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301068, ATHENIAN, London, British Museum, London, British Museum, London, British Museum, 1867,0508.962

  • Vase Number: 301068
  • Fabric: ATHENIAN
  • Technique: BLACK-FIGURE
  • Shape Name: CUP, LITTLE MASTER LIP
  • Provenance: ITALY, ETRURIA, VULCI
  • Date: -575 to -525
  • Inscriptions: Inscription: CHAIREKAIPIEIMENAICHI
    PHRYNOS
    Signature: PHRYNOSEPOIESEN CHAIREMEN
  • Attributed To: PHRYNOS by SIGNATURE
  • Decoration: A1: INTRODUCTION OF HERAKLES, WITH CLUB AND BOW, ON OLYMPOS, ATHENA, ZEUS SEATED ON CHAIR WITH SCEPTRE
    A2: SIGNATURE
    B1: BIRTH OF ATHENA, ZEUS SEATED ON CHAIR WITH THUNDERBOLT, HEPHAISTOS WITH AXE
    B2: INSCRIPTION
  • Current Collection: London, British Museum: 1867.5-8.962
  • Previous Collections:
  • Publication Record: Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 168, 169.3
    Beazley, J.D., Paralipomena (Oxford, 1971): 70
    Carpenter, T.H., Dionysian Imagery in Archaic Greek Art (Oxford, 1986): PL.28B (A1)
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 48
    Cohen, A. and Rutter, J.B. (eds.), Constructions of childhood in ancient Greece and Italy, Hesperia Supplement 41 (Princeton, 2007): 258, FIG.13.1 (B1)
    Cook, B.F., The Elgin Marbles (London, 1997): 60, FIG.56 (COLOUR OF B1)
    Corpus Vasorum Antiquorum: LONDON, BRITISH MUSEUM 2, IIIHe.5, PL.(71) 13.2A-B View Whole CVA Plates
    Ephemeris Archaiologike: 128 (1989) 112, FIG.7B (B1)
    Fraser, J., Luxury and power: Persia to Greece, British Museum (London, 2023): 97, FIG.99 (COLOUR OF B1)
    Gnade, M. (ed.), Stips Votiva, Papers presented to C.M. Stibbe (Amsterdam, 1991): 30, FIGS.AA-B (AB1)
    Heesen, P., Athenian Little-Master Cups (Amsterdam, 2011): 63, FIG.37, PL.28D-E (A, B)
    Hirayama, T., Kleitias and Attic Black-Figure Vases in the Sixth-Century B.C. (Tokyo, 2010): FIG.19J (A1)
    Jourdain-Annequin, C. and Bonnet, C. (eds.), Heracles, Les femmes et le feminin, IIe rencontre Heracleenne, Colloque de Grenoble (Brussels, 1986): 288, FIG.3 (A1)
    Jurriaans-Helle, G., Composition in Athenian Black-Figure Vase-Painting: The Chariot in Profile Type Scene. Babesch Supplementa 41 (Leuven, Paris, and Bristol, 2021): 133, FIG.43 (COLOUR OF A1)
    Knauss, F.S. (ed.), Die unsterblichen Götter Griechenlands, Staatliche Antikensammlungen und Glyptothek München (Munich, 2012): 208, FIG.14.8 (B1)
    Kurtz, D.C. (ed.), Greek Vases, Lectures by J.D. Beazley (Oxford, 1989): PL.1.1-2 (PARTS OF A & B)
    Lapatin, K., Luxus. The Sumptuous Arts of Greece and Rome (Los Angeles, 2015): 173, FIG.30 (COLOUR OF PART OF B1)
    Lenormant, C. and de Witte, J., Elite des monuments ceramographiques (1837-61): I, PL.56 (COLOUR DRAWINGS OF A AND B)
    Lexicon Iconographicum Mythologiae Classicae: SUPPLEMENTUM 1, PL.241, ZEUS ADD.58 (B1)
    Meyer, M., Athena, Göttin von Athen. Kult und Mythos auf der Akropolis bis in klassische Zeit, Wiener Forschungen zur Archäologie 16 (Vienna, 2017): 641, FIGS.355-356 (COLOUR OF A AND B)
    Moraw, S. and Kieburg, A. (eds.), Mädchen im Altertum/Girls in Antiquity (Münster and New York, 2014): 174, FIG.1 (B1)
    Oakley, J., The Greek Vase, Art of the Story Teller (London, 2013): 43, FIG.4, 70, FIG.8 (COLOUR OF A1 AND B1)
    Schefold, K., Der religiose Gehalt der antiken Kunst und die Offenbarung (Mainz, 1998): 212, FIGS.59-60 (A1, B1)
    Schefold, K., Gods and Heroes in Late Archaic Greek Art. English translation by A. Griffiths (Cambridge, 1992): FIGS.3, 35 (A,B)
    Seaman, K. and Schultz, P. (eds.), Artists and Artistic Production in Ancient Greece (Cambridge, New York, and Melbourne, 2017): 160, FIG.10.1 (B)
    Smith, T.J. and Plantzos, D. (eds.), A Companion to Greek Art (Malden, 2012): II, 410, FIG.20.4 (A)
    Sparkes, B.A., The Red and the Black (London, 1996): 116, FIG.V.1 (B1)
    Stark, M., Gottliche Kinder, Ikonographische Untersuchung zu den Darstellungskonzeptionen von Gott und Kind bzw. Gott und Mensch in der griechischen Kunst (Stuttgart, 2012): PL.17A (B1)
    Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 76, FIG.34 (COLOUR OF A)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=4495
  • AVI Record Number: 4323
  • LIMC ID: 22333
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-74e00e22e4750-3
  • British Museum Link: https://www.britishmuseum.org/collection/object/G_1867-0508-962
  • CAVI Collection: London B 424, inv. 1867.5-8.962.
  • CAVI Lemma: BF lip cup. From Vulci. Phrynos Painter. Phrynos, potter. Third quarter sixth. 550-540.
  • CAVI Subject: Int.: lost, probably circles and dot. Lip: A: Heracles entering Olympus [[lead by Athena towards Zeus sitting on his throne]]. B: birth of Athena.
  • CAVI Inscriptions: Handle zone: A: Φρυνος εποιεσεν� χαιρε μεν. B: χαιρε και πιει με, ναιχι. [[No punctuation!]]
  • CAVI Comments: [[Must be a joke: see whether you can manage me (scil. such a huge cup)! μέν and ναιχι CVA, correct. 6792 is said to have καιρε, on this cup here the chi is cl. on both sides.]]@@[[Diameter: 281.]]
  • CAVI Number: 4323
  • AVI Bibliography: CIG 4 (1855�77), no. 8315. � H.B. Walters in BM Cat. B (1893), 424. � Kretschmer (1894), 195. � A.H. Smith and F.N. Pryce, CVA London 2, Great Britain 2 (1926), III H e, pl. 13,2a-b. � Beazley (1932), 170, [[phs.]] pl. 5 [[A, B, quite cl.]]. � ABV (1956), 168 and 169/3. � [[Dareggi (1969�70), 69 (A: lip and inscr., cl.)]]. � Para. (1971), 70. � Add.[2] (1989), 48 (much bibl.). � AttScr (1990), no. 228.
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
  • Pleiades URI: https://pleiades.stoa.org/places/413393
  • Coordinates: 42.421429,11.702499
  • Pleiades Coordinates: 42.419009,11.6298975
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Link to this record using the address https://www.beazley.ox.ac.uk/record/B0C82401-0283-4113-BA4B-E4D1A639305E

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