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201941, ATHENIAN, Rome, private, Alibrandi, London, British Museum, London, British Museum, London, British Museum, 1848.0801.1

  • Vase Number: 201941
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: KRATER, VOLUTE
  • Provenance: ITALY, ETRURIA, CERVETERI
  • Date: -525 to -475
  • Attributed To: BERLIN P by BEAZLEY
  • Decoration: Neck A: ACHILLES AND MEMNON, BETWEEN THETIS AND EOS (ALL NAMED), SHIELD DEVICE, BULL HEAD
    Neck B: ACHILLES AND HEKTOR, BETWEEN ATHENA AND APOLLO (ALL NAMED)
  • Current Collection: London, British Museum: 1848.0801.1
  • Previous Collections:
    • Rome, private, Alibrandi
    • London, British Museum: 1848.8-1.1
    • London, British Museum: E468
  • Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 206.122, 1633
    Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 138.102
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 82.78
    Beazley, J.D., Der Berliner Maler (Berlin, 1930): PLS.29-31
    Beazley, J.D., Paralipomena (Oxford, 1971): 343
    Beazley, J.D., The Berlin Painter (Mainz, 1974): PLS.29-31
    Birchall, A. and Corbett, P., Greek Gods and Heroes (London,1974): FIG.61 (B)
    Boardman, J. (ed.), The Oxford History of Classical Art (Oxford, 1993): 53 BELOW (A)
    Boardman, J. (ed.), The Oxford History of Classical Art (Oxford, 1993): 77, FIG.75 (NB)
    British Museum, A guide to the exhibition illustrating Greek and Roman life (2nd ed., London, 1920): 101 (PART OF A)
    Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 96
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 194
    Ellinghaus, C., Die Parthenonskulpturen, Der Bauschmuck eines öffentlichen Monumentes der demokratischen Gesellschaft Athens zur Zeit des Perikles, Techniken in der bildenden Kunst zur Tradierung von Aussagen (Hamburg, 2011): FIGS.229-230 (NA, NB)
    Gaultier, F. et al. (eds.), Gli Etruschi e il Mediterraneo. La citta di Cerveteri (Rome, 2014): 51, UNNUMBERED (COLOUR OF B)
    Gerhard, E., Auserlesene Vasenbilder (Berlin, 1840-58): III, PL.204 (COLOUR DRAWINGS OF A AND B)
    Girard, T., L'oblique dans le monde grec (Oxford, 2015): 74, FIG.31 (NA, NB)
    Jahrbuch der staatlichen Kunstsammlungen in Baden-Wurttemberg: 6 (1969) 10, FIG.3 (A)
    Journal of Hellenic Studies: 103 (1983) PL.9B-F (NECK,A,B)
    Journal of Hellenic Studies: 31 (1911) 283, PL.14
    Knittlmayer, B., Die Attische Demokratie und ihre Helden, Darstellungen des trojanischen Sagenkreises im 6. und frühen 5. Jh.v.Chr. (Heidelberg, 1997): PL.14.1-2 (NA AND NB)
    Kurtz, D.C. (ed.), Greek Vases, Lectures by J.D. Beazley (Oxford, 1989): PLS.44-45.1-2 (A, NAB)
    Lexicon Iconographicum Mythologiae Classicae: I, PL.114, ACHILLEUS 565 (B)
    Lexicon Iconographicum Mythologiae Classicae: VI, PL.235, MEMNON 44 (NA)
    Lissarrague, F. et al. (eds.), Ceramique et peinture Grecques, Modes d'emploi, Actes du colloque internat., Ecole du Louvre, April 1995 (Paris, 1999): 266, FIG.7 (PART OF NB)
    Mouseion: 54 (2010) 10.1, 5, FIG.1 (PART OF NA)
    Muth, S., Gewalt im Bild, Das Phänomen der medialen Gewalt im Athen des 6. und 5. Jahrhunderts v. Chr. (Berlin, 2008): 104, FIG.58 (NB)
    Padgett, J.M. (ed.), The Berlin Painter and His World: Athenian Vase-Painting in the Early Fifth Century B.C., Princeton University Art Museum Monograph Series (New Haven and London, 2017): 13, FIG.19, 54, FIG. 15, 335, NO.66 (COLOUR OF A, NB AND PART OF NB)
    Powell, B. Homer's Iliad and Odyssey. The Essential Books (Oxford, 2015): 221, FIG.22.1 (PART OF NB)
    Recke, M., Gewalt und Leid, Das Bild des Krieges bei den Athenern im 6. und 5. Jh. v. Chr. (Istanbul, 2002): PL.7A (PART OF NB)
    Robertson, C., History of Greek Art (Cambridge, 1975): PLS.81B, 83D (B, PART OF A)
    Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 74, FIGS.60-61 (PART OF A, B)
    Schefold, K., Jung, F., Die Sagen von den Argonauten, von Theben und Troia in der klassischen und hellenistischen Kunst (Munich, 1989): 226, FIGS.203A-B (NAB)
    Scheurleer, C.W., Grieksche keramiek (Rotterdam, 1936): PL.30.84 (A)
    Sparkes, B.A., The Red and the Black (London, 1996): 99, FIG.IV.6 (PART OF NA)
    Stuttard, D., Power Games, Ritual and Rivalry at the Ancient Greek Olympics (London, 2012): 158, FIG.58 (COLOUR OF PART OF NB)
    Villing, A. et al., Troy: myth and reality (London, 2019): 84, FIG.62, 90, FIG.68 (COLOUR OF A AND NB)
    Woodford, S., An Introduction to Greek Art. Sculpture and Vase Painting in the Archaic and Classical Periods. 2nd edition (London, 2015): 69, FIGS.91-92 (B, PART OF NB)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=4778
  • AVI Record Number: 4606
  • LIMC ID: 15193
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-747aef89fdf6b-2
  • CAVI Collection: London E 468.
  • CAVI Lemma: RF volute krater. From Cerveteri. Berlin Painter. Ca. 490.
  • CAVI Subject: Neck: A: Achilles and Memnon with Thetis and Eos. B: Achilles and Hector with Athena and Apollo.
  • CAVI Inscriptions: Neck: A: Θετις. Αχιλλευς. To left of Memnon's head, above his shield and paralleling it: Μεμνον, retr. hεος, retr. B: Αθεναια. Αχιλλευς. hε(κ)τορ, retr. Απολλον, retr.
  • CAVI Comments: The lettering is early.
  • CAVI Number: 4606
  • AVI Bibliography: Beazley (1911), 283 and pl. 14 (inscriptions redrawn). — Beazley (1930), 13/96, pls. 29-31. — ARV[2] (1963), 207/132, 1633. — Para. (1971), 343. — Add.[2] (1989), 194. — AttScr (1990), no. 492. — Robertson (1992), 74, figs. 60 (B) and 61 (A, part, shows inscription of Memnon).
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
  • Pleiades URI: https://pleiades.stoa.org/places/422859
  • Coordinates: 41.992798,12.092428
  • Pleiades Coordinates: 42.0047755,12.10281885
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Link to this record using the address http://www.beazley.ox.ac.uk/record/6827863E-3495-493D-9AFB-80952FBBD3D9

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