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200931, ATHENIAN, Florence, Museo Archeologico Etrusco, 91456

  • Vase Number: 200931
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Sub Technique: CORAL RED
  • Shape Name: CUP
  • Provenance: ITALY, ORVIETO
  • Date: -525 to -475
  • Inscriptions: CHACHRYLION
    Kalos/Kale: KALOS NAICHI
  • Current Collection: Florence, Museo Archeologico Etrusco: 91456
  • Publication Record: Antike Kunst: 55 (2012) PL.8.1-4 (COLOUR OF A, B, AND I)
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 108.27
    Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 82.4
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 50.8
    Brommer, F., Theseus (Darmstadt, 1982): PL.11A-B
    Carpenter, T.H., with Mannack, T., and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 173
    Corpus Vasorum Antiquorum: FIRENZE, REGIO MUSEO ARCHEOLOGICO 3, III.I.5, PLS.(1342,1343,1344,1380) 78.1-2, 79.1-2, 80.1-4, 116.5 View Whole CVA Plates
    Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 149, FIG.122, 347, FIG.281, 368, FIG.299 (I, PART OF A, B)
    Esposito, A.M., and Tommaso, G. (eds.), Museo Archeologico Nazionale di Firenze, Vasi Attici (Firenze, 1993): 51, FIGS.68-69 (COLOUR OF I AND A)
    Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): I, 153
    Immerwahr, H., A Corpus of Attic Vase Inscriptions, Preliminary Edition (1998): 3613
    Jacobsthal, P., Ornamente Griechischer Vasen (Berlin, 1927): PLS, TITLE PAGE (I)
    Le mythe Grec dans l'Italie antique, Fonction et images (Rome, 1999): 354, FIG.2 (A)
    Lexicon Iconographicum Mythologiae Classicae: III, PL.615, EROS 91 (I)
    Lexicon Iconographicum Mythologiae Classicae: VII, PL.623, THESEUS 33 (A, B)
    Lissarrague, F., Greek Vases, The Athenians and their Images (2001): 44-45, FIGS31-32 (COLOUR OF I)
    Mededelingen van het Nederlands Instituut te Rome: 5 (1978) PL.32, FIGS.27-8 (A,B)
    Museo italiano di antichita classica (Florence, 1885-90): 3, PL.2
    Neils, J., The Youthful Deeds of Theseus (Rome, 1987): FIGS.10-11 (A, B)
    Oakley, J.H. et al., Athenian Potters and Painters, The Conference Proceedings (Oxford, 1997): 148, FIG.8 (I)
    Pellegrini, E., Eros nella Grecia arcaica e classica, iconografia e iconologia (Rome, 2009): PL.17 (I)
    Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.351
    Schefold, K., Die Göttersage in der klassischen und hellenistischen Kunst (Munich, 1981): 192, FIG.255 (I)
    Servadei, C., La figura di Theseus nella ceramica Attica, Iconografia e iconologia del mito nell' Atene arcaica e classica (Bologna, 2005): 47, 49, FIGS.16-17 (A, B)
    Shapiro, H.A., Art and Cult under the Tyrants in Athens (Mainz, 1989): PLS.55B, 65C-D (I, A, B)
    Thomsen, A., Die Wirkung der Götter, Bilder mit Flügelfiguren auf griechischen Vasen des 6. und 5. Jahrhunderts v.Chr. (Berlin and Boston, 2011): 44, FIG.15 (I)
  • AVI Web:
  • AVI Record Number: 3613
  • CAVI Collection: Florence 91,456.
  • CAVI Lemma: RF cup. From Orvieto. Unattributed{1}. Cachrylion, potter. Last quarter sixth.
  • CAVI Subject: Int.: Eros flying over the sea with a sprig. Around the tondo, intentional red. Ext.: Deeds of Theseus. A: Sinis, Minotaur, Procroustes. B: Skiron, Cercyon, bull. Ext.: intentional red below the figured area.
  • CAVI Inscriptions: Int.: starting above the head and continuing above the body: κ^αλο^ς, upside down rather than retr. Below him and above the exergue (which represents the sea), certainly upside down: hο παις. A: Χαχρυ[λιον] εποιεσεν εποεσε{2}. B: Χαχρυλιον εποιεσεν. καλος. Further down: hο παις{3}.
  • CAVI Footnotes: {1} two related cups listed in ARV[2] 109. {2} complete aft. See ARV[2] and cf. Threatte (1980), 328. {3} done from CVA, text, which does not have ναιχι. (ARV[2] has: Χαχρυλιον [επο]ιεσεν, καλος, ναιχι.) The question is whether the kalos is written as a continuation of the signature as on some LM cups (see CVA, Munich 10), or whether it is separate, giving hο παις καλος. There is a space before καλος.
  • CAVI Number: 3613
  • AVI Bibliography: A. Magi, CVA, Italy 30, Florence 3 (1959), pls. 78,2-3, 79,1-2, 80,1-4 and 116,5 A, B (much bibl.). — ARV[2] (1963), 108/27. — Add.[2] (1989), 173. — Koch-Harnack (1989), 74, fig. 54 (Int.). — Esposito–De Tommaso (1993), 51/68-69 (Int., A) (shows letters of Int.).
  • Pleiades URI:
  • Coordinates: 42.718642,12.114315
  • Pleiades Coordinates: 42.7225286,12.1198882
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Last updated 05/07/2021 10:06:00 by Mannack, Thomas. Created 18/10/2003 23:36:00 by Wagner, Claudia. Approved by Mannack, Thomas. Copyright © 2003-2021 Classical Art Research Centre, University of Oxford.

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