1994): 107, FIG.90 (I)
Born, H., Die Helme des Hephaistos, Handwerk und Technik griechischer Bronzen in Olympia (Munich, 2009): 8, 26, FIG.3A (I, PART OF I)
Boulter, C. (ed.), Greek Art, Archaic into Classical (Leiden, 1985): PL.37 (A,B)
Brinkmann, V. (ed.), Zurück zur Klassik, ein neuer Blick auf das alte Griechenland, eine Ausstellung der Liebieghaus Skulpturensammlung, Frankfurt am Main, 8. Februar bis 26. Mai 2013 (Munich, 2013): 261, 278, 307, FIGS.281-283, 330, 419 (COLOUR OF A, B, PARTS OF A AND B)
Browning, R.(ed), The Greek World: Classical, Byzantine and Modern (London, 1985): 66-67, FIG.4 (A)
Bruxelles, Palais des Beaux-Arts, Hommes et Dieux de la Grece Antique (1.10-2.12.1982): 236, NO.150 (A)
Bulletin of the Metropolitan Museum of Art, New York: 43 (1985) 3, 9 (A)
Burford, A., Künstler und Handwerker in Griechenland und Rom (Mainz, 1985): COLOUR PLATE AT 48 (A,B)
Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 114
Buschor, E., Griechische Vasenmalerei (Munich, 1914): 178
Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.88 (I)
Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 230
Casson, S., The Technique of early Greek sculpture (Oxford, 1933): FIGS.52-3 (A-B)
Charbonneaux, J., Martin, R., and Villard, F., Archaic Greek Art (London, 1971): 356, FIG.409 (A)
Chatzidimitriou, A., Parastaseis Ergasterion kai Emporiou stin Eikonographia ton Archaikon kai Klasikon Chronon (Athens, 2005): PLS.26-27.X12 (I, PART OF A, B, PARTS OF B)
Chiesa, G. and Slavazzi, F. (eds.), Ceramiche attiche e magnogreche Collezione Banca Intesa, Catalogo ragionato (Milan, 2006): 150, FIG.4 (COLOUR OF A)
Clark, A.J. and Gaunt, J. (eds.), Essays in Honor of Dietrich von Bothmer, Allard Pierson Series 14 (Amsterdam, 2002): PL.44 (A, B)
Cloche, P., Les classes, les metiers, le trafic (Paris, 1931): PLS.24, 25.1, 23.6 (A, B, PART OF I)
Cohen, B. (ed.), Not the Classical Ideal, Athens and the Construction of the Other in Greek Art (Leiden, Boston and Köln, 2000): 155-156, FIGS.6.1-2 (A, B)
Colpo, I. et al. (eds.), Iconografia 2001, Studi sull'immagine, Atti del Convegno (Padova, 30 maggio - 1 giugno 2001) (Rome, 2002): 143, 154, FIGS.5, 4 (I, DRAWING OF PART OF A)
Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 2, 25-26, PLS.(1001,1002,1005) 72.1-2, 73.1-4, 76.4 View Whole CVA Plates
Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 3, 19, PL.(1055) 126.5 View Whole CVA Plates
Coulson, W.D.E. et al. (eds.), The Archaeology of Athens and Attica under the Democracy (Oxford, 1994): 78, FIG.8, 80, FIG.10 (A, B)
Das Altertum: 25 (1979) 1, 60 (DRAWING)
Das Altertum: 25 (1979) 60 (A)
Das Altertum: 34 (1988) 3, 137, FIG.5 (A)
Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 397, FIG.331 (A, B)
Distler, S.A., Bauern und Banausen: Darstellungen des Handwerks und der Landwirtschaft in der griechischen Vasenmalerei (Wiesbaden, 2022): PLS.12, 13.1 (A, B, I)
Ducrey, P., Guerre et Guerriers dans la Grece Antique (Paris, 1985): 41, FIG.23 (I)
