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207549, ATHENIAN, Cleveland (OH), Museum of Art, Cleveland (OH), Museum of Art, 1928.660

  • Vase Number: 207549
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: LEKYTHOS
  • Provenance: ITALY
  • Date: -475 to -425
  • Attributed To: OIONOKLES P by BEAZLEY
  • Decoration: Body: WARRIOR CUTTING LOCK OF HAIR WITH SWORD, SHIELD, SPEAR, STOOL WITH HELMET AND CLOTH
  • Current Collection: Cleveland (OH), Museum of Art: 28.660
  • Previous Collections:
    • Cleveland (OH), Museum of Art: 1928.660
  • Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 648.37
    Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 134
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 275
    Corpus Vasorum Antiquorum: CLEVELAND, MUSEUM OF ART 1, 20-21, PL.(711) 31.1-2 View Whole CVA Plates
    Girard, T., L'oblique dans le monde grec (Oxford, 2015): 147, FIG.139 (BD)
    Jarva, E., Archaiologia on Archaic Greek Body Armour, Studi Archaeologica Septentrionalia 3 (Rovaniemi, 1995): 31, FIG.8 (PART)
    Oakley, J.H., A Guide to Scenes of Daily Life on Athenian Vases (Madison, 2020): 174, FIG.8.8 (BD)
    Osborne, R., The Transformation of Athens Painted Pottery and the Creation of Classical Greece (Princeton and Oxford, 2018): 234, FIG10.6 (BD)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=3373
  • AVI Record Number: 3202
  • LIMC ID: 5980
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-73f852881f8fb-5
  • CAVI Collection: Cleveland 28.660.
  • CAVI Lemma: RF lekythos. From Italy. Oionokles Painter. Second quarter fifth. 480-470 (Boulter).
  • CAVI Subject: Warrior cutting off a lock of hair with his sword and placing his armor on a stool.
  • CAVI Inscriptions: Nonsense: on his left, not facing him: υγιοσ εγυ. To right of the stool and an upright spear, which is to right of his face: γυιοσεγυ{1}.
  • CAVI Footnotes: {1} Serbeti's readings differ: λγιοσεγ(α). [Alpha upside down]. γυιοσεαυ. She has a list of these inscriptions and discusses the question of literacy.
  • CAVI Comments: Small neat letters. CVA's facs. is not quite accurate. The inscriptions are identical except that the first two letters are upside down in comparison with the other. The style of writing does not suit the Oionokles Painter: was there perhaps contamination of inscriptions in this workshop? For parallels to the inscriptions see CB ii (on Boston 01.8028, by the Briseis Painter): the similarity of inscriptions shows that the Oionokles, Briseis, and the Painter of Louvre G 265 worked in the same workshop at one time. For the subject Beazley refers to his `Kleophr.' 28 and to Haspels (1936), 73-74.
  • CAVI Number: 3202
  • AVI Bibliography: CB (1931–63), ii, 40 (mention). — Beazley (1933), 28/on 79. — Haspels (1936), 73-74. — ARV[2] (1963), 648/37. — C.G. Boulter, CVA Cleveland 1, USA 15 (1971), pl. 31; p. 20 (facs.). — Add.[2] (1989), 275 (much bibl.). — Serbeti (1989), 40.
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
  • Pleiades URI: https://pleiades.stoa.org/places/991352
  • Coordinates: 42.8333,12.8333
  • Pleiades Coordinates: 42.5,12.5
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Link to this record using the address https://www.beazley.ox.ac.uk/record/CF966993-0D10-4B37-BF99-97D69FEED3BB

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