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216950, ATHENIAN, Athens, National Museum, Athens, M. Vlasto, VS319

  • Vase Number: 216950
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: CHOUS
  • Provenance: GREECE, ATTICA, KOROPI
  • Date: -450 to -400
  • Attributed To: ERETRIA P by VLASTO
  • Current Collection: Athens, National Museum: VS319
  • Previous Collections:
    • Athens, M. Vlasto
  • Publication Record: American Journal of Ancient History: 13.2 (1988/1997) PLS.5A-5B (BD)
    Archeo, Attualita di Passato: 24 (2009) 4, 29 BOTTOM RIGHT (COLOUR OF PART)
    Badenas de la Pena, P., et al. (eds), Homenaje a Ricardo Olmos. Per speculum in aenigmate. Miradas sobre la Antiguedad (Madrid, 2015): 149, FIG.1 (BD)
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1249.14
    Beazley, J.D., Paralipomena (Oxford, 1971): 469
    Bobou, O., Children in the Hellenistic World, Statues and Representation (Oxford, 2015): 33, FIG.7 (BD)
    Carpenter, T.H., with Mannack, T., and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 354
    Guazzelli, T, Le Antesterie, Liturgie e pratiche simboliche (Florence): FIGS.13-14
    Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Manaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 436, 452, FIGS.292, 305 (PARTS OF BD)
    Isler-Kerenyi, C., Dionysos in Classical Athens. An Understanding through Images (Leiden and Boston, 2014): 143, FIG.80 (BD)
    Kaltsas, N. and Shapiro, A., Worshiping Women, Ritual and Reality in Classical Athens (Athens and New York, 2008): 265, NO.123 (COLOUR)
    Lezzi-Hafter, A., Der Eretria-Maler, Werke und Weggefahrten (Mainz, 1988): FRONTISPIECE, 194, FIG.63A (PROFILE), 201, FIG.66, PL.136.NO.214
    Neils, J. and Oakley, J.H. (eds.), Coming of Age in Ancient Greece, Images of Childhood from the Classical Past (New Haven, 2003): 104, FIGS.18A-B (BD)
    Norskov, V., et al. (eds.), The World of Greek Vases (Rome, 2009): 230, FIG.11 (BD)
    Oakley, J.H. et al., Athenian Potters and Painters, The Conference Proceedings (Oxford, 1997): 481, FIG.13 (PART)
    Pirenne-Delforge, V., and Prescendi, F. (eds.), 'Nourrir les dieux?', Sacrifice et representation du divin, Actes de la VIe recontre du Groupe de recherche europeen 'Figura, Representation du divin dans les societes grecque et romaine' (Universite de Liege, 23-24 octobre 2009) (Liege, 2011): 74, FIG.10 (BD)
    Rosokoki, A., Die Erigone des Eratosthenes, Eine kommentierte Ausgabe der Fragmente (Heidelberg, 1995): FIG.4
    Schmidt, S., Rhetorische Bilder auf attischen Vasen, Visuelle Kommunikation im 5. Jahrhundert v. Chr. (Berlin, 2005): 178, FIG.91 (BD)
    Simon, E., Ausgewahlte Schriften, I, Griechische Kunst (Mainz, 1998): 151, FIG.12.10 (PART OF BD)
    Sommer, M., and Sommer, D., Care, Socialization, and Play in Ancient Attica. A Developmental Childhood Archaeological Approach (Aarhus, 2015): 93, FIG.22 (COLOUR OF BD)
    Steinhart, M., Die Kunst der Nachahmung (Mainz, 2004): PL.34.4 (BD)
    Thesaurus Cultus et Rituum Antiquorum: II, PL.5.GR143 (BD)
  • AVI Web:
  • AVI Record Number: 1906
  • LIMC ID: 50609
  • LIMC Web:
  • CAVI Collection: Athens, Vlastos.(1).
  • CAVI Lemma: RF oinochoe (chous). From Koropi (Attica). Eretria Painter; Class of Athens 15308 (Green). Third quarter fifth. 430-425 (Lezzi-Hafter).
  • CAVI Subject: Aiora: two boys watch as their father puts their little brother on a swing; at right, table with cakes and a phiale(?); also an empty chair{2}.
  • CAVI Inscriptions: Above the two brothers: καλο[ς]. Above the father: κα̣[λο]ς. Above the chair: κ̣α̣λο[ς].
  • CAVI Footnotes: {1} listed by L.-H. as: Athens, M. Serpieri-Vlasto. {2} said by L.-H. to be the chair of the basilinna.
  • CAVI Number: 1906
  • AVI Bibliography: ARV[2] (1963), 1249/14 (bibl.). — Green (1971), 197,2. — Para. (1971), 469. — Lezzi-Hafter (1988), 201, 339/214, pl. 136 and frontispiece of text volume. — Add.[2] (1989), 354 (bibl.).

Last updated 22/02/2021 08:20:00 by Mannack, Thomas. Created 19/10/2003 06:02:00 by Mannack, Thomas. Approved by Mannack, Thomas. Copyright © 2003-2021 Classical Art Research Centre, University of Oxford.

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