Ephemeris Archaiologike: 1971, PL.52B (PART OF A)
Fehr, B., Becoming Good Democrats and Wives. Civic Education and Female Socialization on the Parthenon Frieze, Hephaistos Sonderband (Vienna, Zurich, Berlin, and Münster, 2011): 87, FIG.68 (A)
Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 122-123, FIGS.16A-B (A, B)
Franceschini, M., Attische Mantelfiguren: Relevanz eines standardisierten Motivs der rotfigurigen Vasenmalerei. Zürcher archäologische Forschungen Band 5 (Rahden, 2018): PL.2E (B)
Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PL.135 (A, B, I)
Gagarin, M. (ed.), The Oxford Encyclopedia of Ancient Greece and Rome (Oxford, 2010): VOLUME 2, 316 (PART OF A)
Gagarin, M. (ed.), The Oxford Encyclopedia of Ancient Greece and Rome (Oxford, 2010): VOLUME 4, 404 (B)
Gehrig, U., Greifenhagen, A., and Kunisch, H., Führer durch die Antikenabteilung (Berlin, 1968): PLS.74-75, (A,B)
Gerhard, E., Griechische und etruskische Trinkschalen des Königlichen Museums zu Berlin (Berlin, 1843): PLS.9.2, 12-13
Gillis, A.C. (ed.), Corps, travail et statut social. L'apport de la paleoanthropologie funeraire aux sciences historiques (Lille, 2014): 67 78, FIGS.4, 15 (PARTS OF A AND B)
Graml, C., Doronzio, A., and Capozzoli, V. (eds.), Rethinking Athens Before the Persian Wars: Proceedings of the International Workshop at the Ludwig-Maximilians-Universität München (Munich, 23rd-24th February 2017) (Munich, 2020): 307, FIG.9 (A)
Greifenhagen, A., Griechische Götter (Berlin, 1968): FIG.33 (I)
Gschwantler, K., Guss und Form, Bronzen aus der Antikensammlung (Vienna, 1986): 33, FIGS.52-53 (A, PART OF B)
Hasaki, E., Potters at Work in Ancient Corinth: Industry, Religion, and the Penteskouphia Pinakes, Hesperia Supplement 51 (Princeton, 2021): 284, FIG.7.1 (PART OF A)
Healy, J., Mining and Metallurgy in the Greek and Roman World (London, 1978): FIGS.73A-B (A,B)
Hedreen, G., The Image of the Artist in Archaic and Classical Greece: Art, Poetry, and Subjectivity (Cambridge, 2016): PL.17, 223-224, FIGS.43-44 (A, B, COLOUR OF I, )
Heilmeyer, W-D. et al., Antikenmuseum Berlin, Die ausgestellten Werke (Berlin, 1988): 126, NO.3 (I)
Heinen, H. (ed.), Kindersklaven - Sklavenkinder, Schicksale zwischen Zuneigung und Ausbeutung in der Antike und im interkulturellen Vergleich, Beiträge zur Tagung des Akademievorhabens Forschungen zur antiken Sklaverei, Mainz, 14. Oktober 2008 (Stuttgart, 2012): PL.4, FIG.5 (A, B)
Hesperia: The Journal of the American School of Classical Studies at Athens: 46 (1977) PL.98 (A,B)
Hildebrandt, F., Antike Bilderwelten: Was griechische Vasen erzählen (Mainz, 2017): 15, FIG.4 (COLOUR OF PART OF A)
Himmelmann, N., Archäologisches zum Problem der Sklaverei (Mainz, 1971): 37-38, FIGS.61-62B (PARTS OF A & B)
Himmelmann, N., Minima Archeologica, Utopie und Wirklichkeit der Antike (Mainz, 1996): 49, FIGS.19-20 (A, B)
Himmelmann, N., Realistische Themen in der griechischen Kunst der archaischen und klassischen Zeit, JdI Erganzungsheft 28 (Berlin, 1994): 6, FIGS.2A-B (A, B)
