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200157, ATHENIAN, Canino, Lucien Bonaparte, Prince of Canino, Munich, Antikensammlungen, Munich, Antikensammlungen, J410

  • Vase Number: 200157
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: AMPHORA, BELLY, TYPE A
  • Provenance: ITALY, ETRURIA, VULCI
  • Date: -525 to -475
  • Attributed To: EUTHYMIDES by KLEIN
  • Current Collection: Munich, Antikensammlungen: 2309
  • Previous Collections:
    • Canino, Lucien Bonaparte, Prince of Canino
    • Munich, Antikensammlungen: J410
  • Publication Record: Antike Welt: 1988, SONDERNUMMER, 3, FIG.3 (PART OF B)
    Antike Welt: 32 (2001) 193, FIGS.14A-B (A, B)
    BEAZLEY NOTEBOOK: 77, 22.3
    BEAZLEY NOTEBOOK: 80, 65.2, 66.4-67.1
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 27.4, 1620
    Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 25.3
    Beazley, J.D., Attic red-figured Vases in American Museum (Cambridge, 1918): 32, FIG.18 (PART OF B)
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 63.3, 468
    Beazley, J.D., Paralipomena (Oxford, 1971): 323
    Bianchi Bandinelli, R. and Paribeni, E., L'Arte dell' antichita classica, I, Grecia (Turin, 1976): NO.329 (A)
    Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.34.1,2 (A,B), 34, HEAD DETAILS 4
    Brijder, H.A.G., Ancient Greek and Related Pottery, Proceedings of Vase Symposium (Amsterdam, 1984): 169, FIGS.3, 13 (PARTS OF A,B)
    Bundrick, S.D., Athens, Etruria, and the Many Lives of Greek Figured Pottery (Madison, 2019): 21, FIGS.2.1-2 (A, B)
    Burlington Magazine: 119 (1977) 88, FIG.19 (PART OF A)
    Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 75
    Buschor, E., Griechische Vasenmalerei (Munich, 1914): 151 (PART OF A)
    Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.258 (A)
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 156
    Charbonneaux, J., Martin, R., and Villard, F., Archaic Greek Art (London, 1971): 328, FIG.377 (PART OF A)
    Cohen, A., Art in the Era of Alexander the Great, Paradigms of Manhood and their Cultural Traditions (Cambridge, 2010): 53, FIG.13 (DRAWING OF A)
    Cook, R.M. and Charleston, R., Masterpieces of Western and near-Eastern Ceramics (Tokyo, 1979): FIG.49 (A)
    Corpus Vasorum Antiquorum: MUNICH, MUSEUM ANTIKER KLEINKUNST 4, 11,12,13, PLS.(539-542,566) 161.1-2, 162.1-2, 163.1-2, 164.1-2, 188.4 View Whole CVA Plates
    Dierichs, A., Erotik in der Kunst Griechenlands (Mainz, 2008): 22, FIG.14 (COLOUR OF A)
    Dover, K., Greek Homosexuality (London, 1978): R55 (PART OF A)
    Folsom, R., Attic Red-Figured Pottery (Parkridge, 1976): PL.8 (A)
    Frasca, R. (ed.), La multimedialita della comunicazione educativa in Grecia e a Roma, Scenario, Percorsi (Bari, 1996): 57, TOP (PART OF A)
    Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PL.33 (A, B)
    Gerhard, E., Auserlesene Vasenbilder (Berlin, 1840-58): III, PL.168 (COLOUR DRAWINGS OF A AND B)
    Grimm, G., Von der Liebe zur Antiken Welt, Zaberns Bildbände zur Archäologie (Mainz, 2005): 103, FIGS.14A-B (A, B)
    Hedreen, G., The Image of the Artist in Archaic and Classical Greece: Art, Poetry, and Subjectivity (Cambridge, 2016): 272, FIG.59 (A)
