204682, ATHENIAN, Paris, Musée du Louvre, Malibu (CA), The J. Paul Getty Museum, Berlin, Antikensammlung, G146
- Vase Number: 204682
- Fabric: ATHENIAN
- Technique: RED-FIGURE
- Shape Name: SKYPHOS
- Date: -500 to -450
- Inscriptions: HIERON
Named: AG[A]MESMO[N], THALTHYBIOS, DIOMEDES, AIAS, OLYTTEUS, [A]CHILEUS, PHOINI[CH]S
Signature: HIERONEPOIESEN - Attributed To: HIERON by SIGNATURE
MAKRON by BEAZLEY - Decoration: A: AGAMEMNON (NAMED) LEADING BRISEIS, TALTHYBIOS WITH KERYKEION, DIOMEDES (BOTH NAMED), TREE
B: MISSION TO ACHILLES, SEATED, AJAX, ODYSSEUS, PHOINIX (ALL NAMED)
Under handle: STOOL - Current Collection: Berlin, Antikensammlung: 1970.9A
- Previous Collections:
- Paris, Musée du Louvre: G146
- Malibu (CA), The J. Paul Getty Museum: 86.AE.314
- Publication Record: American Journal of Archaeology: 113 (2009) 618, FIG.17 (A)
Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 458.2, 1654, 481
Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 460.16-18 BELONG
Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 211.1
Beazley, J.D., Paralipomena (Oxford, 1971): 377
Benndorf, O., Wiener Vorlegeblätter für archäologische Übungen (Vienna, 1888-1890/91): C, PL.6
Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 119
Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 243
Hedreen, G., Capturing Troy, The Narrative Functions of Landscape in Archaic and Early Classical Greek Art (Ann Arbor, 2001): FIGS.2A-C (A, B, UH)
Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): II, 81
Kunisch, N., Makron (Mainz, 1997): 33, FIG.18, 68, FIG.31.331, PL.110.331
Kunisch, N., Makron (Mainz, 1997): PL.60.167
Lexicon Iconographicum Mythologiae Classicae: VII, PL.584, TALTHYBIOS 4 (A)
Monumenti inediti pubblicati dall'Instituto di Corrispondenza Archeologica (Rome, 1829-91): VI-VII, PL.19
Muller, Iconological Studies in Roman Art (Amsterdam, 1994): II, FIG.22 (A)
Oakley, J.H. and Palagia, O. (eds.), Athenian Potters and Painters, Volume II (Oxford, 2010): 149, FIG.3C (DRAWING OF PART OF A)
Perrot, G., Chipiez, C., Histoire de l'art dans l'antiquite, vols. IX-X (Paris, 1911-14): X, 484-485
Pottier, E., Vases antiques du Louvre (Paris, 1897-1922): PL.118
Reeder, E.D. et al., Pandora, Women in Classical Greece (Baltimore, 1995): 68, FIG.12 (A)
Revue du Louvre: 41 (1991) 5-6 19, FIG.17 (COLOUR OF B)
Salvadori, M. and Baggio, M. (eds.), Gesto-immagine, tra antico e moderno, riflessioni sulla comunicazione non-verbale, giornata di studi, Isernia, 18 Aprile 2007 (Rome, 2009): 20, FIG.2 (B)
Schefold, K., Jung, F., Die Sagen von den Argonauten, von Theben und Troia in der klassischen und hellenistischen Kunst (Munich, 1989): 179, FIG.159 (A)
Shapiro H.A., Myth into Art, Poet and Painter in Classical Athens (London, 1994): 15, 17, FIGS.7-8 (A, B)
Small, J.P., The Parallel Worlds of Classical Art and Text (Cambridge, 2003): 18, FIG.7 (A)
Studi Etruschi: 74 (2008) 54, FIG.1 (DRAWING OF B)
Transactions of the American Philological Association: 127 (1997) 76, FIG.6 (A)
Villing, A. et al., Troy: myth and reality (London, 2019): 44, FIG.29 (COLOUR OF A) - AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=6723
- AVI Record Number: 6487
- LIMC ID: 8366
- LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-741a25e594bb1-6
- CAVI Collection: Paris, Louvre G 146.+
- CAVI Lemma: RF skyphos. Makron. First quarter fifth. 490-480. Hauptwerk II (Kunisch).
- CAVI Subject: A: Briseis led away: Agamemnon leading Briseis to left; Talthybios with
kerykeion to left; Diomedes to left but looking back; tree. B: Mission to
Achilles(1): Ajax to right, leaning on his stick; Odysseus, armed, to right,
leaning on two spears; Achilles seated to left; Phoenix to left, leaning on his
stick; under the handle, stool with cushion.
- CAVI Inscriptions: On handle A/B, [on the left hasta, in the BG area], Gr.: hιερον επο{2}. A:
Αγ[α]μεσμο[ν]. Θαλ(θ)υβιος{3}. Διομεδες. B: Αιας. Ὀλυττευς. [Α]χιλλευς.
Φοινι[χ]ς.
- CAVI Footnotes: {1} Heberdey argues that B continues A, which would differ much from Homer.
{2} so Kunisch in cat.; on p. 8 n. 35 K. notes that Pottier and Beazley differ
in the rendering of the sigma (P.: three-stroke), B.: four-stroke), but that he
himself could read nothing, because of the `starken Ausplatzungen' of the BG.
The ph. on pl. 110 does not show anything clearly. {3} the theta drawn = closed
heta. Kretschmer makes much of a supposed reading Θαλhυβιος. See Kretschmer
(1894), 150 and 231 (in the latter passage a linguistic explanation is given,
which I would question; see also Threatte (1980), p. 460.)
- CAVI Comments: + unpublished fr. from the Louvre. For the handles (of cup-type) see Kunisch,
p. 15. The inscriptions here done mainly from the sketches on p. 195 of Kunisch.
Briseis is apparently not named. Probably Attic alphabet. Four-stroke sigma in
the signature (ARV[2] and Kunisch, p. 8).
- CAVI Number: 6487
- AVI Bibliography: MonIned 6-7 (1863), pl. 19. — Kretschmer (1894), 150 and 231, 168-69 and 236.
— Kretschmer (1896), 414, n.3. — Heberdey (1934), 133, pl. 14 (after Mon.). —
ARV[2] (1963), 458/2, 481, 1654. — Para. (1971), 377. — Hornbostel (1979), 34,
fig. 1 (A). — LIMC i (1981), Achilleus 447*, Agamemnon 52*. — LIMC iii (1986),
Briseis 2, Diomedes I p. 407 (ii). — Add.[2] (1989), 243 (bibl.). — AttScr
(1990), no. 565. — Cohen (1991), 70 and n. 122. — Denoyelle (1994), no. 61. —
LIMC vii (1994), 838, Talthybios 4* (pl. 584). — Papadakis (1994), 27/A 4, 34,
42. — Shapiro (1994), 15ff., figs. 7 and 8. — Kunisch (1997), 7, 8 and n. 35,
15, 100 n. 402, 133f., 195/331, fig. 18 (detail), pl. 110 (shows part of
signature and traces of inscriptions) (bibl.).
- CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
Link to this record using the address https://www.beazley.ox.ac.uk/record/E027CEA5-C3B9-4140-A97A-F97919D74FF3