Houser, C., Dionysos and his Circle (Harvard, 1979): 5.18A-B (A, B)
Jahrbuch des Deutschen Archäologischen Instituts: 126 (2011) 14, FIGS.14A-B (A, B)
Jahrbuch des Deutschen Archäologischen Instituts: 127/128 (2012/2013) 71, FIG.14 (B)
Jahreshefte des Österreichischen Archäologischen Instituts in Wien: 48 (1966-67) 59, FIG.30 (PART OF A)
Johansen, F., Iliaden i tidlig graesk kunst (Copenhagen, 1934): FIG.31 (I)
Kalcyk, H. et al. (eds.), Studien zur Alten Geschichte, Festschrift Siegfried Lauffer (Rome, 1986): 1, PL.12, FIG.17 (DRAWING OF A AND B)
Karoglou, K., Attic Pinakes: Votive images in clay. British Archaeological Reports International Series 2104 (Oxford, 2010): 140, FIG.12 (A [REVERSED])
Keuls, E.C., Painter and Poet in Ancient Greece, Iconography and the Literary Arts (Stuttgart and Leipzig, 1997): 411, FIG.71 (A)
Knauss, F.S. (ed.), Die unsterblichen Götter Griechenlands, Staatliche Antikensammlungen und Glyptothek München (Munich, 2012): 207, FIG.14.6 (I)
Knittlmayer, B. and Heilmeyer, W-D., Staatliche Museen zu Berlin, Die Antikensammlung, Altes Museum - Pergamonmuseum (Mainz, 1998): 61, NO.27 (COLOUR OF A AND B)
Korshak, Y., Frontal Faces in Attic Vase Painting of the Archaic Period (Chicago, 1977): 135, FIG.81 (A)
Krumeich, R., Bildnisse griechischer Herrscher und Staatsmänner im 5. Jahrhundert v. Chr. (Munich, 1997): FIG.102 (A)
Kunze, M. et al., Die Antikensammlung im Pergamonmuseum und in Charlottenburg, Staatliche Museen zu Berlin (Berlin, 1992): NOVEMBER 1978, 35 (PARTS OF A & B)
Kurtz, D.C. (ed.), Greek Vases, Lectures by J.D. Beazley (Oxford, 1989): PLS.48-49 (A, B, I, INCLUDING DRAWINGS)
Laing, J&J, Ancient Art, The Challenge to modern Thought (Dublin, 1993): 59, FIG.18 (DRAWING OF A AND B)
Lee, M.M., Body, Dress and Identity in Ancient Greece (Cambridge, 2015): 50, FIG.2.7 (A AND B)
Lexicon Iconographicum Mythologiae Classicae: IV, PL.386, HEPHAISTOS 5 (I)
Ling, R. (ed.), Making Classical Art, Process & Practice (Stroud and Charleston, 2000): 96, FIG.51 (A, B)
Mannack, T., Griechische Vasenmalerei, Eine Einführung, 2nd edition (Darmstadt, 2012): 142, FIG.86 (A)
Mededelingenblad, Vereniging van Vrienden van het Allard PiersonMuseum: 22 (1981) 4 (A,B)
Mercuri, L. and Fiorini, L. (eds.), Il mare che univa. Gravisca santuario mediterraneo (Rome, 2014): 49, 6 (A)
Morais, R., Centeno, R., and Freitas Ferreira, D. (eds.), Myths, Gods and Heroes. Greek Vases in Portugal – Mitos, Deuses e Heróis. Vasos Gregos em Portugal (Porto, 2022): I, 212, FIG.3 (A)
Neer, R.T., Style and Politics in Athenian Vase-Painting, The Craft of Democracy, ca.530-460 B.C.E. (Cambridge, 2002): 79-80, FIGS.37-39 (I, A, B)
Neugebauer, K., Staatliche Museen zu Berlin, Führer (1932): PL.53
Norskov, V. et al. (eds.), The World of Greek Vases (Rome, 2009): 221, FIG.2 (B)
Nowak, C. and Winkler-Horacek, L. (eds.), Auf der Suche nach der Wirklichkeit, Realismen in der griechischen Plastik. Begleitbuch zu einer Ausstellung der Abguss-Sammlung Antiker Plastik des Instituts für Klassische Archäologie der Freien Universität Berlin (Rahden, 2018): 160, FIG.4 (A)