    Heilmeyer, W.D. et al., Euphronios und seine Zeit, Kolloquium in Berlin 19./20. April 1991 anlässlich der Ausstellung Euphronios der Maler (Berlin, 1991): 86, FIG.14 (PART OF A)
    Hoppin, J.C., Euthymides and his fellows (Cambridge, 1917): 17, PLS.24.1
    Hoppin, J.C., Euthymides: a study in Attic vasepainting (Leipzig, 1896): 23-5, 27
    Knauss, F., Die Kunst der Antike, Meisterwerke der Münchner Antikensammlungen (Munich, 2017): 53 (COLOUR OF A)
    Langlotz, E., Griechische Vasen in Würzburg (Munich, 1932): PLS.17, 25
    Lexicon Iconographicum Mythologiae Classicae: IV, PL.299, HELENE 41 (A)
    Lexicon Iconographicum Mythologiae Classicae: VI, PL.46, KORONE 1 (PART OF A)
    Lulof, P. and Rescigno, C. (eds.), Deliciae Fictiles IV, Architectural Terracottas in Ancient Italy, Images of Gods, Monsters and Heroes, Proceedings of the International Conference held in Rome (Museo Nazionale Etusco di Villa Giulia, Royal Netherlands Institute) and Syracuse (Museo Archeologico Regionale Paolo Orsi), October 21-25, 2009 (Oxford, 2011): 179, FIG.5 (PART OF A)
    Marcade, J., Eros Kalos (Geneva, 1962): 164 (PART OF A)
    Monuments et memoires publies par l'Academie des Inscriptions et Belles-Lettres: 61 (1977) 38, FIG.12 (PART OF A)
    Ohly, D., Geleitwort fur den Besucher (Munich, 1968): PL.28 (A)
    Ohly-Dumm, M., Attische Vasenbilder der Antikensammlungen München, I (Munich, 1975): 13-17, PLS.3-5 (DRAWINGS OF A & B)
    Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIGS.368-9
    Pfuhl, E., Masterpieces of Greek drawing and painting (London, 1926): FIGS.41-2
    Revue Archeologique: 1977, 33, FIG.8 (PART OF A)
    Rivista di Archeologia: 1 (1977) PL.9, FIG.3 (A)
    Robertson, C., A Shorter History of Greek Art (Cambridge, 1981): 65, FIG.91 (PART OF A)
    Robertson, C., History of Greek Art (Cambridge, 1975): PL.72E (PART OF A)
    Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 30, FIG.22 (PART OF A)
    Schefold, K., Götter und Heldensagen der Griechen in der spätarchaischen Kunst (Munich, 1978): FIG.209 (A)
    Seaman, K. and Schultz, P. (eds.), Artists and Artistic Production in Ancient Greece (Cambridge, New York, and Melbourne, 2017): 32, FIG.3.5 (A, B)
    Seltman, C.T., Attic vase-painting (Cambridge, 1933): PL.19
    Servadei, C., La figura di Theseus nella ceramica Attica, Iconografia e iconologia del mito nell' Atene arcaica e classica (Bologna, 2005): 161, FIGS.67-68 (A, B)
    Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 128, FIG.100 (COLOUR OF B)
    Valavanis, P. and Manakidou, E., Egraphsen kai epoiesen. Essays on Greek Pottery and Iconography in Honour of Professor Michalis Tiverios (Thessaloniki, 2014): 199, FIG.5A-B (DRAWING OF A AND B)
    Yatromanolakis, D. (ed.), Epigraphy of Art: Ancient Greek Vase-Inscriptions and Vase-Paintings (Oxford, 2016): 57, FIG.2 (COLOUR OF A)
  • AVI Web:
  • AVI Record Number: 5260
  • LIMC ID: 11872
  • LIMC Web:
  • CAVI Collection: Munich 2309.
  • CAVI Lemma: RF amphora. From Vulci. Euthymides. Last quarter sixth. 510-500.
  • CAVI Subject: A-B: Theseus abducting Helen (or Korone).
