211324, ATHENIAN, Berlin, Antikensammlung, Berlin, Schloss Charlottenburg, F2282
- Vase Number: 211324
- Fabric: ATHENIAN
- Technique: RED-FIGURE
- Sub Technique: WHITE GROUND
- Shape Name: CUP
- Provenance: ITALY, ETRURIA, VULCI
- Date: -475 to -425
- Inscriptions: EUPHRONIOS
GLAUKON
Kalos/Kale: GLAUKON KA[LOS]
Signature: [EU]PHRONIOS EPOIESEN - Attributed To: EUPHRONIOS by SIGNATURE
PISTOXENOS P by BEAZLEY - Decoration: A,B: HORSE RACE, YOUTHS ON HORSEBACK, DRAPED YOUTHS, COLUMN (BUILDING ?), DINOS ON STAND OR POST
I: DRAPED YOUTH SEATED, WITH SCEPTRE, WOMAN (ACHILLES AND DIOMEDES ?) - Current Collection: Berlin, Antikensammlung: F2282
- Previous Collections:
- Berlin, Schloss Charlottenburg: F2282
- Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1589.1
Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 859.1 , 1703
Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 259.4
Buranelli, F., Gli scavi a Vulci della societa Vincenzo Campanari-Governo Pontifico 1835-1837 (Rome, 1991): 49, FIG.21 (DRAWING OF I); 241, FIGS. 2-3 (I,A)
Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 298
Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 3, 8-9, FIGS.1-3, PLS.(1031-1032) 102.1-5, 103.1-6 View Whole CVA Plates
Ellinghaus, C., Die Parthenonskulpturen, Der Bauschmuck eines öffentlichen Monumentes der demokratischen Gesellschaft Athens zur Zeit des Perikles, Techniken in der bildenden Kunst zur Tradierung von Aussagen (Hamburg, 2011): FIG.118 (PART)
Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 536, FIG.371 (A)
Hartwig, P., Die griechischen Meisterschalen (Stuttgart, 1893): PLS.51-52
Heilmeyer, W-D. and Giuliani, L. (eds.), Euphronios, der Maler: eine Ausstellung in der Sonderausstellungshalle der Staatlichen Museen Preußischer Kulturbesitz Berlin-Dahlem, 20.3. - 26.5.1991 (Milan, 1991): 235, 237, NO.56 (COLOUR)
Heilmeyer, W-D. et al., Antikenmuseum Berlin, Die ausgestellten Werke (Berlin, 1988): 128, NO.6 (I)
Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): I, 385
Jahrbuch des Deutschen Archäologischen Instituts: 117 (2002) 123, FIG.47 (PART OF I)
Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.415 (DETAIL OF I)
Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 156, FIG.162 (I)
Schefold, K., Jung, F., Die Sagen von den Argonauten, von Theben und Troia in der klassischen und hellenistischen Kunst (Munich, 1989): 170-171, FIGS.152A-B (I)
Wehgartner, I., Attische Weissgrundige Keramik (Mainz, 1983): PL.20.1-2 - AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=2472
- AVI Record Number: 2327
- LIMC ID: 33663
- LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-7580ce3ffafec-b
- CAVI Collection: Berlin 2282.
- CAVI Lemma: Fragmentary RF/WG cup. From Vulci. Pistoxenos Painter. Euphronios, potter.
Second quarter fifth. 480-470. Ca. 470 (CVA).
- CAVI Subject: Int.: WG: woman facing a seated youth (Achilles and Diomede, Furtw.);
probably a libation scene. A-B: RF: A: boys' horse race: two racers; three
columns (one fluted). B: very fragmentary: youth with an object that may be a
writing tablet; parts of youths and horses.
- CAVI Inscriptions: Int.: in BG on WG: [Ευ]φρονιος :* ε̣ποιεσεν{2}. Below the signature, somewhat
smaller: [Δι]ομεδ[ε] (Furtw.){3}. A: on the two plain columns, remains of widely
spaced letters; no doubt: hο παις καλος{4}. Above: Γλαυκ̣ον κα[λος]. On the
reserved foot profile, in BG: Ευφ[---, no doubt another potter's signature of
Euphronios{5}.
- CAVI Footnotes: {1} CVA, pl. 102,1 is a photo of Euphronios' signature. {2} CVA gives (in
agreement with pl. 102,1): [Ευφ]ρονιος : ε̣ποιεσε[ν]. The phi and final nu are
no longer visible, but were reproduced in Diepolder (1954), 5ff., fig. 1 and pl.
1; Diepolder (1936), 1ff., pls. 1 and 2,2, reproduces the old restorations.
Berlin Antikenmuseum (1991), 235 shows no trace of the first epsilon; the
interpoint is triple. {3} now showing only [--]μεδ[--]; see Berlin Antikenmuseum
(1991), 235 (there may be a slight trace of the omicron). Jahn (1853), 143,
restored: Διομηδη; differently Hartwig. {4} so CVA, but Berl. cat. says `mit
buchstabenähnlichen Zeichen'. Nonsense? {5} this fr. mentioned by Furtw. and
Hartwig, but the foot is now lost (CVA; Berlin Antikenmuseum (1991)).
- CAVI Comments: Diomede is mentioned as a slave and mistress of Achilles in Il. 9.664f.; the
identification was first made by Jahn. -The inscriptions mainly after Furtw.;
some letters have since been lost (see `ftn'). Beazley says this is the latest
signature of Euphronios. Attic except for four-stroke sigma.
- CAVI Number: 2327
- AVI Bibliography: Furtwängler (1885), no. 2282. — Beazley (1944), 36 = Beazley (1989), .... —
A. Greifenhagen, CVA Berlin 3, Germany 22 (1962), pls. 102,1-5, 103,1-6, figs.
1-3 (photos, mainly the old condition) (much bibl.){1}. — ARV[2] (1963), 859/1,
1703. — Add.[2] (1989), 298. — AttScr (1990), no. 717. — Berlin Antikenmuseum
(1991), 234/56 (present condition: Int., A; bibl.). — Robertson (1992), 156 and
fig. 162 (Int.).
- CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
- Pleiades URI: https://pleiades.stoa.org/places/413393
- Coordinates: 42.421429,11.702499
- Pleiades Coordinates: 42.419009,11.6298975
Link to this record using the address https://www.beazley.ox.ac.uk/record/B0EE76DA-5ABD-4CBE-9970-40378F886CFD