Oakley, J.H. et al., Athenian Potters and Painters, The Conference Proceedings (Oxford, 1997): 207, FIG.9 (PART OF A)
Oakley, J.H., A Guide to Scenes of Daily Life on Athenian Vases (Madison, 2020): 55, FIG.2.8, PL.10 (COLOUR OF A, B)
Onians, J., Classical Art and the Cultures of Greece and Rome (New Haven, 1999): 73, 99, FIGs.53, 81 (A, B)
Ostraka: 9 (2000) 69, FIGS.7-9 (PARTS OF A, B AND I)
Pallottino, M. (ed.), Die Etrusker und Europa: Paris 1992, Berlin 1993 (Milan and Paris, 1992): 40-41, 135, NO.141 (COLOUR OF A, I)
Paszthory, E., Salben, Schminken und Parfüme im Altertum (1993): 42, FIG.59 (COLOUR OF B)
Perrot, G., Chipiez, C., Histoire de l'art dans l'antiquite, vols. IX-X (Paris, 1911-14): X, 653-7
Pilz, O. and Vonderstein, M. (eds.), Keraunia, Beiträge zu Mythos, Kult und Heiligtum in der Antike (Berlin, 2011): PL.25.3 (PART OF B)
Plantzos, D., Greek Art and Archaeology, c. 1100-30 BC (Athens, 2016): 148, FIG.247 (COLOUR OF PART OF A)
Pohlmann, E., and Gauer, W. (eds.), Griechische Klassik, Vortrage bei der interdisziplinaren Tagung des DArV und der Mommsenges. (Nurnberg, 1994): PL.7B (A)
Revue Archeologique: 1972, 157, FIG.2 (I)
Robertson, C., History of Greek Art (Cambridge, 1975): PL.59A-B (A,B)
Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 108, FIG.104 (A)
Schaal, H., Griechische Vasen: Rotfigurig (Bielefeld, 1928): FIG.30 (A)
Schefold, K., Der religiose Gehalt der antiken Kunst und die Offenbarung (Mainz, 1998): 229, FIG.64 (A)
Schefold, K., Jung, F., Die Sagen von den Argonauten, von Theben und Troia in der klassischen und hellenistischen Kunst (Munich, 1989): 218, FIG.194 (I)
Scheibler, I., Griechische Malerei der Antike (Munich, 1994): 167, FIG.84 (PART OF A)
Schwarzmaier, A. et al. (eds.), Staatliche Museen zu Berlin, die Antikensammlung, Altes Museum, Neues Museum, Pergamonmuseum (Berlin and Darmstadt, 2012): BACK COVER, 82 NO.37 (COLOUR OF A, B AND PART OF B)
Schwarzmaier, A. et al., Staatliche Museen zu Berlin, The Antikensammlung, Altes Museum, Neues Museum, Pergamonmuseum (Mainz, 2016): 82, NO.37 (COLOUR OF A AND B)
Seaman, K. and Schultz, P. (eds.), Artists and Artistic Production in Ancient Greece (Cambridge, New York, and Melbourne, 2017): 41, FIG.4.4 (I, A, B)
Seki, T., Untersuchung zum Verhaltnis von Gefässform und Malerei attischer Schalen (Berlin, 1985): PLS.19.1-3, 51, 52.4 (I,A,B, UNDERNEATH)
Settis, S. (ed.), I Greci, Storia Cultura Arte Societa 2, Una storia greca, 1.Formazione (Turin, 1996): 1299, FIG.1 (A, B)
Simon, E. & Hirmer, M., Die Griechischen Vasen (Munich, 1976): PL.158 (A,B)
Simon, E., Die Götter der Griechen (Munich, 1969): 222-23, FIGS.208, 210 (I, PART OF A)
Smith, T.J. and Plantzos, D. (eds.), A Companion to Greek Art (Malden, 2012): I, 265, FIG.13.6 (A, B)
Spivey, N., Greek Sculpture (Cambridge, 2013): 78, FIG.3.15 (PART OF A)
Spivey, N., Understanding Greek Sculpture, Ancient Meanings, Modern Readings (London, 1996): 75, FIG.39 (PART OF A)