  • CAVI Inscriptions: A: between Perithoos' legs: hερες{1}. To right of his head: Περιθους{2}. To lower right of a girl trying to come to the rescue: hελενε{3}. To left of Theseus' head: Θεσε(υ)ς, retr. To lower right of the captured girl: (Κ)(ο)ρονε. B: Along the left margin, facing out: χαιρε {τ} Θεσευς{4}. Behind the back of a girl rushing to right, not facing her: Αντιοπεια{5}. To right of a second girl rushing to right: ειδονθεμεν{6}. Under the foot, Gr.: κυλ) ΙΒ and ΛΗ [[lig.]]{7}.
  • CAVI Footnotes: {1} Furtw�ngler considers this a masculine name, probably a love name, although there is no room for καλος. Beazley does not list it. Further, AttScr (1990), 65. {2} Cf. ARV[2] 328/115, where Beazley notes, wrongly a propos of a possible reading [Β]ουκολος on Eleusis 607, the use of ou for o. Cf. also Threatte (1980), 240/4. {3} Not retr. Beazley follows Buschor in FR iii in assuming that the names of Helen and Korone have been interchanged; he is followed by Brommer. Differently, FR i, 177: Furtw. thought it was a joke and is followed by Schefold (1978), 157 and by A. Linfert, RA 1 (1977) 22. {4} χαιρε is followed by a cross-shaped sign that looks like a tau. Furtw�ngler suggests a chi, for γε. {5} an Amazon loved by Theseus. {6} εἶδον� θέ[ο̅]μεν, Furtw�ngler. Probably nonsense. {7} Johnston (1979), 153/50, Hackl (1909), 408, Hesp. 27.
  • CAVI Comments: Giuliani follows Furtw�ngler's interpretation. He considers the vase a joke on the many loves of Theseus; I argue for a mock inscription, perhaps inspired by ειδον. Robertson 30 discusses the inscriptions; he thinks Korone is a mistake; Antiopeia is not the Amazon queen; Euthymides doesn't care; he also uses writing w/o meaning ...
  • CAVI Number: 5260
  • AVI Bibliography: Kretschmer (1894), 192. � E. Buschor in FR (1904�32), iii, 117/8. � FR (1904�32), i, 173-81, 181 (facs.), pl. 33 (dr.). � Pfuhl (1923), figs. 368-69 (from FR). � Bl�sch (1951), ...., Eukleo Class, A. � [[Lullies�Hirmer (1953), pls. 17�23 (A: pl. 17 Hερες, Περιθους, and Θεσες sm., uncl., Hελενε invis., pl. 18 almost all invis., pl. 19 Π. the end and Θ. barely vis., H. and Κορονε quite cl.; B: χ. invis., Αντ. invis., θεμεν pl. 23 quite cl.)]]. � R. Lullies, CVA Munich 4, Germany 12 (1956), pls. 161,1-2, 162,11-2, 163,1-2, 164,1-2, 188,4. � Amyx (1958), 294 f., pl. 53,h (after FR). � Amyx (1958), pl. 53. � Arias�Hirmer�Shefton (1962), pl. 116 (B). � ARV[2] (1963), 27/4, 1620. � Para. (1971), 323. � Ohly-Dumm (1975), pls. 3-5 (from FR). � Linfert (1977), 19-22. � Brommer (1979), 509. � Scheibler (1983), 148, fig. 130 (dr.). � Add.[2] (1989), 156 (much bibl.). � AttScr (1990), no. 372. � Giuliani (1992), 118-19. � Immerwahr (1992), 53. � Robertson (1992), 30.
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
  • Image Credits: FURTWANGLER-REICHHOLD DRAWINGS: Please consult with Williams College Special Collections staff and Williams College Visual Resources Center staff, regarding questions about publishing and accessing materials from Williams College Special Collections. Researchers are responsible for handling any copyright issues that may be associated with collections and materials.
  • Pleiades URI:
  • Coordinates: 42.421429,11.702499
  • Pleiades Coordinates: 42.419009,11.6298975
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