Splendeurs de Volubilis. Bronzes antiques du Maroc et de Mediterranee (Arles, 2014): 55, UNNUMBERED (COLOUR OF A AND B)
Studia Varia from the J. Paul Getty Museum: 1 (1993) 49, FIG.23 (DRAWING OF A AND B)
Stutzinger, D., Griechen, Etrusker und Römer: Eine Kulturgeschichte der Antiken Welt im Spiegel der Sammlungen des Archäologischen Museums Frankfurt (Regensburg, 2012): 109, FIG.111 (A, B)
Taplin, O. and Wyles, R. (eds.), The Pronomos Vase and its Context (Oxford, 2010): 212, FIG.11.3 (B)
Troja, Traum und Wirklichkeit (Stuttgart, 2001): 131 (COLOUR OF I)
Walter-Karydi, E., Die Nobilitierung des Wohnhauses, Lebensform und Architektur im spätklassischen Griechenland, Xenia 35 (Konstanz, 1994): PL.6.2 (A)
Walter-Karydi, E., The Greek House, The rise of noble houses in Late Classical times (Athens, 1998): 50, FIG.40 (A)
Yatromanolakis, D. (ed.), An Archaeology of Representations, Ancient Greek Vase-Painting and contemporary Methodologies (Athens, 2009): 135, FIG.1 (B)
Zimmer, G., Antike Werkstattbilder (Berlin, 1982): 8, FIG.2, 15, FIG.9, 43-47, PLS.1-5, 51, PL.9 (I,A,B)
Zimmer, G., Griechische Bronzegusswerkstätten, zur Technologieentwicklung eines antiken Kunsthandwerks (Mainz, 1990): PL.11 (A, B)
Ziomecki, J., Les representations d'artisans sur les vases attiques (Warsaw, 1975): 64-65, 92, FIGS.23-24, 37 (I,A,B)
de Cesare, M., Le statue in immagine, Studi sulle raffigurazioni di statue nella pittura vascolare greca (Rome, 1997): 59, FIG.12 (A, B)
AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=2484
AVI Record Number: 2339
LIMC ID: 25775
LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-7510ebbc14f92-8
CAVI Collection: Berlin 2294.
CAVI Lemma: RF cup. From Vulci. Foundry Painter. First quarter fifth. 490-480.
CAVI Subject: Int.: Hephaestus and Thetis. Ext.: foundry: A: stoking the furnace; B: working on a statue.
CAVI Inscriptions: Int.: hο παις καλος. A: Διογενες | καλος, | ναιχι. B: hο παις καλος, ναιχι.
CAVI Comments: Dotted delta.
CAVI Number: 2339
AVI Bibliography: Furtw�ngler (1885), no. 2294. � FR (1904�32), iii, 81-86, pl. 135. � ARV[2] (1963), 400/1, 1651, 1706. � Para. (1971), 370. � Mattusch (1980), 435-44, pls. 54-55, figs. 1, 2, 4. � Add.[2] (1989), 230 (much bibl.). � Beazley (1989), 78-80, pls. 48-49. � AttScr (1990), no. 1069. � Robertson (1992), fig. 104 (A).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
Image Credits: FURTWANGLER-REICHHOLD DRAWINGS: Please consult with Williams College Special Collections staff and Williams College Visual Resources Center staff, regarding questions about publishing and accessing materials from Williams College Special Collections. Researchers are responsible for handling any copyright issues that may be associated with collections and materials.
Pleiades URI: https://pleiades.stoa.org/places/413393
Coordinates: 42.421429,11.702499
Pleiades Coordinates: 42.419009,11.6298975

Link to this record using the address https://www.beazley.ox.ac.uk/record/A5158FBE-FC09-4880-82AB-3A4C1A699D15